Apt Pupil

1998 "If you don't believe in the existence of evil, you've got a lot to learn"
6.7| 1h47m| R| en
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One day in 1984, Todd Bowden, a brilliant high school boy fascinated by the history of Nazism, stumbles across an old man whose appearance resembles that of Kurt Dussander, a wanted Nazi war criminal. A month later, Todd decides to knock on his door.

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Bad Hat Harry Productions

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Reviews

Diagonaldi Very well executed
Jeanskynebu the audience applauded
Dorathen Better Late Then Never
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
rooprect Before I even start my review of this movie (which I liked) I gotta say "Apt Pupil" has got to be the goofiest name for a story since the hilarious 30 Rock spoof "Rural Juror". Say it 10 times fast and you'll feel like you just came back from the dentist.Anyhoo...There have been many films and books that attempt to explain the horror that we humans are capable of. While I haven't read the Stephen King nouvelle "Apt Pupil", I can tell you this film adaptation kept my attention and tossed around some new ideas I hadn't really considered.If you haven't already seen it, search for the Stanley Milgram experiment. It was a psychological test done by a Yale student back in the 1960s offering one of the most chilling explanations for the phenomenon of Nazism, a convincing illustration of how humans can do horrific things. The gist is that we convince ourselves that we're doing what we're supposed to be doing ("just following orders" or "everyone told me to do it"). The video is online on dailymotion."Apt Pupil" surprised me by taking a very different approach which I won't ruin for you. I'll just say that it weaves a complex Machiavellian scheme, where evil is deliberate and conscious of itself. It finds its footing by creating a balance of power, reminiscent of the "mutual assured destruction" philosophy in the 80s that led the USA and Russia to stockpile enough nukes to send us to the Smurf universe.OK, enough background. Let's talk about the film already. If the premise doesn't capture you instantly, the impressive directing and musical score should suck you in with its heavy, foreboding mood. Ian McKellan (probably best known as Gandalf from The Lord of the Rings but also an accomplished Shakespearean actor) is excellent in the role of an ex- Nazi... a menacing enigma somewhere between a serial killer and a cranky grandfather. Brad Renfro appears on screen as the perfect naïve kid with a perpetual deer-in-the- headlights expression, sort of like John Cusack in the 80s but without the laughs. The film focuses mainly on the transformation of Renfro's character. It's here where I was unconvinced, and I docked the film a point or 2. Renfro's character mutates so suddenly and drastically you'd think he sucked down some radioactive sludge. I feel a lot of his "experiments with evil" were uncharacteristic and thrown in for shock value. No matter how curious a person is, nobody goes from Pollyanna to animal mutilations in just a month or two. It was this seemingly random, inexplicable moral decay which I felt was just injected for cheap shock value. If you can get past that, the real theme emerges.The root of human evil, according to "Apt Pupil," is not random moral decay but actually a complex struggle for power. When this theme emerged in the latter half, that's when I perked up and paid attention. The story then takes on a suspenseful air, and the kid & the Nazi get into an interesting game of cat & mouse.Overall, I'll stick with the Stanley Milgram experiment for the most convincing explanation of human atrocities. But "Apt Pupil" definitely delivers some food for thought. Another film that provides insight is the criminally underrated "Exorcist III" with George C. Scott and Brad Dourif playing mind games in an insane asylum. Also check out the documentary "Aileen: Life and Death of a Serial Killer," or on the lighter side, "Dr. Strangelove" makes an interesting commentary on why humans commit genocide. Who knows why humans kill, maim and torture. But as long as we keep investigating there may be hope for us.
Armand a Stephen King adaptation. good basis and seductive invitation for public. and the film is really correct work. tension, performance, levels of darkness. only problem - its message is too obvious. the story desires tell everything. and that everything is great cage for actors and viewer. because the powerful colors has not nuances. and the fight with shadows is a little delicate. but, it is a good film. that fact is not a surprise - Ian McKellen is great at all and Brad Renfro makes the best for his character - but it is something strange and confuse, unrealistic and forced. but the error must be novel author sin. short - a movie about evil. like a mirror almost clear.
Rhi Scott Sadly whatever made the novel good is lacking in this adaptation.Apt Pupil is a movie that feels like a new director took over every five minutes with a different idea of where the movie should go. It creates a vortex that sucks up any chance at emotional connection to the characters or overall film.What little plot there is gets rushed. There are several times when the film is too lazy or simply incapable of properly showing passages of time so it simply cuts to black 'X weeks/months later..' screens.Poor editing destroys any chance to introspect on the conversations between Kurt and Todd. One moment Kurt will be describing Holocaust victims defecating on themselves in the gas chamber and then abruptly a basketball is on screen and Todd is at school in gym class. Then a moment later his friend is talking about dates and parties in the locker-room.The on screen chemistry between Kurt and Todd is that of a wet paper-towel. The characterizations feel wrong and not in an interesting way. Think of an adult being scared of a baby. That's basically what you get. Kurt, a former SS officer who worked in both Bergen-Belsen and the notorious Auschwitz camp shrinks constantly away at Todd who is nothing but an angsty spoiled emo teenager. The movie would've been far better served with a more aggressive stance from Kurt, especially when the movie is attempting to show how evil and 'badass' the Nazis were.Even without any sort of chemistry and with Kurt being blackmailed and forced to dress up for Todd, he abruptly takes a shine to him ala Miyagi style and impersonates being his Grandfather to the guidance counsellor and the movie shifts into Todd's school life and trying to get his grades up.Then it shifts back to them hating each other. Then abruptly Kurt, who is a wanted fugitive who has intelligently and carefully concealed his identity for decades and lived a law-abiding life in the US decides to stab someone.None of it makes much sense and we care even less to figure out why because he doesn't like Todd and Todd seems to be a blossoming sociopath who doesn't like anyone except himself.Ultimately I feel like what I watched was a boy's masturbatory fantasy about having his own private SS officer to dress up, interrogate and harass mixed in with odd and boring clips of teenage high school angst.Not good for a movie that bills itself to be basically a Nazi thriller.
merklekranz Ian McKellen is an actor I know very little about, but after his unbelievable performance in "Apt Pupil", I am definitely going to seek out more of his films. The story of the student, Brad Renfro, and the Nazi war criminal, Ian McKellen, is both unique and intense. Their uneasy relationship is quite unpredictable as to who actually has the upper hand. At the same time, things seem to be spiraling out of control for both of them. The conclusion is quite chilling, as the sinister Gereman fugitive seems to have taught his pupil well. This film has violence, but it should not be considered exploitation. "Apt Pupil" is beyond the ordinary, thought provoking, and powerful. - MERK