Smartorhypo
Highly Overrated But Still Good
Gurlyndrobb
While it doesn't offer any answers, it both thrills and makes you think.
Frances Chung
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
MartinHafer
Unless you are familiar with the Mexican phenomenon known as Cantinflas, before you watch this new bio-pic, you might just want to see a few of these films first so that you can appreciate their wonderful style and charm. They also might help you to understand why Charlie Chaplin raved about the man who created this character and referred to him as 'the world's greatest comedian' as well as why they've chosen to make a film about his life.Unfortunately, "Cantinflas" is NOT the perfect film about Mario Moreno's life and career in films. It seems to spend too much energy focusing on his performance in the Hollywood film "Around the World in 80 Days" and not nearly enough on his Mexican movies--which are clearly his best. While his role in "Around the World" did help to bring him to the attention of the American public, his career in Hollywood films would later turn out to be a flop--something that the film not only fails to mention but it strongly implies that his efforts in American cinema were very successful. Likewise, the film tends to whitewash Moreno's personal life at times and fails to show just how beloved the man was in his native land. Despite these flaws, the movie is still well worth seeing. Óscar Jaenada does a lovely job impersonating the late actor and the film is technically a very well made film. It also does a good job in showing the path by which Moreno learned his craft and perfected his Cantinflas character--all things that fans of these films should appreciate and enjoy. It also leaves you wanting to see more--something I'd strongly recommend. You might want to try a few of his later films, such as "The Little Priest", "El Bolero de Raquel", "The Illiterate One" or "Su Exelencia", as they are excellent and, more importantly, are widely available on DVD since they were released by Columbia Pictures, unlike his earlier films.Incidentally, "Cantinflas" is the official submission for Mexico for the Best Foreign Language Oscar. We'll soon see if it's among the few selected nominees for this award.
popcorninhell
Cantinflas (2014) should have been a clever little gem about a piece of forgotten film history but ends up being a solidly boring mish-mesh of a film that did little justice to its subject matter. In it Cantinflas aka Mario Moreno (Oscar Jaenada) works his way up from a minor vaudeville player on the streets of Mexico City to one of the most beloved Mexican actor/comedians of all time.He does so while a second, mostly English tale unfolds. Michael Todd (Michael Imperioli) a wily producer at United Artists is trying to cobble together the 1956 theatrical version of Around the World in 80 Days. He boasts to the studio exec that he can convince over forty international film stars to be in the film but in reality he barely has Elizabeth Taylor on the hook. In an attempt to make the film salvageable he asks the ever-popular Cantinflas to make a cameo appearance.Despite polished period detail and some worthwhile performances, Cantinflas feels cheap and more than a bit off. The cinematography colludes into a mix of flat browns and grays and everyone seems to be spotted by florescent lights. One cannot help but wonder if this story was given to a more mature director we'd be able to see and enjoy the vibrant colors of Mexico and the luster of old Hollywood.The film is also betrayed by a script that fails to staple the important moments or rather the two largest threads into a story of urgency. The turbulent labor politics of Moreno's time get the same compromised treatment as his early roving theatre career. His height of popularity is as deflated as the 80 Days subplot. It's as if the editors lost a few key scenes on the cutting room floor and pasted half-shot scenes together hoping the audience wouldn't notice.There's one nearly-poignant scene where Cantinflas, in a "success is ruination"-type stupor sees a note of encouragement by none other than Charlie Chaplin. Again I say near-poignant because up until that moment we never knew Chaplin's opinion was important to Cantinflas. Goaded by the letter, once Cantinflas agrees to do Around the World in 80 Days it leaves him without catharsis or character change. His wife seemed to think fame was going to his head so appearing in the film he's most internationally recognized for wouldn't have solved that dispute; yet it did.Cantinflas attempts to create a stereotypical biographical film out of a figure that, given the events of the film, deserved better. At best this film deserves to be on cable and given a Hallmark type release, not a theatrical one. Maybe in the decades to come people will honor his contribution to his nation's cinema with a movie that immortalizes the man properly. Now that would be the rub.http://www.theyservepopcorninhell.blogspot.com
Guillermo Farias
What can I say? I loved this movie. Very inspiring story! Great actors, great director, great everything. Cantinflas is a great example of the underdog that succeeds with hard work, positive thinking and creativity. I've recommended this movie to everyone I know and 99% of the feedback is positive! Go see it, you won't regret it.Also I think that Cantinflas is a great example of a human being that enjoys living his life. A lot of people have trouble enjoying life because they are so focused on accomplishing goals. Mario Moreno's story is a must learn lesson for all of us who live in the future and forget about the present. This guy enjoys the road to success even though the road sometimes get super-bumpy.
Art Cervantes (quixotefilms)
Cantinflas is a biopic and tribute to one of Mexico's most iconic entertainment personalities of the 20th century. For those not familiar with Mario Moreno's perpetual theater and screen persona, let us avoid comparisons and simply present him as follows: the country of Mexico has a rich indigenous tradition, it has it's colonial period followed by the revered fathers of liberty, and then it has Cantinflas – in the running for the top spot of contemporary historical significance among a few others. His films are stuff of binge addiction on long weekends and it's safe to state he has a status of saint by some of his fans.With this back history, anyone who dared to bring the two, the persona and the creator, to the big screen would need to have a strong will and set of two firmly planted – to make use of a common Spanish colloquial phrase.The target audience is obvious; fans and those familiar with Cantinflas while appealing to the general audience. To fans, there are no surprises or explosive revealing secrets. Overall the text is a positive portrait that allows for some connection with Mario Moreno. It won't come as a shock that Mr. Moreno developed into a shrewd impresario who learned to market and maintain Cantinflas in the vernacular for decades and beyond his death. Revealing the womanizing phase of his career works to show a person rough around the edges and a human who wasn't beyond reproach – in other words not Cantinflas-like.Stylistically, the story is told in a whimsical and fairly fast pace of intertwining narratives between Cantiflas the persona and Mario Moreno the creator. With little breathing room, moviegoers are treated briefly to some of the most memorable scenes in Mr. Moreno's filmography. Like with other historical and entertainment figures, viewers' collective memories and personal stories will make for a magical movie experience surely evoking happy laughter and a tear or two. The fun sets in the second the opening and historically marking montage ends and never lets up. Be sure to stay until the house lights come on, you won't regret it.Cantinflas is also about the craft of filmmaking. It's always interesting to watch the film process portrayed within a text. Director Sebastian del Amo uses homage in a not so subtle way. In Cold Blood by Richard Brooks and Citizen Cane by Orson Welles moments are clearly depicted but the most poignant statement is the ever present artistic vs commercial or formulaic movie making argument that can become esoteric at times. We learn that at some point, authorship was paramount to Mr. Moreno. As this goes on, a foretelling tie to Hollywood builds and serves as the triumphant marker. Fans obviously know Cantinflas did not stay in Hollywood.As for the casting, Óscar Jaenada (The Limits of Control and Pirates of the Caribbean: On Stranger Tides), knocks it out of the park. His impersonations of Cantinflas are superb and certainly had this viewer reacting at every turn. Purist may not accept Jaenada in the role but he's a proved actor and not just an impersonator. The cast is international and the well done production serves to prove that cinema has no boundaries.Conclusion: A must watch on the big screen. It won't be the same on DVD simply because the collective experience won't be there. A bilingual but mostly Spanish language film with subtitles as needed. Family safe and fun to watch!
