ShangLuda Admirable film.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Kayden This is a dark and sometimes deeply uncomfortable drama

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

writers_reign I was lucky enough to see this show at The Old Vic in London (where, albeit not on the night, this live recording was shot) so I was pre-disposed to like the DVD (the clue is in that word 'lucky') and if anything it eclipses the show if only because the camera can do what I couldn't from my mid-stall seat, namely close in on the eyes which is where it is all happening. What we have is a great blend of reminiscence, anecdotes and vocals and I for one would have been happy with twice the two-and-a-half hours she delivers. Okay, nobody is going to accuse her of being a great vocalist, least of all herself, but no one accused Mabel Mercer of being a great vocalist but no one gave a big rat's ass because Mercer, like Stritch, had a lot more going for her, the ability to 'live' a song and act it out to a fare-thee-well. As a rule my taste in female vocalists favors the 'cool' i.e. June Christy, Peggy Lee; the 'warm', Dinah Shore, Ella, and the vulnerable, Judy, for the brash, belter, Merman, Bassy, who think subtlety is to come down to high C. I have no time at all. Stritch can and does on occasion, belt with the best, but, like the finest vocalist working today, Marlene VerPlanck, she can also do wistful, a word that Merman and Bassy were incapable of comprehending. So, here we get Broadway Baby, I'm Still Here, Ladies Who Lunch, but we also get the ultra wistful I Must Have Done Something Good. You sure did, Elaine, you did something VERY good. In spades.

MarieGabrielle While she is a familiar face to younger viewers;(she has played many cameo parts; ""The Cosby Show"", etc.) they would benefit to catch this show on cable; or rent the DVD.I recall seeing Ms. Stritch in the Woody Allen movie, "September", but her stage career, which was quite extensive, is well documented here, even for those of us of younger generations.If you don't have a chance to visit Broadway, this is your next best introduction to it. Ms.Stritch talks about Marlon Brando, her drinking problems, Rock Hudson, and her early stage career; all at once. The camera follows her to London, shows the extensive preparations and rehearsals; the anecdotes are all real; and more interesting than the dreck which is reported today about Hollywood couples; Brad and Jen; etc.; ad infinitum; I for one would rather hear about past mega-stars who had REAL talent, like Ms. Stritch. Do yourself a favor and see this performance; you will see real talent and diversity on stage; original comedic and musical routines; and you will learn what a real star is.

FilmmakerNYC Saw this on tv in New York City and couldn't take my eyes off this old broad. Tougher than hell. Looks like she eats nails for breakfast, but she does deliver the goods. Last of the old time troupers. I really appreciated that the filmmaker followed Stritch through the whole rehearsal process and right up to opening night. I saw a similar piece on 60 minutes, but it was way lighter and had less edge, information or bite.

mark.waltz There are few stage legends left in our world today who have so much to tell, and Elaine Stritch is one of them. While not a household name to people, her face and voice may be. Recent movie goers recall her as Winona Ryder's loving but emotionally distant grandmother in "Autumn in New York"; as the crabby Ms. Crock in the otherwise medicore "Screwed"; and as Dyan Cannon's crotchety but lovable mom in "Out to Sea". However, to those who have an appreciation for the theater, she is, to put it bluntly, one of the most riviting performers I have ever seen, on stage, on TV, and in films. I had the priviledge of seeing Ms. Stritch this past February in her one-woman show at the Neil Simon in New York. (It is scheduled to run through May of 2002, so if you are in NY before then, do not miss it!) Let's just say it was a priority on the top of my list, even more so than visiting the remains of the World Trade Center. It is for more reasons than the shere entertainment value of Ms. Stritch's presence; It is for the reason we go on; we are survivors, and so is she. Elaine takes no qualms in publicly discussing her battle with alcoholism; While others have done as much and made it seem like voyeurism, she takes us in to her bosom, and embraces us with the love and affection of an Auntie Mame who has had the life, and lived to tell about it. Her wisdom, humor, and heart make this performance one for the history books. Years from now, people will be remembering this as the theatrical event of 2002. I did not know it aired on PBS in January until I came across the listing on here, and I hope that they repeat it; However, had I known, I would have taped it, and saved it for after I had seen it.In my movie reviews, I try to give a thorough summary of the plot without giving away key elements; I cannot do that here because to say too much is spoiling a delightful surprise. To say too little would be difficult, because what do I choose? I will say this: if you are familiar with Ms. Stritch's film work and a few of her Broadway recordings (such as "Company" where she sang the legendary "Ladies Who Lunch"), you already know a little bit about her. She sings "Broadway Baby" just as she lived it, from her way up the ladder, to some surprising encounters with future celebrities, to understudying the first lady of the American musical theater, to how she was perceived by theatrical community as "difficult", and to finally, how she finally conquored her alcoholism. And to go into "I'm Still Here" (which has been sung by some of the best), she deserves that honor; She truly is. Ms. Stritch, I longed to see you in a live theatrical event, and you gave me an evening of live theater that I will never forget.