Ash Wednesday

2002 "Brothers in war. Brothers at war."
5.8| 1h39m| R| en
Details

In early 1980s Manhattan, a pair of Irish-American brothers become embroiled in a conflict with the Irish Mob.

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Also starring Jimmy Cummings

Reviews

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Catangro After playing with our expectations, this turns out to be a very different sort of film.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Prestige_Never_Pride OK, it wasn't the best drama I've ever seen. But, it wasn't complete torture. I won't waste time discussing the plot, as it was relatively easy to follow. Edward Burns directed, wrote, and starred in this movie. What a chore. I give him points for his acting and for his incredible ability to multi-task, but he loses points for the repetition of the story. One user said that Burns's character spent most of the movie walking around NYC talking to people, and they were quite right. The movie took nearly 30 minutes to actually become "clear", and even then it was still vague.Elijah Wood is my favorite actor, and he is a very talented one. However, he seems quite out of place here. Forgive me, Elijah. I mean no disrespect to him, but maybe Burns should have looked for someone slightly older. I can see why he wanted Wood, as Wood has an inner innocence about him, but he seemed as if his character were from a totally different family. Not his fault, I'm sure. And for those of you who keep saying that Wood plays the same character roles in all of his movies, I have one movie for you: Sin City. I rest my case. Perhaps Burns's should have cast a 25-year-old instead of a 20-year-old. (Yes, Wood was 20 when this movie was shot, not 17, as he appears.) The ending was a total letdown. It was a very fatalistic approach, but it made the entire movie pointless! How could you go for 2 hours trying to establish that Burns's character has to save Wood's, and then just--bang!--take out your main character? It just doesn't work. I remember sitting there and going, "What? That's it?!" A good idea, but not for an ending to a movie like this.I would like to see better movies from Burns in the future, as he is not a bad writer/actor/director, but maybe not another movie like this. He should stop with Mob movies. And the other movies I have starring Elijah Wood are much better ones (except Day Zero). My apologies.6/10, for some choice moments. If you look, you may be able to pick them out.
Gordon-11 This is a film about an ex mafia leader getting into trouble with gangs because his dead brother reappeared in the neighbourhood.The film is initially boring because of poor character development. The film does not tell people what is happening very well, and only towards the middle do people get an idea what on earth was in fact happening. Elijah Wood is obviously miscast. Elijah Wood is very unconvincing as Edward Burns' younger brother, in fact he looks more like the son of Edward Burns. Looks, height, age and physique wise they are too different from each other. This makes the film a lot less credible than it should have been. Otherwise, the plot is not bad, the direction is good, and the sets are nicely done.
LatigoMeans First of all, it could have been shorter due to the redundant establishment of the primary story line. A couple more scenes of Ed Burns walking around the streets with that boring musical theme and I may have given up on this film.Elijah Wood was totally miscast. A more wrong casting of the role of Sean is not imaginable. OK, maybe imaginable if you include Pee Wee Herman. I agree with another writer here that Oliver Platt could've gotten some more dialog and scenes, but that's what it is. He probably liked the idea of playing a heavy for a change. He should do more I think.I figured the closing scenes to a "T"... from the saloon showdown to the reason for the crew cap and peacoat. I claim no particular brilliance, it seemed pretty obvious.All in all I'd say watch it when it appears on cable, save the rental fee. A 6.5 - 7.0 rating is generous but I like Ed Burns, stories about Irish street hoods and a plus when it's Hells Kitchen in NYC instead of the Southies. No offense Boston.
dont_bug_lucie After posting a review on this movie and then reading other postings, I finally figured out why the movie ended the way it did.In another posting, the reviewer was pointing out how dumb it was to put on a P-coat and cap of someone that every hit man would have their eyes open for. That's just asking to be killed. I believe Ed Burns' character figures that is the best way to end a lot of things - people looking for his brother, his own 'fall off the wagon' of going straight, and the affair with his brother's wife that he knew was a low thing to do, given the fact that she didn't know her husband was still alive. And being Catholic, to commit suicide is a mortal sin - one that prevents entry into heaven. Just let someone else kill him and his soul won't be eternally damned.Of course, this just opens things up for the younger brother to want to come back to seek revenge, and this movie fully demonstrates the futility of revenge upon revenge. I generally don't like to give too much details about movies so that other viewers can enjoy it and form their own opinions. However, the ending seems a little deeper (if somewhat wasteful) with my new found understanding, than just another killing in the vicious circle of revenge.