Blank City

2011 "New Cinema. New Wave. New York."
7.1| 1h34m| en
Details

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

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Also starring Bette Gordon

Reviews

Afouotos Although it has its amusing moments, in eneral the plot does not convince.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
ebbx I really liked how this movie reminds us of a time when New York was more dangerous and dirty. If you really like Sonic Youth and other angular music, then you should see this as a refresher course. The film also touches upon how AIDS claimed the lives of some of the people mentioned. I would recommend another film about the Grammercy Park Hotel, which also touches on this period before Reagan. Maybe something had to do with Andy Warhol being alive at the time? This was also an era when there was at least some artistic creativity which didn't pander to mainstream America. Yes, it's true that Richard Kern took erotic photos of young girls, but they have an edgy artistic quality which today still seem a little dangerous. It's hard to believe the girls now are in their late 40's early 50's(or maybe AIDS victims).
artpf When this was at Edinburg, this is what they said: Today, Manhattan is a byword for overpriced property, overexposed landmarks and overdressed fashionistas. In the late 70s, however, it was rat-infested, crime- crippled, cheap and nasty - somewhere for America to dump its immigrants, poor people and artists. Music, art, fashion and filmmaking burgeoned, fueled by drugs, dares, fads, feuds, and a fair helping of madness. LIttle of this is true. NYC has always been about fashion and high prices. Just look at New Yorker Magazine from 1923!!The movie is sort of boring. Let's be honest, these filmmakers are not very good. And there is little new in this documentary that hasn't been covered a gazillion times before.And how many times can you listen to some now rich idiot say "there wasy no money" "we did it for no money" "we didn't have any money."Who does when your 18? What a borefest
gabriela-48 I saw this movie in NYC at the IFC. I loved its approach, the way NYC is depicts, it is a raw and truthful documentary. I would advise any NYC lover to go see it. It helps you understand the city and its artistic influence better. It makes you really realize the energy that is lying and present in NYC. At the end of the documentary you manage to get introduced to an artistic movement but it also inspires you. You realize that you can make it, as long as you have passion a hint of madness and you are willing to work hard. I was also so impressed by the team behind the movie and i really hope to see them more on screen. To sum up, i love this documentary because i was introduce and i understood a new subject that i knew nothing about and it inspired me, it lift my spirit up.
cinemabunny I was really intrigued by this film and found myself very satisfied with the content and execution. Considering the amount of emphasis placed on the rise of independent film and the fall of the studio system, the amount of time talking about the following generation pales in comparison. Independent film never disappeared, it just became briefly overshadowed by larger block-buster films like The Godfather, Jaws, Star Wars. Granted, these are all enjoyable films, but it's refreshing to see a glimpse into the lives of the independent filmmakers of the 1970's. It's sort of a testament to the idea that these now-pivotal figures didn't necessarily struggle through obscurity as much they reveled in it, instead embracing an anarchistic style of creativity that really came to define them and make them such poignant artists.