For Your Consideration

2006 "Success in Hollywood is as fragile as a rumor"
6.3| 1h26m| PG-13| en
Details

The possibility of Oscar gold holds the cast and crew of an independent film in its grip after the performance of its virtually unknown, veteran star generates awards buzz.

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Reviews

Alicia I love this movie so much
AniInterview Sorry, this movie sucks
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
lewiskendell Another amusing Christopher Guest mockumentary, this time set in Hollywood and targeting the hoopla and absurdity surrounding the Oscar's and promise of a nomination. It took me a little while to warm up to this one, but eventually I got into it and it had some pretty funny moments. It is really quite clever in places, and it's probably not that much of a stretch that a small movie and those involved could be swept up in the rumors of possible Academy Awards in such an extreme manner. The usual Guest regulars are all here, and so is his particular sense of humor that you either get, or you don't. It's a safe bet that you'll probably like For Your Consideration about as much as you liked other Guest movies like Best in Show. Manage your expectations accordingly.
disdressed12 having not seen any Christopher Guest movie before this one,i was pleasantly surprised.i found it very clever,witty and sly.i also love the fact that it skewers some of the people in the entertainment and talk show industries.i won't name any manes,but it was bang on it it's depictions of many of those people.the humour in this film is earned honestly its no the bottom of the barrel subtle as a sledgehammer type of comedy.it's more comedic observations.any movie that makes fun of the entertainment industry earns points in my book.after having seen this movie,i look forward to seeing the others in the Christopher Guest catalogue.for me,For your Consideration is an 8/10
jonathan-577 This movie has the usual Guest-company virtues: the deep sense of ensemble, the absurdism embedded in genuine nuanced characterization, the flighty unpredictability. But the usual complaint - that things don't quite feel satisfying or resolved when the lights come up - is almost fatal here. I got the distinct feeling that as Guest strove to shoehorn in all his pals and highlight all the good bits, he lost the main thread. At first there's just a bit of discomfort with the overplayed and hyperextended what's-the-internet oldster naivete, and a vague sense of not-quite-clicking about the film within a film; but then suddenly "Home For Purim" has morphed into "Home For Thanksgiving" and it's like we dropped a reel even though I'm watching on DVD. Half the characters completely disappear (including Guest's overly familiar effete director), we never get so much as a line of dialogue from Home For Thanksgiving, and Catherine O'Hara's actress undergoes a reversal that is allowed no transition whatsoever - in one scene she's Martha Graham, in the next she's Joan Van Ark. This is highly dispiriting; it's like someone gave up. I hope they find a way to keep working together that gives things a boost, because this misses the mark.
Jeffrey Welch I enjoyed this film very much...so let me get that out of the way at the outset of this comment. I thought the subject matter was great, the cast as usual was phenomenal and the direction was first rate. The problem I have with this is that it seemed very disjointed and uneven. The ending struck me as too abrupt and with little of the joy felt at the ends of the other films by this ensemble. I think that, for me, it was the trying to give everyone in the cast a meaningful part that kills the film. Many of the actors are veterans of Saturday Night Live, and it is with that history in mind that I make this observation. In the first 5 years of that show, with its original cast, whenever a sketch was written that called for the entire cast of players to be involved, it was referred to as a "garbage pail" sketch...which meant that it was an easy way to include the less used actors along with the most popular of the troupe. In those sketches, however, many of the roles were merely walk on parts or those that had a minimum of lines. Sure, they were still in the scenes, but the parts lacked finesse or subtlety and generally involved the actors playing stereotypical caricatures, such as secretaries or doormen or the like. "For Your Consideration" reminds me of just such a sketch...an hour and a half "garbage pail" sketch. Like a snowball, over the years this repertory company's ranks have swelled in numbers. Unfortunately, it seems that there are just too many in the cast now to utilize them all effectively. They are trying to pull it off...in this movie, everyone has something to do, but many of the characters lack depth or story. It also doesn't help that while the repeating cast members in these films have expanded in numbers, the movies running times haven't expanded in length. Perhaps given an extra half hour or 45 minutes to the running time would serve to flesh out some of these only partially realized characters. If nothing else it additional time would at least give us more of a story to ponder. As I said before, this film in particular seemed incomplete by the end. I saw the conclusion from a mile away though...much like an old Twilight Zone episode where you just KNEW that it would be some odd, ironic twist in the conclusion. Yes, that was much of the charm of "For Your Consideration," knowing that there was going to be a fall for some if not most of the characters, but the transition to the revelations were clunky and only semi-cohesive.I love Christopher Guest! I think his all of his ensemble cast's...especially Eugene Levi, are true treasures to not only the world of film, but to comedy as a genre! I found this movie to be no exception to my opinion of his and everyone's collective efforts. I just feel that this movie in particular is lacking in many of the qualities that have made his other films nearly masterworks.