Death Hunt

1981 "Savage pursuit in the wilderness!"
6.9| 1h36m| R| en
Details

Yukon Territory, Canada, November 1931. Albert Johnson, a trapper who lives alone in the mountains, buys a dog almost dead after a brutal dogfight, a good deed that will put him in trouble.

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Reviews

Smartorhypo Highly Overrated But Still Good
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
fullbug Actually this movie was released the year just prior to that of First Blood...and it contains all the same elements. An innocent man being hunted down by a large posse for a crime he did not commit, rugged mountainous terrain, and death defying stunts by one man's struggle to survive.The viewers sympathy lies with the main character played by Charles Bronson, (Albert Johnson) a lone trapper living in the wilderness, but it also lies with his main pursuer (Sergeant Edgar Millen of the Royal Canadian Mounted Police) played by Lee Marvin. Millen would prefer to simply let Johnson go about his solitary existence, but is forced to try bringing him to justice as a result of his official title as a policeman.This movie not only entertains with all the action and drama of the unfolding chase, but it also gives the viewer a glimpse into the salty existence of the early settlers and rugged mining camps of the north.It is my type of movie and is very well produced. It also contains a great cast that includes the likes of Carl Weathers, Andrew Stevens, Ed Lauter, and Angie Dickenson. Definitely placing it in my Top 30 all time favorites.
LeonLouisRicci Outstanding Latter-Day Film for Both Lee Marvin and Charles Bronson. It Seems Like a Fitting Swan Song of the 1970's with its Macho Tone and Gritty Characters. While the Two Iconic Men's Men Only Share One Scene Together, Both are Forever Present in the Film's Mind.Marvin Plays a Hard Drinking Mountie Cynic that Senses a New Age of Technology and He is Uncomfortable, He Also has had Just About Enough of the Dim Witted Brutes that Surround the Harsh Environment of the Yukon.The Said Yukon is the Setting for this Man Hunt as Marvin is Forced by Suspected Information About a Killing. Charles Bronson is the Alleged Killer (based on a real-life Mad Trapper) that Proves to be Quite an Adversary as He Defends Himself from the Mob Out to Not Bring Him In, but Kill Him in the Process.This is an Overlooked Film in Bronson's Career and Will Prove to be an Excellent Find for Both Charlie and Marvin Fans. Director Peter Hunt Includes All the Ingredients that Make for a Superior Action Film. Good Characters, Supreme Locations, Intelligent Script, and Gritty Violence. A Fine Film Befitting it's Waning Tough Guys and is Quite an Under Seen Treat.
drystyx This is formula tough guy vs tough guy manhunt. It's based on an actual incident, and changed to meet Hollywood iconic stereotypes of godlike men.In truth, the real manhunt was for a vicious killer, resulting in a little bit of what we see on film. As far as "literary license" goes, this is not as bad as most movies. However, the real killer was a killer, and was caught.Here, Bronson plays a man wrongly accused, as suits Hollywood. Thanks to Hollywood, people now see fit to judge guilt based on how they feel about the person politically. That's changed a bit in the last ten years, but in the seventies and eighties, it was very racist.Bronson's character is likable, though. He does what he needs to survive. As a story on its own, if one wants to call it a fiction piece, it works very well. Lee Marvin is a good grunting sort of mountie who takes on the aristocratic sort of mountie rookie, the idealist so popular in this era, who would learn that grunting is better than being civilized.The real story comes with the supporting characters. Three in particular, who have a later rendezvous with destiny. An old trapper, and a pair of trappers who are low in the pecking order, one of them completely on the bottom, the other who bullies him around.It is a story mostly of the pecking order of bullies in the savage wilderness. That part is done fairly well. It could have been much worse.
Woodyanders The Yukon territory in 1931. Rugged, laconic loner trapper Albert Johnson (a splendidly terse and stoic Charles Bronson) saves a badly wounded canine from a brutal dogfight. The guys involved in the dogfight decide to pay Johnson a visit. Johnson shoots and kills one of the men in self-defense. Tough Mountie Sergeant Edgar Millen (a strong, steely turn by Lee Marvin) tries to arrest Johnson, but he gets away and so begins one of the deadliest manhunts in history. Director Peter Hunt relates the gripping story at a steady pace, vividly evokes the Great Depression period setting, stages the action scenes with rip-roaring flair, and frequently punctuates things with startling outbursts of raw, bloody violence. Bronson and Marvin both excel in the leads (their one big confrontation scene is a taut, crackling doozy); they receive fine support from Andrew Stevens as eager, by-the-book, fresh-faced rookie Alvin Adams, Carl Weathers as the jolly Sundog, Ed Lauter as gruff, huffy troublemaker Hazel, Angie Dickinson as the sweet, enticing Vanessa McBride, Henry Beckman as wily veteran tracker Bill Lusk, August Schellenberg as the hot-tempered Deak De Blearque, Maury Chaykin as the scruffy, dim-witted Claurence, Len Lesser as the grizzled Lewis, Scott Hylands as cocky airplane pilot Hank Tucker, and Willam Sanderson as the clumsy Ned Warren (he gets his arm caught in a bear trap). James Devis' slick, expansive cinematography, Jerrold Immel's rousing, majestic score, and the desolate wintry landscape all further enhance the overall sound quality of this cracking good and stirring picture.