Battle Cry

1955 "The men who fought. The women who waited. And the stolen moments they shared."
6.4| 2h29m| NR| en
Details

The dramatic story of US marines in training, in combat and in love during World War II. The story centres on a major who guides the raw recruits from their training to combat. Based on the novel by Leon Uris.

Director

Producted By

Warner Bros. Pictures

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Reviews

Evengyny Thanks for the memories!
SpuffyWeb Sadly Over-hyped
FeistyUpper If you don't like this, we can't be friends.
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
marieandbob2 The Marine Corps F4-U4 Corsairs filmed in this movie belonged to squadrons, VMF-217 and VMF-322. Based at the Marine Corps Air Station (MCAS) El Toro, California. The two squadrons were unofficially dubbed "The Battle Cry Squadrons:" I was an enlisted Marine (PFC) assigned to VMF-217 as a mechanic.That was in 1954. A group of enlisted and officers from the squadrons were invited to Hollywood for a luncheon and to meet the movie's cast. It was a way of thanking the squadrons for their contribution to the film. I was lucky enough to be chosen to go with the group.Members of the cast included Van Heflin, Tab Hunter, Aldo Ray along with many others were there and all were most gracious. Everyone fell in love with Dorothy Malone, including me. Photos were taken but due to many moves over a 30 year Marine Corps career, those photo were lost to the ages. Semper Fi, Masta Guns
atlasmb In "Battle Cry", there is more crying than battling, especially in the first half of the film. The story follows new marines as they leave home, engage in training, and become involved in actual deployment. There is a concentration on their relationships, particularly romantic relationships.One marine has a girl at home, but becomes involved with another woman. A second marine finds a war widow from New Zealand to become involved with. Regardless of the scenario, the logistics of these relationships is difficult, given the wartime stresses and the uncertain futures of these men.For me, these sections of the film were overly dramatic. The film is also plagued with clichés. This is too bad, because some portions of the film are excellent, only to be submarined by awkward writing. Look for the tough-but-loving commanders. In fact, this is a staple of the film, which begins to feel like a commercial for the marine corps.On a technical level, some of the scenes of tropical jungle look as if they were filmed in the California woods.The extensive cast is impressive. Consider Van Heflin, James Whitmore, Raymond Massey, Tab Hunter, Aldo Ray, Dorothy Malone, Anne Francis, among others. Fess Parker makes a cameo appearance. The Leon Uris screenplay, based upon one of his novels, falls short of "From Here to Eternity" quality, though it tries to be as expansive. Nevertheless, it's interesting to see what WWII looked like to those only ten years removed from its drama.
museumofdave The title of Raoul Walsh's film would indicate a high level of visual war action, but the action in this film is more like a television soap: Peyton Place Meets Boot Camp. Battle Cry is not a bad film by any means, but a mainstream 50's romance, and because it is Walsh, there are excellent things to be found, as long as you don't expect superior battlefield heroics; Aldo Ray and Van Heflin both turn in finely-tuned performances, Ray as a macho player evolving into a loving husband, Van Heflin as a commander who fails to maintain distance from his charges; a young Tab Hunter caught on with teens when he was cast as heartthrob Danny Forrester, and acquits himself nicely.Three years later, Stanley Kubrick would make the stunning Paths of Glory, a WWI film that revealed the true brutality of battle, and Spielberg would change mainstream war films for all time with Saving Private Ryan; Battle Cry involves the willing viewer in an intelligent adaptation of a best-selling novel and as such, succeeds.
greenstone110 My father was a Marine and a writer for the entertainment section of the Stars & Stripes. My dad, Staff Sargent Charles R. Cain, my mom, and sister and I, went daily, to where outside scenes were being rehearsed and filmed. I was 6 yrs. old. My dad and L.Q. became long time friends. My dad still has letters from Mr. Jones. In one he writes that he can't imagine himself in a mustache. Years later he did wear a mustache. It looks great! At one point during a scene, a rattlesnake made it's unwanted appearance. The filmmakers and actors were at a momentary loss about how to take care of the matter, so my dad, being the ham that he is, grabbed the snake behind the head and carried it off beyond harms way. On another assignment, Jack Webb offered my dad a part in the movie "The D.I." but my dad turned it down. That's part of the reason we're not rich and famous today.