American Gun

2005
6.1| 1h35m| en
Details

Seemingly disparate portraits of people -- among them a single mother, a high school principal, and an ace student -- Distinctly American -- all affected by the proliferation of guns in American society.

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TinsHeadline Touches You
AniInterview Sorry, this movie sucks
Noutions Good movie, but best of all time? Hardly . . .
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
LARSONRD Another hard-hitting and thought-provoking drama. Director Aric Avelino examines guns from the perspective of four separate stories: Marcia Gay Hardin as the mother of an Oregon teenager who shot up his school, Columbine-like, and faces guilt and blame and scorn from neighbors, and worry about her other son, who is now the same age as the other brother when he performed his murderous act and suicide; an inner city school principal (excellently played by Forest Whitaker, who I was pleased to see won an Oscar last week for his role as Idi Amin in LAST KING OF Scotland) trying to stay on top of the school's anti-gun policy, with Arlen Escarpeta as an A-student carrying for his mom and family who feels he needs a gun for protection while walking to/from school; Tony Goldwyn as the cop who first arrived on scene at the Oregon school shooting and who faces community/media criticism for delayed response (again, very much based on Columbine); and Linda Cardellini who shines in a very convincing performance as a west coast girl displaced to a Virginia college who is working in her granddad's (Donald Sutherland) gun shot. All of the performances, in fact, are striking and through them the picture really has an emotional impact. The film, without comment, portrays these differing views of gun ownership, gun violence, school shootings, guilt, blame, etc., very nicely filmed and beautifully portrayed, its vignettes and its style leaving the viewer to establish their own viewpoint and opinions. The film keeps its personal viewpoint quiet, instead simply portraying a few aspects of American life impacted by the consequences of guns. Like American HISTORY X, I found this to be a provoking and stimulating drama about reality, choices, consequences, and inevitability, peopled by honest and real characters, superbly portrayed and beautifully composed.
HawksRevenge I have to say I enjoyed this film immensely; there are several stories that are going on and they are all of society's and family's problems brought to life.One story focuses on a woman's devastated life after her son killed his fellow students and she is making sure her other son is safe, and her unforgiving neighbors relentless need to get their point across There is also a story about an African American principal and his family coping with the daily trial of living in the inner city, and also a troubled African American student who lives, goes to school and works in an area where he feels he needs to be armed.In addition there are stories about the police who are being blamed for not doing more than they did.Towards the end of the movie there is a scene where a mini mart is robbed and two people are killed one a young girl in to buy a soda Conclusion; society has progressed around the country especially in Texas and all the major cities, where people especially kids feel the need to be armed to be safe Today kids are into the most harmful and dangerous things around, sex, drugs and worse, and your average American home has at least one gun, and the parents say my kids know better than to touch any guns, "is that right?" Society is exactly the problem!! This film was excellent!!
somehope ... about the politics of gun control. This film is more about what happens in life when things get complicated. The metaphor is guns, but the real issue is humanity. The issue could be about the environment, sex, or a f---in' alien ship. What matters most is what happens to characters we care about.The character I actually care about the most is Jane, played by Marcia Gay Harden. I've seen her in lesser roles, such as in "Miller's Crossing;" "Meet John Doe" (with Anthony Hopkins and Brad Pitt), and "Pollock," for which she won an Oscar. I never been a fan until seeing her in this film, as Jane, a mother working two shifts in a factory so her son doesn't have to go to the same school that, a few years earlier, her other son and his friend destroyed in a killing spree. From the moment you see a cross around her chest line, and peer into pain filled eyes, you know she is devastated. Not by any law or control, but by the hand dealt her by life. Her son's decision to kill is never explained, nor does it have to be. She and her living son, played by "Joan of Arc's" Chris Marquette (who hits the right notes as a semi-innocent kid also facing the same aftermath)have to face the fact that he must go back to the same school because the money is running out. Jane even (arguably) prostitutes herself in a news story about the shooting, stirring up her family pain, and the pain of the patrolman who could have stopped the shooting but didn't ... and also secretly lives down the pain.Now I don't have anything against gun use in film (I reviewed John Woo's "The Killer", for Christ sake.) But in life, you're going to feel some sort of pain whether your protected or not. And watch how Jane, her son, and the policeman feel their pain, both in dialog an in silence, and you'll see some great acting.In the same year he won an Oscar for "The Last King of Scotland," Forest Whitaker also played a different authority figure, this one with a soul but little options.Whitaker's high school prinicipal Carter is anti-gun -- within the school, of course -- but is so devoted to helping the students, that he literally ignores his family for his job. Look at the man during the film: he constantly tries to fix an overhead fixture in the rundown school, yet has forgets his son in his office to reprimand some kids. He does this because he came into an inner-city from the Midwest with his family to make a difference for the kids today. He's not perfect: he ignores his family for his job; is unable to explain the murder of a hooker who died on the playground to his young son because he, maybe in his own heart, can't find the words to say it, slams a gun-toting student againist the wall, and is forced to expel another student, one I believe he admires for his scholastic work, because the student his the gun underneath the school. In the end of the film, he is acknowledged for his good deeds and also realizes they are not enough.Jay, another fine actor named Arlen Escaperta, -- watch for his name in other roles, he's good -- only did that because he needs the gun for self-defense in his job as a gas attendant late at night where, in one scene, he gets shot at through the glass windows. He survives, and is not a white/black (his color isn't important as his role's character is) typical inner city city youth who hates and wants to shoot back at eyerything. He just wants to live and get a better life.From Jane's suburbs and Carter's inner city to Donald Sutherland and his granddaughter's South, (their storyline receives the less attention, sadly, even though she questions her uneasiness about guns after witnessing a rape of a friend in college, their are no easy answers, and not aconventional Hollywood ending in the film, but I have some questions for YOU:If the title of the film was The Fog, would you be pro or anti-fog? If it was American Rabbit, would you be pro or anti-Rabbit? Seriously, this the Internet Movie Database, not Current Affairs 101. Hey, you can say what you like about this review, but at least it talked about acting and plot. You can believe what you want to, this is America. But could you at least stick to talking about the film instead of personalizing this issue? What I saw was a film, and I gave the best damn review of it I could, so if you're going to give me an unuseful comment button, go ahead. I did my job. Now, I don't give a damn.
tcs1 Amazing performances. Chris Marquette, Marcia Gay Harden, Forest Whitaker, Tony Goldwyn all turn in arguably career-best performances.But all of the acting is great! At times gut-wrenching to watch. ..When Tony Goldwyn (Frank) breaks down in his cop car, you can't help but feel the pain he is portraying right along with him. Arlen Escarpeta (Jay) is brilliant at displaying the struggle of a young intelligent man trying to grow up in a place where everything is set against him. Far from being anti-gun propaganda, it is a balanced portrayal of how guns affect the daily lives of Americans. You might even find yourself asking "Should I purchase a gun for protection?" Of course that leads to the debate: "If nobody had a gun, would I need protection?" See it with a friend and you will be discussing the pros and cons of guns in America for hours. All in all a film very worthy of attention.