Boeing, Boeing

1965 "The Big Comedy of Nineteen-Sexty-Sex!"
6.4| 1h42m| NR| en
Details

Living in Paris, journalist Bernard has devised a scheme to keep three fiancées: Lufthansa, Air France and British United. Everything works fine as long as they only come home every third day. But when there's a change in their working schedule, they will be able to be home every second day instead. Bernard's carefully structured life is breaking apart

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Reviews

SpuffyWeb Sadly Over-hyped
Nonureva Really Surprised!
Micransix Crappy film
Console best movie i've ever seen.
SnoopyStyle Bernard Lawrence (Tony Curtis) is a reporter based in Paris. His British stewardess fiancée Vicky Hawkins (Suzanna Leigh) hates his housekeeper Bertha (Thelma Ritter). He's very careful with scheduling. He drops Vicky off at the airport, and surprisingly, picks up his other fiancée, German stewardess, Lise Bruner (Christiane Schmidtmer). In addition, there is his Air France girlfriend Jacqueline Grieux (Dany Saval). The tight precise juggling is threatened by any scheduling changes, the new faster planes, and fellow reporter Robert Reed (Jerry Lewis) with no hotel vacancy who insists on staying at his apartment.The idea is cute. Starting with listing the girls' measurements in the opening credits, this is an old fashion sex romp. Jerry Lewis is playing straight in this one. It's not that funny especially in terms of modern sex comedies. There are a few fun moments but no big laughs. It's probably not a classic but a good choice for fans of these legends.
MartinHafer "Boeing, Boeing" is a very unusual film for the time because although Jerry Lewis is one of the stars of the picture, he neither directed nor wrote it. He's simply there as an actor and isn't quite the same goofy guy he is in his other films. In fact, in some ways he's quite a jerk...a definite departure.The story is about a super-selfish guy. Bernard (Tony Curtis) is a major womanizer. He's arranged his life in Paris so that he's engaged to three different stewardesses at the same time. It works out because each thinks she's his only woman and because their schedules work out so, they are oblivious to his machinations. However, two things upset his plans...the arrival of Robert (Lewis) and the women's schedules...which suddenly start getting discombobulated. So for most of the film, Bernard works tirelessly to hide each woman from the others...sometimes with Robert's help and sometimes Robert seems to be out for just himself.This American-made bedroom farce suffers because Bernard and Robert are jerks...and two of the three fiancees seem pretty nasty. The third fiancé is just kind of dumb. Because of all this, the film doesn't work as well as it could and it's obvious that the director and stars try to make up for a somewhat weak plot by putting TONS of energy into their performances. It's not unpleasant but can understand why this isn't one of Lewis' or Curtis' more famous efforts.
moonspinner55 Tony Curtis/Jerry Lewis combination adapted from a play by Marc Camoletti about an American in Paris who is juggling the affections of different sexy stewardesses. Bedroom-comedy isn't smutty, but neither is it particularly witty or funny. The slapstick staging isn't spirited, yet the players react crazily, hoping to sell this fluff on their hearty attempts alone. Perky Dany Saval (as "Air France") is the stand-out amongst the lovely ladies, none of whom gets an actual character to play. Curtis and Lewis might have been an interesting duo under better circumstances (and with snappier dialogue), but this material is beneath them. *1/2 from ****
Carrie_the_Oracle I saw this play in a 99-seat theater tonight in Sierra Madre, CA. I came to the same conclusion; the guys could have been anyone else. Berthe was the star of the show here, too--a really superb actress. The girls were good, But TWA was obviously anorexic. Luftansa was, well, Ruebenesquely cast.The men were not slick enough for this phenotype, and they tended to garble and fall over the laughs. Most of the laughter came from this mostly SBNN (straight but not narrow) audience, who laughed at the self-delusion and naiveté of both the lead and his foil. They also wanted to know Berthe's cell number.