AniInterview Sorry, this movie sucks

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Gideon24 Stephen Sondheim's iconic Broadway musical Company was beautifully revived in 2011 with a star-studded cast, some updating of material, and accompanied by the New York Philharmonic with longtime Sondheim musical director Paul Gemignani at the baton.This musical originally premiered on Broadway in 1970 and won the Tony for Best Musical, as did Sondheim for Best Score. Company is the story of Robert, a 35 year old bachelor whose best friends are five married couples who constantly worry about him and are in constant pursuit of the perfect woman for him. Harry and Sarah are approaching middle age and bring Robert in the middle of their battles with sobriety and dieting. Robert thinks Susan and Peter are the perfect couple until they announce their plan to divorce. Jenny and David smoke pot with Robert and Jenny pretends to enjoy it more than she really did. Paul and Amy have been living together for years and have finally decided to marry, which has Amy freaking out. Larry and Joanne are an older couple so comfortable in their lives they really don't see how unhappy they are with each other.Dean Jones originated the role of Robert in 1970 and Elaine Stritch became an instant Broadway legend with her performance as Joanne. The musical was revived in 2007 with Raul Esparza playing Robert and had the "novelty" of having all the actors playing musical instruments throughout the show, which I personally found very distracting.That's why I prefer this version...back to the source material, keeping the 70's sensibility alive but making the show still New Millennium- friendly. A song that was cut from the original production called "Marry Me a Little" has been restored, as well as a VERY funny scene where Peter (Craig Bierko) comes on to Robert after he informs him of the divorce. Needless to say, with Nail Patrick Harris playing Robert, this scene produces huge laughs.The role of Robert and Neil Patrick Harris seems to be the perfect marriage of character and actor. Harris proved to be more than up to the vocally demanding role, with "Marry Me a Little" being a standout performance. After watching Harris playing womanizer Barney Stinson on How I Met Your Mother all those years, it was great to see him play a flawed, but genuinely nice guy.Broadway legend Patti LuPone, as always, puts her personal stamp on the role of Joanne and literally stops the show with her rendition of "The Ladies Who Lunch". It's clearly a matter of personal taste, but I have always felt that Elaine Stritch owns that song and LuPone's performance did nothing to change my mind, but the audience on this DVD loved it.Mention should also be made of Stephen Colbert, who was surprisingly effective as Harry, perfectly complimented by Martha Plimpton as Sarah. Colbert and Plimpton were a well-oiled machine and I have never enjoyed Harry and Sarah's scene so much. Loved Julie Finerman as Amy as well. She also stopped the show with "Getting Marred Today" and Christina Hendricks brings a depth to the role of April, a dim-witted stewardess Robert is dating, that I have never seen in previous Aprils.Sondheim's flawless score includes "Little Things", "Sorry-Grateful", "You Could Drive a Person Crazy", "Another Hundred People', and the classic "Being Alive." As I've mentioned before here Sondheim is probably Broadway's best composer and is definitely Broadway's best lyricist because Sondheim doesn't write music the way people sing, he writes it the way they talk.For Sondheim and musical theater purists, this is a must-see.

fubared1 Unfortunately this musical stills suffers from the fact that the 'book' by George Furth (and little has been changed) is still quite weak. Considering both Sondheim and Furth are gay, the men's parts are incredibly weak, and the situations are clichéd. The performances likewise are the best by the women with the men pretty much taking up space in the background. As to Harris, well, his acting is decent enough, but his voice is rather thin for the material...and he hits a few 'clinkers'. Where is Dean Jones when you need him? Sondheim writes difficult stuff for the average Broadway singer, and 99% of the classical singers can't act, so at best the result is unsatisfactory...like the film version of 'Sweeney Todd'. By the way I did play David myself a long time ago, and I disliked the show then (the book mainly). I've done many musicals, and this is the one I remember with the least affection. I've often thought it might be interesting to do a modern interpretation with all gay couples...and not so incredibly 'white'. The leading character is obviously a model for a '70's gay man.

clave Just saw it in Herndon, VA; a small but enthusiastic audience. Masterful stage film enhanced by the use of the original orchestrations from the seventies plus an appropriate inclusion of "Marry me a little". "Getting married today" brings down the house while "Another hundred people" received only a warm ovation even though Anika Noni Rose performed it brilliantly. Stephen Colbert shines in his section, and Martha Plimpton does wonders as Barbara Barrie did almost 40 years ago: a great performer like her father Keith Carradine. The real surprise is Neal Patrick Harris, who even though is too Generation X to play Robert, does provide insight and credibility to what originally should be a shallow character. And Patti LuPone delivers the best "The ladies who lunch" since Elaine Stritch did in 1970!

lavatch According to actor Neil Patrick Harris, the cast of "Company" had slightly more than a week of rehearsal time prior to its short run of performances at Lincoln Center's Avery Fisher Hall. One of those shows was filmed for release in movie theaters. The small but appreciative audience in one of those screenings in Minnesota was treated to a high-energy interpretation of the Stephen Sondheim musical: ensemble performing at its finest.The book for "Company" has undergone a thorough rewrite from the original 1970 version, resulting in dialogue more attuned to the new millennium. As the couples interact with the bachelor protagonist Robert, the themes of marriage, divorce, loneliness, and life in the big city emerge in a montage of scenes built around some of most memorable music and lyrics ever written by Sondheim. This production was not "fluff," but a meaningful exploration of love, marriage, and the search for happiness in the stressful modern age.This production isolated the performers on the forestage of the large Avery Fisher Hall. Supported (but not overwhelmed) by the magnificent New York Philharmonic Orchestra, the cast of "Company" brought the characters to life with a dazzling set of creative choices and physical routines. Many of the bits of business were undoubtedly the ideas of the skillful director Lonny Price. The potentially static horizontal plane was occasionally broken when performers interacted with the orchestra and the conductor, adding to the ensemble effect. For the filmed version, the camera work was superb, especially with close-ups. It was like being on the stage with the actors.The cast obviously worked tirelessly on subtleties of performance and honesty in the emotional life of their characters. Along with his fine vocal technique, Harris evoked a sensitive character interpretation, and the other performers followed his lead. Every viewer will have a "favorite" performer in this production. It was clear that the live New York audience adored the crusty character of Joanne, as played by Patti LuPone. My favorite was Martha Plimpton's character of Sarah, due to the performer's adroit physical choices in the karate scene and her beautiful singing voice. There was also a "surprise" ending in a special touch that transformed the overall meaning of the musical from the original 1970 version. But there are no spoilers in this review. You will have to seize the moment and experience this unique production for yourself for that ending.The range of abilities in this talented cast cannot be overstated. Technically, the Sondheim songs are not easy. The effortless vocal interpretations, the challenging choreography, and the depth of feeling in the characters made the $18 cinema ticket price a bargain for this once-in-a-lifetime opportunity. This is the kind of company I like to keep.