Matrixston Wow! Such a good movie.

Lawbolisted Powerful

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

kaefab I remembered Matthew Marsden from Rambo and Anacondas: The Hunt for the Blood Orchid also is part in Resident Evil and the horror movie Tamara which was quit good.Not sure why this guy is not getting more exposure he is a great actor.Super hot Christian Pitre who i did not know before this movie is very easy on the eye and has her role Marie Death down to the T.The film is beautiful, in many ways looks like a mad max movie with great action scenes and lot more gore.Its sad i feel this movie is going to go under the radar because its a b movie and does not seem to have a lot of exposure.Great action gore sci fi 8/10

Matt Kracht The plot: A post-apocalyptic bounty hunter goes on the defensive when a bounty is issued for his head and his ex-lover comes to collect.I didn't realize that this was directed by the same person who did The Last Lovecraft. If I had, I probably would have skipped it. Still, it was better than that horrid film, even if only marginally. I'm a sucker for exploitation films, post-apocalyptic films, and especially exploitative post-apocalyptic films, so I figured this would probably appeal to me. The concept does, but the film... not so much. If you're like me, nothing that I say about this film will discourage you from watching it. However, it's not really worth your time if you're looking for something more than a campy pastiche of Mad Max ripoffs.The first big problem is the humor. I guess if you liked The Last Lovecraft, you'll probably find this hilarious. It's immature, shallow, and not very witty at all. There a few entertaining moments, but they seem to arrive almost accidentally amid the assault of failed jokes. Like the warmed over Sarah Palin jokes from Iron Sky, this film does attempt to pander somewhat to left-leaning audiences, but there's absolutely no substance it. You could probably find wittier humor on Cracked.com. The splatter is somewhat amusing, and there are quite a few scenes of decapitation. If you are endlessly amused by gratuitous violence, there's always that saving grace. The hero's sidekick was just plain horrible, though. It reminded me of forced quirkiness of Six String Samurai.The second major problem is that the camera is constantly trying to have sex with the female star. It's downright distracting, and if you're more interested in watching a film than you are in ogling a moderately attractive B actress, this is going to be a slog to get through for you. Acting, characterization, plot -- pretty much everything comes in a distant second, if that. This isn't a deal-breaker, and it's kind of what one would expect from an exploitation film, but normally there is at least some pretense toward telling a story. This film seems mostly to be an excuse to shoot fanservice from a comic book. It's not terribly surprising to find that the director and writer previously collaborated on making exactly that.The third and possibly biggest problem is that everything in this film comes from another film. If you've sat through more than a few post-apocalyptic films, then it's likely you'll feel a constant sense of deja vu. Sure, I guess you could call it homage if you're feeling kind, but how badly do we need another low budget ripoff of The Road Warrior? I mean, sure, I'll keep watching them as fast as Phase 4 Films, Lionsgate, and other direct-to-video distributors can keep pumping them out, but maybe a bit of originality would be nice in a while. I can't help but think that Roger Corman could have done more with this high concept premise, and it essentially gets discarded in favor of Mad Max homages until the climax.If all you want is to ogle a B actress in a post-apocalyptic film with some good if derivative action sequences, then this is a good choice. In fact, it's probably a great choice. If you're looking for anything else, skip it.

Phil Hubbs So do you like super sexy leggy femme fatales wearing stockings, knee high boots and a cute mini skirt ensemble whilst gunning down and slashing people with her boot spurs? course you do! Based on a graphic novel apparently we are back to the old apocalyptic Earth scenario with gangs of bikers roaming about the place ala 'Mad Max'.The story is simple unoriginal and purely an excuse for bloody action. The world has been brought to its knees by the business world, titanic corporations hell bent on greed that set out to destroy one another but managed to wipe out the globe at the same time. Now the world (or is it just America) has been reduced to a waste land. The top business executives that initiated the mighty war have long since fled with the remaining wealth, but hot their tracks are the Bounty Killers, backed and supported by all the survivors, seeking revenge for the worlds ruin.I do like this idea in general, the way the bounty killers are highly revered celebrities that rack up kills for money fame and kill count records. I also like the idea of targeting white collar suit workers (tie wearers) as the enemy and the fact that the corporate world brought down the human race and is now treated like prey, it feels right. Obviously the film has a cynical satirical dark humorous edge to it which works in its favor but I feel they don't quite exploit this advantage well enough.The film does resort more towards the obligatory Tarantino-esque bloody fever pitch action...which is what its all about don't get me wrong but the plot had the promise of more intelligence if you ask me. Anyway the film is a graphic novel adaptation and it does exactly what it should by translating the kick ass gore to the screen in a truly gratuitous fashion, no holds barred, without a care in the world. Not to be taken seriously (naturally) the film is visually fun with a sexy scantily clad heroine, bizarre modified vehicles, lots of guns and flashing blades, face painted female warrior gypsies, people getting carved up, plenty of sex appeal and some nice animated interludes to fill in the gaps.There does seem to be a lot of these fast food straight to DVD action filled splatter flicks these days. This whole concept of in your face over the top bloody action is very common place yet a tad mundane I must say, the visual style and characters all seem to be very familiar. You see this film and you know instantly where inspiration has come from, its not hard, but I can't help but feel a certain 'Kill Bill' kick started all this type of thing...the blood gore and costumes. Mind you saying that you could also compare this ultra sexy kick ass heroine to 'Barb Wire' and 'Tank Girl', you can see that vibe going' on.The one thing I don't really like here is the use of CGI blood and effects at times which spoils the fun, although there are some nice gruesome hands on special effects in there too. For the most part the film has good production values and is decent eye candy but I just hate the reliance on CGI when we know they don't have to.I think violent mayhem and carnage sums this up pretty well, all delivered by a chick in a tight fitting outfit, so its one for the lads then. Totally crazy with larger than life characters (Gary Busey is a bad guy...say no more), bucket loads of goo, silly quickfire quips and ass. Plus points for visuals, some sweet real time gore effects and the whole idea, minus points for not taking that idea further, CGI bits and the fact they copy many other films. Its a cartoonish riot but everybody involved knows it so just go along for the ride.6/10

m-a-elsewhere A extreme post-apocalyptic action gore comedy that proves to be far more accomplished—and far funnier—that it probably has any right to be.Celebrity assassins Drifter, his nemesis/lover Mary Death, and their novice gun caddy (who's supposed to schlep a golf bag full of military assault weapons, recommending the appropriate gun for each kill) Road Warrior their way through a nuclear hellscape in which the evil Ayn Rand-inspired war criminals & their murderous henchmen all wear Armani suits with very loud matching ties; the armies of moral ambiguity are Juggalos; Western "stagecoaches" are Winnebagos hitched to synchronized Harleys; and the ultimate currency is a can of PBR. Somehow this all hangs together, albeit by partially severed limbs.Adapted from his own graphic novel by screenwriter Jason Dodson, the movie is a family affair and first feature for both Dodson and his cousin, director Henry Saine. Which, in a low-budget indie, is rarely auspicious, but works well in this case. The script and set pieces are crisp, on point, and often quite original. The acting, fight choreography & editing are impressively self-assured. Even the sfx appear far more big-budget than they can possibly be. And although Saine and Dodson aren't yet in a league with Robert Rodriguez or Yoshihiro Nishamura, they've successfully delivered an amusing, lightning-paced freshman effort with flying bloody colors.