Doomsday Machine

1972 "See! The Earth Destroyed In A Nuclear Holocaust!"
2.6| 1h23m| en
Details

Following the discovery of a doomsday machine capable of destroying Earth, the launch of a US space mission to Venus is taken over by the military.

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Reviews

BlazeLime Strong and Moving!
Mjeteconer Just perfect...
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
ebiros2 I sometimes wonder why people make these sub B grade movies. But since they are made, there must be a market for them, although I have no idea where.Out of all bad movies of this type, this one is not bad. It's clear that they had no budget for special effects, so a footages from a Japanese disaster movie is used, and the rockets are also from Japanese movies, and you can clearly see the rising sun symbol on its wings. The best part of the movie is its plot. An exploration to Venus is suddenly altered at the last minute to exchange 3 male pilots for 3 female pilots. In fact the plan is to convert the space ship into Noah's ark for the survival of human race. But they do not find the new world so friendly either. This movie can be remade with better production. The story is that good, with few alterations.I hope someone will recognize the value and do a decent remake of this movie.
CelluloidRehab The communist Chinese develop the gumball technology of doom, who's detonation force will "rupture the faults of the earth's surface and setup a chain reaction of explosions when the earth's tension is broken." For the lay person, this means that the Earth will be destroyed. The US response is to replace half of the all-male crew of Project Astra, who's goal was a mission to Venus for a 2 year trip, with a female crew. Instead of the planned mission, they become humanity's Adam & Eve/Noah's Ark insurance policy. Will humanity survive?There are two distinct movies here. The first part is a genuine attempt at a low budget science fiction narrative with a message (albeit derived & unoriginal) in the nature of Ikarie XB1. That movie dies suddenly somewhere over Venus. You are probably asking yourself how will you know when that is? Trust me, you'll know. It is when the second movie starts, all with different faceless-actors in a dark room doing stuff. This leads into stills & voice-over narrative. Fin.In the end all you remember is that a lot of painful, pointless dialog occurred, with female astronauts walking around a rocket in their pink robes. And then it all ends in a whimpering blaze (yes I know this is oxymoronic, but it is how I felt). You are not quite sure if anything ended, except the life span of several of your neurons. ad astra per alia porci.-Celluloid Rehab
classicsoncall I put together my Top Ten Worst Movie List some time ago, and find that it's going to be difficult for newcomers to bump any of those titles for the privilege. But "Doomsday Machine" looks like a definite contender, to the extent of making even "The Beast of Yucca Flats" look pretty good by comparison. I've read most of the other reviews on this board to know that I'm not alone on this, in fact it's pretty much an entirely one sided view that this groaner sets the standard for space junk in a vacuum.Interestingly, the only other place I've ever heard the word 'azimuth' was in another sci-fi space turkey, and wouldn't you know it, it popped up here in an early conversation aboard the Astra. Keep your eye on the clock that records the elapsed time following blast off, you'll note that it goes, 2:58, 2:59, and then 2:60 instead of 3:00, which makes perfect sense considering all the other goofy stuff that was going on.Like the selection of astronauts for the mission. Wouldn't you think that the men selected for this flight would have been among the most highly disciplined and talented that NASA had to offer? So how does a guy like Major Mason (Grant Williams) go from seasoned professional to a raving sex maniac? Not a whole lot of thought was put into this.No sense belaboring the point, this was one sad effort in the name of science and cinema. While I'm trying to make up my mind about that aforementioned Worst List, I'll have to reconsider another flick with the same destination. Up till now, I thought "First Spaceship on Venus" had a lock on interplanetary travesties, but now I know better.
barcrab Pieced together in 1972, THE DOOMSDAY MACHINE (although most prints exclude THE at the beginning of the title) is the worst movie I have ever viewed. If you looked only at the cast and crew however, that would come as somewhat of a surprise. Grant Williams, Lee Sholem, James Craig and many other members of the production were very reliable in their better years, which brings me to the conclusion that many needed (or accepted) their roles in this modest film "for the money".This would account for the bad acting and careless execution of a story that had been seen so many times before even when the film was began in 1967. This involves, with a Commie-apocalypse twist worked in, what happens when a crew of astronauts discover their mission to Venus was actually an attempt to advance the human race beyond an impending nuclear apocalypse (which is unbelievable even with the most infinite amount of suspension of disbelief). And so for the next hour the audience is bludgeoned with droning melodrama and incongruous stock footage until a conclusion that will shock you with its utter stupidity and inexplicable nature. What makes the film somewhat of a guilty pleasure is to see how it scrapes the bottom of the barrel in terms of production values, offers no provocative politics and little human conflict in a situation that requires huge amounts and frames all of its action in a static manner. This film shows the viewer explicitly everything that can go wrong in making a movie, and provides the some of the most laughable dialogue and scenes one may ever see.Grouped most accurately with other tiny-budget commercial independents of the 70s like CRY BLOOD, APACHE and THE REVENGE OF DR.X, the film wastes the talents of its once-great principals and the time of anyone who sees it--I can't even see many of those who love terrible cinema enjoying this--and makes one wince in sheer boredom that there must be something interesting in the film.For all of the 80-odd minutes spent watching this one, there really isn't. See it at your own risk.