Deacons for Defense

2003
7| 1h35m| en
Details

Inspired by a true story, this drama is set in 1965, not long after passage of the Civil Rights Act. Despite the Act, the African-American citizens of Bogalusa are still treated like third-class citizens, their fundamental rights as human beings persistently trampled by the white power structure, in general, and the local branch of the KKK. The story follows the formation of local black men, particularly ex-war veterans who after the struggles become too overbearing organizes the group, "Deacons for defense", an all-black defense group dedicated to patrolling the black section of town and protecting its residents from the more violent aspects of "white backlash."

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
ReaderKenka Let's be realistic.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Mandeep Tyson The acting in this movie is really good.
Cky4Life Before I saw this picture,I had always thought blacks in general always allowed the white man to terrorize their homes,people,and neighborhoods. I even became ashamed over time of being of black descent. Reason being,I felt and thought that blacks were to frightened to even stand up for themselves the way strong,brave,and courageous people do. I even developed a disdain for the black man which in turn made me a serious threat towards any white with violent intentions towards blacks. I was a ticking time bomb for awhile.Then a friend approached me about a film he thought I would like. And I sure did. It reassured me that some,if not most blacks did in fact have the courage to stand up and defend themselves and their families. Truly a very informative film. I am not a racist,nor do I hate anyone because of skin color. But I now know I am not alone in my mindset of defend myself and loved ones at ALL costs.sincerely,Black Sicilian
panik65 The only nitpick I have with this film is that it is obviously NOT filmed in Bogalusa, LA. It also does not show the poverty of African Americans who lived and worked there - one gets the impression the blacks there were leading perfectly cozy middle class lives, save for racial segregation and oppression. These folks did not live in 3 bedroom nicely decorated, cozy homes. They live in what amounts to shanties and the poverty there is third world. Bogalusa is not some idyllic looking, charming small town. It is a very depressing, gloomy place, centered around a paper mill which smells horrible (and you can smell it all over town). By not showing this it disconnects racial oppression from how bad the economic oppression was (and still is), and it's always there.Other than that, the Deacons rock, and predated the Panthers by several years.
The Gryphon I was born in Bogalusa, Louisiana (the lumber town depicted in "Deacons for Defense") and lived through the events depicted in this movie. I can attest to the fact that it is very factually recounted. The tension between the blacks and the whites during that time were very high and emotionally charged. As a child I was taught by my Klansman father that black people were to be hated. For whatever reason that never really rang true to me and I refused to hate. It's so strange to look back objectively on a movie like this that reopens those old wounds. It's about the black citizens of Bogalusa who form a group intending to protect themselves from the bigotry that envelops the city and the tough choices they had to make going into this situation with little or no backup from the city police or the elected politicians in the area. It's really a very good movie.
Lexuses71 I saw this excellent film and was so impressed with the performances. Forrest Whittaker, in one of his strongest roles, proves once again he is one of the most under appreciated actors working today. In a town of Louisiana in 1964, at the dawn of the Civil Rights movement, he portrays a hard working man who, as a spokesperson for the Black workers in a local paper mill, is simply trying to survive in a United States that refuses to recognize a Black man's truth worth and self dignity. This small town in Louisiana of this time period is very oppressed, racism is overt, the Klu Klux Klan is a dominant force, many of the police are in the Klan, and Whittaker's character wearily knows his place, that he and his brethren will never rise above the oppressive segregation that stifles them and their families each and every day. Two things happen to spur action here. When one of his co-worker friends is beaten by the local white powers that be for simply adding his name on a posted list at work for consideration for a promotion to Supervisor, and 2 white Civil Rights workers (one played impressively by Jonathan Silverman) come to town to help raise consciousness and organize the Black locals for non-violent demonstrations, Whittaker-out of necessity-evolves into a man of purpose (and action). He and his friends form a covert group of armed military man called the "Deacons Of Defense" to protect fellow Blacks from the racist police and covert mill workers who are dead set against any integration. What knocked me out at the core of this film was the uneasy alliance/relationship between Silverman, who, as a young idealist, sincerely wished to promote a non-violent agenda, and Whittaker, who knew the only way to preserve and survive was to arm and fight the white power structure on the same terms as they did. When Silverman (and his Civil Rights coworker) get badly beaten as "nig--r lovers" by the racist locals, and the federal government announces that all forms of segregation must be abolished (per Lyndon B. Johnson's mandate), a final confrontation occurs between the white KKK supremists and the Deacons. The law now reads "local law enforcement officials MUST protect Black citizens". But will they? It is chilling for a TV film to create this level of tension, yet there is a balance in characterization, considering the touchy subject matter. Director Bill Duke shows his flair, style and sensitivity to the historical content. He filmed this explosive film in a quasi-documentary style, using some very disturbing footage, and black and white photography that makes you feel you are there. This material, while little known, was treated with utmost respect and factual data. Ossie Davis is wonderful as the local minister, who grows to finally understand that there is no recourse but to support what the Deacons are doing. And as the previous reviewer well noted, the man just cannot give a bad performance. Supporting roles were well casted and portrayed. But it is Whittaker's show all the way. I feel this film is so relevant today; it needs to be seen by all youth. Actually, everyone should see this movie. It's that moving. A must see film.