Solemplex To me, this movie is perfection.

Protraph Lack of good storyline.

Konterr Brilliant and touching

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

napierslogs Tricia O'Kelley is our sassy weather girl, Sylvia, except she insists she's not sassy, she just has boyfriend problems and now employment problems giving way to the numerous emotional issues which our heroine explores in this romantic comedy.Sylvia is a fantastic romantic comedy heroine. Sure, she's slightly desperate for a boyfriend but when her job opportunities disappear, she does the responsible thing and finds a temporary solution, as a waitress. She retains just enough optimism peeking out of the many hysterical breakdowns, that watching her is a joyful experience. We have two leading men, both extremely attractive and even better, their many moments of humour are priceless. Walt (Ryan Devlin) is Sylvia's younger brother and he puts up with all her neuroses because of brotherly love. Byron (Patrick J. Adams) is Walt's best friend, he also puts up with Sylvia's many neuroses, but out of a more carnal love.This film succeeds because young career women can relate to Sylvia's problems unlike the similar "Morning Glory" (2010), and every actor aptly delivers the comedy (unlike most big budget comedies). It's well written and knows its genre well playing up most of the formulaic elements on purpose but without any of the hackneyed details. "Weather Girl" is definitely a great romantic comedy because it's absolutely hilarious from beginning to end with just a hint of self-awareness.

Amy Adler In the studio of a morning show in Seattle, the entire crew is looking for their sassy weather girl, Sylvia (Tricia O'Kelley). She appears to be AWOL but, suddenly, she makes it to the stage just seconds before air time. The program's male host, Dale (Mark Harmon) begins the day's news, with his fake sunny smile and styled hair. But, when Sylvia is called upon to give the first weather report, she stirs up a tornado of tabloid bombshells. First, she relates that, against her better judgment, she fell for Dale and moved in with him two years ago. Then, she holds up the pair of woman's underpants that she found in their condo, the pair that doesn't belong to her, Syl. Lastly, she gives a brief summary of Dale's lack of prowess in the bedroom and she whirls out of the studio, ditching her job. Whew! Now, that's entertainment! Knowing of no other place to go, she heads for her brother's messy apartment and begs him to let her bunk while she figures out her next move. He, Walter (Ryan Devlin), agrees. But, soon a good-looking neighbor, Byron (Patrick J. Adams) pops in and startles Sylvia during breakfast. He says he is Walter's best friend and a website builder who is using Walt's computer to continue his work, due to the crash of his own hardware. Although Bryon is somewhat younger than Sylvia, he becomes interested in her. But, Sylvia, who has become a pariah in the local television world and reluctantly accepts a job as a waitress to pay bills, initially resists his flirtations. And, wait, Dale may want her back. Will dear Sylvia make a new life for herself, a life that includes romance? This reviewer's forecast is that most folks will enjoy this delightful but slightly risqué romcom. The script is very clever and funny while the cast does an admirable job, too. Harmon courageously makes an insipid beast of himself while Adams is a charming and handsome leading man. O'Kelley, though not model beautiful, is also very wonderful as the weather girl. Devlin is likewise touching and comical as the brother. In a hilarious cameo, Jon Cryer elicits a bellyful of laughs but Blair Underwood, regrettably, has very little to do. The rest of the cast is fine. There is not much scenery, just sets and apartment rooms, so there is no real view of Seattle but the costumes are nice and the direction is deft and fast-paced. Do you like romantic comedies with a slightly different feel? Then, this one is for you, for it delivers laughs and heartfelt sighs at all the right moments.

Danielle I saw this movie on video without knowing anything about it and I was pleasantly surprised. Loved the actors, loved the story, loved the humor. Terrific to see a woman grappling with real life issues and even better to see a romance between an older woman and younger man without all that "cougar" baggage. Is it formulaic, of course, but it has an independent feel which makes it seem a lot fresher than bigger movies with bigger stars. The sibling relationship was an especially nice addition. I'm a huge fan of the romantic comedy genre, but so much of it is recycled and cringe-worthy. Most Hollywood rom-coms are a few good scenes amid barely watchable dreck (The Wedding Date, The Wedding Planner, 27 Dresses, How to Lose a Guy in 10 Days, the list goes on). This was totally watchable and I would strongly recommend it to anyone who likes a happy ending.

Dee Ott Formulaic, trite and completely predictable.Sylvia is faced with some very real problems: after a public meltdown on a Seattle morning talk show, she has no job, no money, no place to live (other than holing up with her brother). A great set of obstacles to overcome. Instead, the film's answer to this mess is the tired old "love conquers all" formula."Getting the girl" (or boy) is one thing; *earning* the girl or boy is another. And no one in this film really works for their happy endings. A few good speeches, a few minor detours, and voilà! It all works out great.Sylvia has some very good moments, but spends any sympathy she earns by defaulting back to "whiny and spoiled." (Her and her brother's back-story helps give both some gravitas, but even playing "the mom died when they were kids" card felt calculated on the writer/director's part).Too, as a former Seattleite, I found the depiction of Seattle anorexic and skewed. More like the culture of L.A. had been transplanted into Seattle. Seattle is a BRILLIANT location for any writer/filmmaker who knows how to use it and actually make it its own "character" in a story. As is, Seattle was just a lame gimmick here, with a few picture-postcard moments thrown into a montage midway through.I've been in Sylvia's shoes (minus the very public meltdown) and found the film condescending. I mean, really? These are the sum total of one's options in life? These people needed to get off their asses and work for that crowd-pleasing end.