Death Is a Woman

1966
4.5| 1h24m| NR| en
Details

Narcotics agent Dennis goes undercover in the Mediterranean Islands to investigate a smuggling operation, and gains the confidence of a woman who works for the ringleader. But Dennis ends up arrested for murder when the crime boss turns up dead.

Director

Producted By

Associated British-Pathé

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Reviews

Lawbolisted Powerful
Steineded How sad is this?
Claysaba Excellent, Without a doubt!!
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
vogun-17563 Just a 1960's movie, with plenty of colour, action, cars, fashions (love the shirts guys), a soundtrack with bongos, killings, drug smuggling, secret agents, cheesy lines and girls in bikinis. What's not to like? The 1960's was when they could now make cheap movies in colour, and the censorship laws were slowly being eroded, and this unashamedly cashes in on it, but not overdone. Filmed in Malta (I understand) with much water involved. Patsy Ann Noble is looking good here as well as Wanda Ventham, who reveals all (the hussy). She also happens to be Benedict Cumberbatch's (born 10 years later) mother. Other reviewers explain the plot adequately, and called it a second rate spy drama, and maybe that is why I like it. Frivolous fun, and if that's what you like, then watch it and enjoy. If you want a deep convoluted plot with tip top direction and acting then stay away. It's down to personal choice here.
loza-1 A lot of money must have been spent on this film, which was filmed on location in Malta in full glorious colour. The result, however, is an utter disaster. For a start, one wonders why the film makers hired Anita Harris to sing the film's one song, when they had an excellent girl singer playing the villain.The acting is not good. Only one character, who plays a drifter, stands out. The rest of the cast are not good actors, and they struggle with an unexciting script. Some of the underwater scenes look good, and are probably the best parts of the film. Patsy Ann (Trisha) Noble, who comes from Australia, looks as though she swam her underwater scenes herself, and did not use a double. Great frogwoman she may be; as a singer she is flawless, (whether she sings in English or in French) and has perfect vocal technique. But I don't think she is a good actress at all, and I am surprised that her acting career lasted so long - and in America, too. The only significant features of her character, Francesca, is that she is a dead shot with an harpoon gun, and that she sleeps in a bed with black bedsheets. The plot is forgettable. So, if you have something better to do, you would be better doing that instead.
gridoon2018 So what do you expect from a movie with a title like this? A deadly femme fatale who kills repeatedly and without remorse? You'll get that....but only twice, at the start and at the end of the film. Patsy Ann Noble is perfectly cast, and she is equaled, if not surpassed, in the hotness department by the two other female cast members, Wanda Ventham as the good girl and Caron Gardner as a ditzy conquest for the bad guy; this film comes from the era where the thick, strong, curvy, healthy look was the "in" look for women. But the story, after setting up an intriguing locked-room mystery, meanders, the underwater scenes are - as usual - boring, and there is FAR too much screen time given to an old drunk character, who turns out to be of no consequence to boot - was this actor a friend of the producers or something? This film would have been better without him. ** out of 4.
lost-in-limbo Striking title… stunningly exotic Mediterranean backdrop… beautiful women led by the voluptuous, but venomous Trisha Noble. Other than that, this unusual 60s British spy drama while seductive is methodically languid and openly predictable in its murder mystery layout. Blackmail, murder, drugs, money and women. It's a shame the plot isn't as entertaining like its scenery and intrusively bombastic musical score, as it's quite a stiltedly talkative stop and go affair with much narrative distractions and suspicions, but very little in the way of sustained suspense and thrills. An undercover English agent is sent to the Mediterranean islands to investigate dope smuggling, but instead finds himself the main suspect in a murder case when that man he is investigating ends up dead. So he goes about trying to clear his name, by finding the killer/s. The suspects are there, but it's just trying to connect the dots to how they did it. Director Frederic Goode executes some stylish camera shots getting plenty of local flavour, but outside of those strokes it's safely mechanical all round. The cast give able performances with Mark Burns, William Dexter, Shaun Curry and Wanda Ventham. But it is indeed Noble who steals the limelight ("You must admit. She's quite a dish"). A hypnotic, if too laid-back psychedelic 60s spy fare."It doesn't matter who he is or who's he working for. He's trouble. "