Easier with Practice

2009
6.4| 1h40m| NC-17| en
Details

Davy is a 28-year-old writer on a road trip to promote his unpublished collection of short stories. A random phone call in Davy's motel room from a mysterious, sexy woman named Nicole leads to a series of phone sex sessions that surprisingly over time become emotionally and sexually satisfying for the shy writer. Later, when he meets a former girlfriend, he must try to choose between them - but only if he can arrange a meeting with his reclusive phone mate.

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Reviews

MoPoshy Absolutely brilliant
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
SnoopyStyle Writer Davy Mitchell takes his younger brother Sean on a road trip to promote his short stories collection. Davy gets a random phone call from a stranger named Nicole (voice Katie Aselton) in a motel. They get into a phone sex relationship. He meets Josie at a bar but he gets interrupted by Nicole and Sean brings Josie back to the motel room. Lonely introverted Davy begins a long distance relationship but Nicole refuses to give him her number. Sean teases him about it. Davy starts dating Sean and girlfriend Sarah's friend Samantha (Marguerite Moreau) after a party.This has an interesting idea and a few interesting scenes. However even the good stuff is problematic. The lead character is so pathetic that it's hard to watch. Brian Geraghty is a good TV actor but this problematic lead has to be played by somebody with a ton of natural charisma. I'm thinking Paul Dano. Talking on a phone is not visually cinematic. Talking to Samantha is twice as interesting visually. The two-truths-and-a-lie game has great potential. Kel O'Neill really puts a big fat fastball down the middle of the plate. The movie needs Davy to hit it hard. It's a letdown moment. That should have been the turning point leading a big climax. Instead, it goes into an extended downhill slide and a final unsatisfying twist. Also Katie Aselton should not be Nicole.
glastris First of all, Brian Geraghty can really act. His portrayal of the lead character was both controlled and believable. What could have been a caricature of the loner/nerd/intellectual was in fact a sympathetic portrait of a lonely man who is socially awkward. If you watch this, look for his facial expressions, they were spot on, and I'd assume, the most difficult part of the body to act with.While the phone sex is part of the relationship between Danny and Nicole it takes a natural turn to friendship/relationship. Danny lets Nicole know that is what he wants, and she is trying to hold back, but obviously wants more as well.The fact that he's a writer shows that he lives in his own head, to an extent. When he's confronted by a real chance of love/relationship/sex he fails and/or bails (the bar scene and his encounters with Samantha). He even, probably unknowingly states that when he tells the girl in the bar that life on the road isn't what it's all he'd hoped for (and then she sleeps with his brother instead). Boy reality really does bite, doesn't it? Finally, and here is where the spoilers come in, the final scenes do not need to be looked in a gay/straight way. To me it was about possible/impossible, fantasy/reality. I don't think Danny is gay or closeted, I think he's just had to realize that he fell in love with a woman who isn't and doesn't know what to do about it.....who would?
dave-sturm Davey is a lonely, 28-year-old socially inept "writer" trying to peddle his self-published book of short stories by criss-crossing New Mexico in a beat-up old station wagon with a mattress in the back and doing readings at independent book stories to audiences of about five people. His loutish younger brother is along for the ride and the chance to snare drunk chicks who think the boys are the reincarnation of Jack Kerouac and Neal Cassady.One night, when Davey is alone in their cheap motel room, the phone rings. One the other end is the sexy voice of Nicole, who says she is bored and wants to have phone sex with a dude. Any dude. Davey obliges. Thus is launched a relationship that has Davey totally spellbound. It's not all about sex. They share secrets, confide, console, etc. But only over the phone. He thinks they are soulmates. She insists on keeping her identify secret. Davey is desperate to meet her. His brother mocks him.This debut offering from writer-director Kyle Patrick Alvarez casts Brian Geraghty (The Hurt Locker) as Davey. He spends the whole movie in a state of confusion and yearning. He's a putz and knows it. But maybe there's hope. A lifeline has been tossed to him, but from whom? When the cat is deftly pulled out of the bag, you might fear Alvarez is going to go somewhere stupid with this. He doesn't. It plays out as it should. And, as with most good endings, a few additional possible scenes play out in your head.I look forward to seeing what young Alvarez does next.
keymasterx Davy Mitchell (Brian Geraghty) is on the road doing readings at small book stores (one of them is named just "Books") of his short stories collection. Tagging along is his younger brother, Sean (Kel O'Neill), who has no problem picking up on Davy's leftovers whether it be pie or the girls he doesn't close the deal with, despite the girlfriend he has back home. One night in a motel room alone though, the phone rings and a sexy voice on the other end coaxes Davy (none too hard) into phone sex, presented in one extended shot. With no means to call back this Nicole on her private number, Davy is forced into a waiting game. Surprisingly though she calls back. And often. Intimate nights become intimacy as the pair open up to one another; Nicole (phone-cheating on her own boyfriend) is happy just to have a guy who listens. As Davy gets closer to home though the more he wants the other senses to manifest in their relationship, starting with just seeing each other. But Nicole prefers things the way they are. What's a guy to do? Brian Geraghty is a face you may remember seeing in films like Jarhead, We Are Marshall and hopefully will in Kathryn Bigelow's excellent Iraq war thriller, The Hurt Locker. As Davy though, Geraghty really breaks through with a quietly, heartbreaking portrayal of a shy guy unsure of the direction his life is supposed to be taking. With little success as a writer and only a few ladies under his stud belt, it's easy to accept Nicole as that once-in-a-lifetime gift so we feel his anguish in not being able to at least get that hug we know he needs.'Easier With Practice' is a wonderful little film written and directed by Kyle Patrick Alvarez, based on a GQ article by Davy Rothbart. Brian Geraghty plays Davy Mitchell, a writer who works as a temp to pay the bills. Davy and his brother Sean (Kel O'Neill) set out on a book tour across the country together in Sean's old POS station wagon to promote Davy's book. During their journey from town to town, Sean spends his free time in the bars and picking up chicks while Davy, exhausted from the weeks of traveling and living off of PB&J sandwiches, spends most of his free time in hotel rooms, bored and lonely.Kyle Patrick Alvarez is said to be quite the indie music enthusiast and it shows, having meticulously selected and placed an absolutely perfect soundtrack into his film. The songs were carefully chosen and used not just to fill silent space, but to accentuate a scene or emotion and further move the story along in a constructive fashion. The soundtrack to 'Easier With Practice' reads like a pop fans worst nightmare, featuring indie musicians and bands unknown to many like Emily Easterly, Source Victoria, Deer Tick and Grizzly Bear, not to mention the other 10 or more bands with licenced music featured on the theatrical playlist.This is a film definitely worth seeing. It's smart, just funny enough as not to get in the way of the great story and the twist at the end packs a punch.

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