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Beanbioca As Good As It Gets

BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

TheLittleSongbird As said in my recent view for 'Vice Squad' (to me a very enjoyable film while not making me jumping out of my chair), if one looks at my other reviews, one would be very much forgiven if they thought that 'Deadly Force' wouldn't be my style or something that would typically be watched by me.Once again, as said, actually my taste aims to be very diverse in film and television alike, spanning all genres and decades with a wide interest in actors, actresses and directors with no bias intended. There is certainly no bias against action crime/drama, there are some great films out there as well as some bad ones. 'Deadly Force', which was seen by me in the first place for Wings Hauser after such an amazing performance as one of the nastiest pieces of work in film in 'Vice Squad', is more a mediocre example than a bad one. It has its moments but its relative obscurity is understandable.Starting off with the good things, Hauser while nowhere near as good as he is in 'Vice Squad' acquits himself well, he is very charismatic and gives his all. It is not his fault at all that his character here is not very interesting and is rather obnoxious, the blame lies squarely on the writing. The acting is mostly not very good, but two of the better performances come from Al Ruscio and Paul Shenar who also do a decent job making the most of their characters.'Deadly Force' starts off reasonably well and is slick visually, although it does look a little too much like a made for television production. The rat roulette stuff is interesting.Unfortunately, the rest of the cast don't make much of an impression. Joyce Ingalls is bland in a role that didn't strike me as particularly necessary with scenes felt like padding. On the other side of the acting spectrum, there is the very annoying Leon Kilpatrick in a role that is little more than a stock character spouting the oldest clichés in the book and the less said about Estelle Getty's truly bizarre cameo the better. The characters are not very interesting, ranging from the annoying (Stoney and Otto) and very sketchy (the villain/killer, and when one says sketchy they mean really sketchy).The story is also a big issue. It's both overly simplistic and confused, while there is a lot of padding (especially the whole subplot with Stoney and Eddie which could have been cut out entirely because very little really is done with it and it was essentially padding) and the second half especially drags in a film that just doesn't have anywhere near enough content for the running time and often things happen far too conveniently. There is a lot of violence and action, but some of it is gratuitous and never that exciting or tense. It also comes at the expense of story and character development, while the climax is incredibly ordinary.Editing can be chaotic and the direction is pretty sloppy. The dialogue is laughably cheesy, enough to probably not hold up that well in the 80s even. The music score just doesn't gel, constantly sounding like it was intended for another project entirely, and takes one out of the film, not even passing as a good score on its own because it sounds pretty cheap.On the whole, has its moments and there are certainly far worse films that have more exposure but the film's title is not an appropriate one for one that lacks force. 4/10 Bethany Cox

Comeuppance Reviews Stoney Cooper (The Wingman) is an ex-cop who was kicked off the force for his rogue ways. Now living in New York, he is called back to L.A. by his old buddy Sam (Ruscio). It seems a serial killer is on the loose, killing people seemingly at random and leaving an X on their forehead. This "X Killer" claimed Sam's granddaughter as a victim, and he wants revenge. Meanwhile, Stoney sees this as an opportunity to get back in the good graces of his estranged wife Eddie (Ingalls). The three unlikely partners all team up to put an end to the X Killer's reign of terror, whilst dodging gangsters, lowlifes and the killer himself.The ever-charismatic Wings Hauser once again shows why we keep coming back to his movies. He doesn't disappoint - his likable and personable nature are shown off well in this film. Like other Wings movies such as Reason to Die (1990), the simple plot is basically Wings chasing a serial killer. His personality certainly carries this film. He's backed up with some solid support, notably Al Ruscio and an amusing cameo from none other than Estelle Getty.We'd be remiss if we left out Lincoln Kilpatrick as Hoxley, the disgruntled, classic stereotype: the Black Yelling Chief. He also played the BYC in the Gary Busey vehicle Bulletproof (1988). He's had a long career (he's since passed away) , no doubt filling the role he was born to play (the BYC) many times over the years.The soundtrack deserves special mention, especially the driving main theme, and the equally pounding end credits tune, "Keep On Fighting" by Jesse Frederick. Only in the 80's could you get the car chases, seedy city scenarios, and music such as this, all tied together in a nice bow with Wings at the helm. It truly was a golden age.Released on VHS in the U.S. on the Embassy label (later re-released under MGM's budget-priced "Movie Time" banner), while this movie doesn't have a ton of originality, it nevertheless should be on the Wings Hauser fan's short list.For more action insanity, please visit: www.comeuppancereviews.com

lost-in-limbo A customarily vanilla, but rather violent and tawdry action thriller joint with a colourfully explosive Wings Hauser performance as an ex-cop returning to Los Angeles to find the serial killer that murdered his friends' granddaughter. He's a rogue who believes the system doesn't work and would go about any way to get the job done ("Your crazy man!"). Because of this, he's not welcome by the local authorities, then there's the ex-wife and also the local criminals who he had a past with when he was a LA cop. There's no surprises here, but it's well made in workman-like manner by director Paul Aaron ("A Force of One"). Fundamental is how you can describe the b-grade story, but it did somewhat change route in the back-end after what I thought was going to be your typical stalk and slash outing with a (ex-maverick) cop after a psycho serial killer. In away I probably would have preferred if stuck to that formula (something similar to Charles Bronson's "10 to Midnight"), then where it actually headed. Even the added love-interest with Joyce Ingalls's character felt like nothing more than padding. The narrative does have a scattered pattern going on, but everything is thinly examined when it comes to its finale. Pacing can be very uneven, but the action is physically tough and breakneck (as well as that pumping soundtrack)… but you end up wishing there were more extreme dynamics than what's produced. Also showing up in the cast is Paul Shenar, Al Ruscio, Lincoln Kilpatrick and Arlen Dean Snyder. Middle-of-the-road entertainment. "You leave L.A, I'll have your ass!"

helfeleather Early in the film, there is a great scene where Wings Hauser is confronted by a couple of thugs in a car. They punch him in the gut, put a gun to his head, shove him through the car window and tell him to go back to New York.Unfortunately he ignores their warning and the film drags on for another hour.