Ensofter Overrated and overhyped

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

benaboo This is not a comedy classic by any means but it's good for some laughs. First of all, Robin Williams and Billy Crystal have amazing chemistry and they're going to make you laugh a little. I do think they could have been in a far better movie together but considering the fact that Robin Williams is no longer with us I can make do with this. It's not the greatest movie in the world but it is FAR from the worst movie ever made. If you want a decent chuckle from two great legends check this out, but if you're looking for a fantastic comedy watch Blazing Saddles instead.

animausimages 1997's "Fathers' Day", directed by Ivan Reitman. Starring Billy Crystal, Robin Williams, Bruce Greenwood, Natassja Kinski, Julia Louis Dreyfuss, and Charlie Hofheimer. In "FD", Billy Crystal plays a twice divorced lawyer (now married to Dreyfuss), approached by an old flame (Kinski) who tells him that her teenage son is missing after a fight with her partner (Greenwood). The catch? Crystal's the father. Crystal then hits the road to find the son he's never met before, prepared only with a photograph. We then meet the Robin Williams character, playing a manic depressive writer who's attempt to commit suicide is interrupted by Kinski's reaching out to him. She also tells Williams that he is the father, and Williams strikes out on the road as well. It doesn't take long for Crystal and Williams to connect along the way, and figure out their predicament. The manic depressive Williams is inspired by the life affirming news (even if it's not true), and Crystal comes along, either by curiosity or contractual necessity. Further complicating matters, Greenwood also hits the road in search of his step son.Filmed in 1997, the film feels at least a decade dated, both in concept and it's fading stars' charisma (and mullet hair). While it may at times resemble a hackneyed version of 1988's superior "Midnight Run", it's closer in spirit to "Plan 9 from Outer Space" and "Weekend at Bernie's". The only thing about the film that does feel relevant for it's respective time, is the awkward corporate synergy between the movie's characters and the band, Sugar Ray. Not once, but twice, do we get to see the two hit wonder in concert action, not counting the backstage scene. To boost this premise, we also get a mime appearance, as well as a bizarre Mel Gibson cameo. For a comedy, "FD" is devoid of laughs, and the home run gags, such as a comatose teenager being cleaned in the shower while both the person on the phone and a nosy bellhop confuse what is going on with pedophilia and swinging, don't just fall short- they keel over in a an explosion of dumpster fire dust.It's shocking that Williams appeared here in the same year that he won an Oscar for his work on "Good Will Hunting". There is an awkward scene where he does his signature rapid fire impressions, but the rest of the movie he wavers between shrill hysteria and insecurity that made my skin crawl. And that's before you contrast his character with the man who would ultimately take his life in 2014. There's also very little chemistry between him and Crystal, with Williams' mental instability poorly meshing with Crystal's bizarrely miscast tough Type A personality phoniness, as they both become son smitten. Greenwood's presence in the film is a shame too, with him appearing in the superior "The Sweet Hereafter" the same year as well. Here, his character is an afterthought, confined to the comedy hell of being tipped in an outhouse, before just abandoning his search for his step child. Perhaps worst of all, Hofheimer's teenager character isn't wayward and developing- he's a sociopathic creep- though in his defence he's much like his mother who has no problem lying to the 2 main characters that she uses as volunteer bounty hunters by lying about their paternity. Crystal sees through the charade and explains how great it is- but it's not. Sounds like the movie itself. This Father's Day, it would be best to watch… anything else.

mariondowning-427-469344 So these two men find out a boy could be their son (Billy Crystal's character has a wife and she wants kids but he doesn't). Throughout the film the boy endears himself with Billy Crystal's character through loving acts such as stealing his car, stealing from drug dealers, running away constantly, having a toe that looks like his, lying to him and physically assaulting the other man by throwing hot water on his genitals (which heal surprisingly fast). So in the end Crystal's character wants kids with his wife because they're so much fun...Yeah more of Hollywood's agenda to make people want kids to buy more of their kids movies. I see your game Hollywood.

david-sarkies This is an American comedy staring Billy Crystal and Robin Williams and is about two grown men who are led to believe that they are the father of the same boy. An old high school girlfriend has lost her son and she approaches these men separately and tells them that the boy is their son and that he has gone missing. The men decide to seek him out and inadvertently meet and find out that they are chasing the same boy. Billy Crystal plays an upperclass lawyer who likes to think he is pretty straight and has an average life (if you count two ex-wives average, which unfortunately most people do) while Robin Williams is a crazy author who's life is quite dull, to the point where he wants to commit suicide. As for comedies, this movie is typical of America. It is funny but it is only because Robin William's character is quite bizarre. Billy Crystal, who is supposed to be a very funny comedian, is quite dull. Without the unusual character of Robin Williams, this movie would basically suck. There is a lot of Americanisms in this silly movie, such as everybody living happy at the end, and the kid lying to make everybody happy. Seriously though, lying may heal a short term wound, but it really does aggravate it in the long run. Its like putting a band aid on a bullet wound. Robin Williams' character is quite funny, but, unlike the French characters, his is just simply crazy. The French make cool characters because they are quirky. They are not outright crazy as the Americans tend to make theirs, they are just normal people with little extra things added to them. Still, can't blame them for their lack of creativity.