Fate

2003 "Destiny... there is no escape"
4.1| 1h34m| en
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Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. This thriller follows the travails of two detectives who are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell. The plot holds a key to the whereabouts of the monstrous deviant, but the detectives have to unravel it quickly before more unsuspecting citizens become theater fodder for the unhinged madman.

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Reviews

Matialth Good concept, poorly executed.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
z_brunch Fate first appears as cop/thriller rip of Seven or Silence of the Lambs, but offers a little more than you'd think. While the characters are a bit stereotyped, Lee Majors and the rest really do the best with what they were given. The extremely low budget for this film is easily overlooked by Ace Cruz's ability to make a visually pleasing film. Many films today are over-budgeted and given to Hollywood hacks that throw money at big name actors and special effects and end up being no better than this film. (eg: Mr. and Mrs. Smith, American Treasure, or Daredevil.) Fate had several unexpected twists and offers a fresh look into the psyche of a serial killer. Rent it at Blockbuster and be sure to watch the making-of.
ornj28 Armed with no particular viewing agenda when I arrived at the video store the other night, I decided to rent this handsome thriller of a film. The result was one of those happy accidents where you inadvertently discover a film that turns out to be quite enjoyable, and you think, "Man, I'm glad I got to see this." It's certainly worth the watch. The story was compelling and I really did not expect the surprise ending. I've seen plenty of bad b-movies whose plots (if you want to call them that) are flat and boring, where you know exactly how things are going to turn out in the first five minutes. "Fate" kept me interested until the end with its compelling premise and storytelling.The film also looked great...in a league similar to some of the Hollywood studios' more moderate budget action fare. And, the make up effects were cool, too.The acting also held up as well. I pretty much expected Phillip Michael Thomas to be washed up, but he surprised me with his subtle and smoldering performance. And while he wasn't part of the main name cast, there was something about director Ace Cruz's performance that made his detective colleague character enjoyable to watch. What else can I say? I think it's worth checking out, and I look forward to more from Ace Cruz and the gang.
digitalevolutionproject I rented this from Blockbuster last week, out of curiosity... Especially since I had not seen Lee Majors in anything for such a long time.I have to say, this was a solid film. It had a completely original take on the serial killer genre... making it more personal then anything I've seen. Michael Pare' plays a former FED who has now taken a job as a Police Detective. He is joined by Philip Michael Thomas (where has this guy been) who plays his new partner. They have a history as they were both Federal Agents. While Pare' does a solid job, it's Thomas' weird (almost creepy) performance that gives their partnership spice. Add this to Lee Majors spectacularly creepy and messed up performance, and you have a whole lot of things to keep your interest. While the film is far from perfect... some sound issues and a cliché or two... it is a fresh enough take on the serial killer genre to make it worth a rental. I think the director Ace Cruz has something to be proud of, and it would be nice to see what the guy could do with a real budget. I watch a ton of films every week (and pay a lot in rental fees), and many of the filmmakers / directors of the films I see are just going through the motions to get the film done... where Ace seems to have an actual vision.Check it out!
virinluster Spoilers ahead - Spoilers ahead - Spoilers aheadAfter buying the dirt-cheap DVD on Ebay, my expectations were not exactly high, and for good reason: the movie is too boring to spend any time on, not even in order to waste some time away on a dozy Sunday afternoon.Most of the technical details - sound, special effects and so on - are nothing big to write home about (were these guys using blank cartridges?), but they are solid enough for a B-movie, no more and no less. And that's it for the positive aspects. The story is...oh well, weak. And I mean, really weak. A retired, reborn janitor (Lee Majors) falls prey to insanity and goes on a tour of bloody revenge against his fallen and sinful children, who were adopted away from him right after birth. Two veteran police officers, both just retired from the Bureau, lead the investigation. In a final climax Officer No. 1 (Michael Paré) leaves behind his colleagues and confronts the insane killer, just to find out that...ohhh, spank me hard, how original...he is one of these adopted kids, as well. If the story sounds scanty and fragmented, it's not because I'm a lousy narrator - that's really all there is to it. And it's not even told in any way that could make up for its deficiencies. Camera work is lousy at best - too slow, too incoherent, too often focused on some scene of no interest, leaving the audience alone with grasping the salient points, with reconstructing the story.The acting is another thing to scare me in this movie. Did they pay the cast at all? Did they whip these guys? Torture them? Or why else is it that the entire cast appears as tormented, bored, and disinterested as can be? Michael Paré - well, mediocre as ever. In his facial gestures the guy is about as flexible as a solid granite block. And about as attractive. Philip Michael Thomas (Officer No. 2) - he's had his big times. And these are over. For good. And what in all the world happened to my childhood hero Lee Majors? Sorry to say that, but he looks like he's about to perish on the spot, slow, without the least bit of esprit or energy, bored, and so on and so on. They all seem on the brink of one profound and long coma.What remains is the impression that I have wasted 90 minutes of my life. And the anger about having done just that. A weak 2 out of 10. Ugghhh...

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