MamaGravity good back-story, and good acting

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

bkoganbing In a most unusual role for Bette Davis she's playing the title role in Bunny O'Hare with her partner Ernest Borgnine from The Catered Affair. Ernie maybe doing plumbing sales now, but back when he was younger he was a notorious bank robber. Davis is having a cash flow problem mainly because of her two parasitic children, John Astin and Reva Rose. She's constantly giving them money, especially to Astin who's a degenerate gambler. Her house has also been foreclosed because she can't pay her own mortgage.What to do but get a new source of money. So Borgnine comes out of retirement and trains Bette. They work out a lovely disguise as a pair of hippies on a motorcycle.Wouldn't you know it, they happen to get an investigating officer in Jack Cassidy who is a vigorous opponent of the counter culture. His absolute hatred of the protesting counterculture generation blinds him in pursuing other leads.One weakness of Bunny O'Hare is that I cannot believe Davis and Borgnine kept using the same method in their robberies. They pull off about half a dozen or more robberies and you would think that the bank guards would be ready for it. Won't tell you what it is, but the state of New Mexico's banks are being flipped the bird.New Mexico at the time had a Governor named David Cargo who made one of the main points of his program to attract film companies to shoot in his state. Several films of varying quality were done there and Cargo always inserted himself in a small role.I have to classify Bunny O'Hare as one of the few full blown comedies that Bette Davis did since leaving Warner Brothers. I'm sure she did that deliberately looking for something different. She's quite a bit subdued here, even generous as the laughs go to her supporting players. Most especially Jack Cassidy and John Astin.Bette's fans will most definitely not get the Davis they're used to, but the film is pleasant viewing with a few chuckles besides.

cougarblue-696-806128 Bette Davis made a few stinkers when she was no longer getting good roles, "Bunny O'Hare" will bring tears to Davis fans who recall her great performances in "All About Eve" for example and so many more. The plot is improbable as well as illogical, which would be OK in a farcical comedy, not so much in this low budget mess. The two principals are OK, they didn't write the screenplay, but the characters played by Jack Palance and the bit players, were drawn from bad stereotypes, Archie Bunker style, as well as starkly amateurish. I thought for a moment those who played the "Hippies", cops, and bank employees were right out of the 5th grade play. Maybe there was nothing left after Davis and Borgnine were hired. Aside from the just awful disaster films from the same decade, "Bunny" is as bad as it gets. If you get through this film once, you won't be back for a second helping.

CineTigers I agree with all the other comments that the premise was bizarre, the plot was beyond thin, the acting hammy, and the filming and budget woefully low quality.However, I am walking through 1960's & 1970's movies in an effort to remember and better understand how much our world has changed. The Montgomery Wards? Cars without safety bumpers, banks without safety glass, strip malls without Wal-Mart or Home Depot . . . hippies (the cinema interpretation).But mostly the blatant sexual harassment by Jack Cassidy's character that is eventually met with nympho encouragement, an evil grin, an eye twinkle, and an implied roll in the sheets. That a writer could script and a director could film such scenes reminds me just how far we have come in some 40+ years. The jokes about "A real cop ... a man" were predictable, for guffaws. And while a low brow comedy is not reality; to a much lesser degree, not that long ago, this was.

apass This film belongs to an enigmatic category I refer to as Extinct. No VHS or DVD release. Only a TV broadcast now and then. It deserves more, as do most extinct films: they should all be available for streaming or download on the web.After seeing it yesterday on THIS, the new CBS digital broadcast sub-channel, I found Delaney's performance to be the highlight. Her ambivalent, playful acquiescence must epitomize the fate of countless intelligent women, even to this day. I'm no feminist, but I can empathize. She's clearly the superior cop. But the best she can do is gently nudge her male boss in the right direction. And when he errs, she can't correct him, lest he lose face. Civilization would probably be a hundred years further along by now if we humans weren't so rigidly patriarchal. Too many great women have been relegated to the sidelines. Including Delaney, whose film career apparently ended here.Davis and Borgnine, meanwhile, help us understand the unfortunate issue of exploitative adult children. They've grown up, but they don't want to be independent. They happily parasitize their aging parents, who in Bette Davis' case, actually risk life and limb to procure infusions of cash in response to concocted, irresponsible excuses. Her progeny's utter lack of conscience was bewildering to me. I shudder to think how many elderly grandparents sympathize with Bunny's futile situation. There are probably millions of real-life parent-parasites in the world, preying upon their progenitors' unconditional affections.This is a multifaceted film. Thanks to its stars, it's engaging too.