Hellen
I like the storyline of this show,it attract me so much
Konterr
Brilliant and touching
SpunkySelfTwitter
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
Stephan Hammond
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Samhuinn
In CBGB (2013), Alan Rickman plays Hilly Kristal, the manager of music club CBGB that famously provided a stage for unorthodox American punk and new wave bands such as the Ramones, Television and The Police. With the help of old friends, his mother's money and his estranged but intelligent daughter, Kristal helped 1970s youth find its voice in music.The main problem of the film is the structuring of the plot. Initially proposed as a story-within-story, the framework of the origins of Punk Magazine is quickly discarded to tell the tale of Hilly Kristal. The remnants of the cartoonish framework amount to little more than annotated scene transitions that can be described as disruptive more than original or even whimsical. This stylistic flaw could have been overlooked if the main story about Kristal had been engaging, but this is not the case. Portrayed as a failed businessman more than a music industry icon, what should have been his visionary idealism and love for music can only be seen as disillusioned incompetence and greed. These flaws, combined with the character's hard-headedness and disregard of advice, make it very difficult to sympathize with Kristal. Come the miraculous happy ending of the film, in which all personal and financial troubles are resolved without much explanation, the viewer cannot help but feel cheated.(AREA 555 on Wordpress)
ktyson9426
Apparently, I'm practically the only reviewer that wasn't there or personally knew Hilly himself. I grew up in a smaller-ish mid-western town and was introduced to punk by a girl from high school in the late 70's, and became aware of CBGB in the mid 80's. CBGB was always a mecca I wanted to visit but never got the chance to, so I leaped at watching this movie.First off... It' important to remember this is the fictionalize account of the legendary New York city punk club CBGB and Hilly Kristal, and not a documentary. I went into watching this with the expectations there would be many factual errors. I noticed some items like band stickers on the walls from the wrong decade, but it's a Hollywood movie... not a documentary. I think the end credits says it best where it says "And we know that Iggy Pop never played at CBGB... Just deal with it.". This location was so instrumental to music that I doubt a 3 hour movie could have done it justice. They had to pack a lot of story into a short amount of time so no one watching this movie should do so expecting a historically accurate movie. I enjoyed how they interweaved Punk magazine into the story. I felt it helped keep an upbeat, lighthearted message about Hilly and CGBG and kept the plot moving. Now it's a double edged sword here with my criticism. The plot got pretty thin in the middle of the movie as the director tried to give the viewer a idea of the energy that was going on with the bands playing there, and some of the insanity I'm sure went on there on a regular basis. While the plot got non-existence, it was still enjoyable to imagine being there and seeing bands like the Ramones, Blonde, Patti Smithe playing. Even though I thought there were points where the plot got lost, and the acting was somewhat awkward and forced at points, I still thought it was well done. My one big complaint is the ending was sort of sudden and anticlimactic. Overall I really enjoyed the movie personally... but I didn't have high expectations on what it was going to be either. I guess if you're a punk purist or were actually there, then someone might be disappointed in the movie.
marklamendola
Saw the CBGB Movie last night... Great job! no car crashes.. just Hilly's truck, no alien invasion, no love story unless you count the part with.. Well, I wont mention any names.. Just a story about a little club that could.. at least for a little while. Alan Rickman did capture the essence of Mr. K.. this is not a documentary so I did not mind the time line of certain things not being accurate, it was entertaining and if you were not fortunate enough to have been there back in the day you can still learn a thing or two about the beginnings of Punk Rock. Yes there were many bands that played that stage and some are upset for not being included.. perhaps writing scathing reviews.. I was happy to be there "cant all be rock stars" Great tribute to Hilly at the end when Talking Heads were added to R&R Hall of Fame. I loved it and do want to see it again!
gabe-geltzer
I saw this movie because I had written a screenplay about 6 years ago about The Dead Boys and CBGBs that circulated town and was never bought. I was curious - and a little suspicious - needless to say when this movie went into production. My fears were unfounded, almost nothing I wrote was in this sloppy, scotch-taped up plot less pile of scenes. First off, you have endless possibilities for interesting stories. This was a seminal period in rock n roll history. But to make the "Hilly Kristal Story" is a ridiculous choice. He simply is not the hero of this scene or this movement. He was a passive bar owner who was in the right place at the right time. He waddles around the movie with no interest in anything other than making a buck. I met and interviewed Hilly - around 2006. He seemed like he barely cared and even admitted he was in the right place at the right time. The Dead Boys are a totally interesting story and they are treated like a bunch of spoiled sh*theads. Every cameo rock star appearance is silly and embarrassing. Iggy Pop gets like one line? No lines for Dee Dee? Where was Johnny Thunders? Where was Seymour Stein and Sire Records? Why does Legs friggin McNeil use the word 'dude' constantly - remember we are in 1977? Lou Reed cameo was nauseating. Sloppy. But here's what's really awful: It feels fake and made up from half-remembered anecdotes. The fact that Hilly's daughter - incidentally an EP on the film - plays a crucial part of the story also rubs me the wrong way. CBGB was about the music, not about some guy who ate Hostess cupcakes and paid the rent. Plot: none. No climax, no resolution. No character development. Characters enter and leave and reenter and leave. The story opens on the so-called "inventors of punk" - um, no. They made a fan magazine and wrote an OK book on which the source material was based. They were witnesses, not inventors. And they served no point in the film except to irritate me with political rants every 30 minutes. By the way, that's 4 appearances, because this is a slow-moving 120 minute movie whose best scenes are between an incidental made-up cop character and the bar- owner. Nothing happens except the usual "you're on thin ice mister."The sets are vaguely realistic, though the Agnostic Front stickers really made my hair curl. The cartoons were OK. This may sound like I'm jealous because this was somehow pushed through the system with a huge catalog of punk songs (most of the budget must have gone to Sting, BTW) - but I'm relieved that there is still a good movie or miniseries to be made about this era. This just isn't it.