SnoReptilePlenty
Memorable, crazy movie
Mjeteconer
Just perfect...
MamaGravity
good back-story, and good acting
earlytalkie
This adaptation of W.C. Fields' life is a pretty good one which shows the great comic, warts and all. This is based on the book published by Field's mistress of many years, and she is played by Valerie Perrine, who does a splendid job. Steiger is very good, but I have to agree with a previous poster that he sort-of resembles a blown-up Van Johnson rather than Fields. The only technical flaw I could see in an otherwise splendid recreation of 30's Hollywood is one street scene where the street is dressed with the proper 1930s autos, but then a late 1960s Lincoln Continental Mark III passes by, followed by a 1973 Pontiac LeMans and a Volkswagen Beetle! After this gaffe, the parade of passing cars returns to the classic 1930s cars. The late Jack Cassidy does a pretty good job playing John Barrymore, and the Mancini score is, as always, an asset. This is streaming on Netflix in a gorgeous wide-screen copy.
JasparLamarCrabb
Based on the memoir of Carlotta Monti, who had a very long affair with WC Fields, this film is surprisingly, unrelentingly joyless. Fields comes across as a self-serving nitwit who drank his talents away while the studios tried mightily to keep him in check. His relationship with Monti is seen as a series of shrieking fights with no winners. Rod Steiger mimics Fields well enough, but the script by Bob Merrill offers very little insight into what made the comedy legend tick. Valerie Perrine is stunning as Monti, but she's a bit too close to saintliness for any of this to be truly believable. On the plus side, the art direction is terrific and director Arthur Hiller manages to create a sense of early '30s Hollywood when Los Angeles was still a one horse town. The colorful supporting cast includes Billy Barty, Bernadette Peters, John Marley and Jack Cassidy (who appears to be having a lot of fun as John Barrymore).
moonspinner55
Carlotta Monti, a would-be Hollywood hopeful in the 1930s, met rascally, alcoholic, volatile comedy actor W.C. Fields at a movie wrap-party and was later invited out to his spread, supposedly to talk about a part in his next picture; there wasn't one, but she spent the next fourteen years with him anyway, playing his loving--though seemingly platonic--mistress who also acted as Fields' personal stenographer, script girl, cook, maid, and mother-figure-cum-warden. Based on Monti's memoir, and with her advisory assistance, this biography of Fields seems pretty truthful and not a white-washed kiss-up job. Director Arthur Hiller and star Rod Steiger do not shy away from showing W.C. as an occasional heel, a heartless, self-confessed son-of-a-bitch. Yet, the movie's best moments are the quieter ones (Fields' brotherly relationship with a little person, his reunion with the son he hadn't seen in twenty years, his reaction after Carlotta discovers how lonely he is). Steiger, whose make-up job causes him to resemble a portly Van Johnson rather than Fields, is a bit shrill in places, and he gets off to a bad start; however, Steiger eases into the role with obvious relish, and his eagerness to showcase this incredible personality definitely comes through (his final scene in bed is a heartbreaker). Valerie Perrine as Carlotta is also too shrill (which can be blamed on Hiller's handling), but she matches up well with Steiger and doesn't take too much guff off him. The sequences set in and around the movie studio never quite achieve the magic we hope they'll reach (they're squashy and limp, due--partially at least--to David M. Walsh's terrible cinematography). However, the central relationship is nicely carried off, aided by a lovely Henry Mancini score and good character actors in support. A forgotten film--yet another sitting on the shelf down at Universal--but worth seeking out, especially to see Steiger's work. **1/2 from ****
dyoung-34
Glad to see like minded people reviewing this movie. Although it has been years and years since I first saw it, it left a lasting impression. I can't really say why, other than I am a Steiger fan, but I do believe he brought something new to what I know of the character W C Fields.I too would, like my fellow fans, like to see this distributed on DVD. The film has been a topic of discussion with work colleagues, and even though I have said that it wasn't the 'greatest' of productions, it was definitely worth seeing.If the big wigs are reading, please, give me back a bit of my youth, lets have this on DVD!
