SnoReptilePlenty Memorable, crazy movie

Console best movie i've ever seen.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

atlasmb This story about the rough and tumble fur trappers who traversed Indian lands to ply their trade stars Clark Gable, supported by a strong cast. With a voice over that was added in post-production to add more depth to this film, it fairly realistically portrays existence in the western territories before the invasion of white civilization.The scenery is beautiful, with vistas that show winding rivers stretching to the horizon and majestic mountains towering over forests and plains. The natives and their society are portrayed with respect, though one scene shows a scalping. This was undoubtedly added to help delineate the Indians who were aligned with Iron Shirt, who is effectively the villain of the story.Though Gable was not feeling or looking his best for this film, the story is charming enough to be enjoyable. It includes moments of humor and a love story that is unique and touching. I particularly enjoyed the use of language in this film--English, French and Indian tongues combined.Gable still had other noteworthy films ahead of him when this film was released, including "Mogambo" (1953), "Teacher's Pet" (1958), and "The Misfits" (1961).

Spikeopath One of the most frustrating things in cinema is that of the interfering studio. Too many films, since cinema became the medium so massively loved by so many, have fallen victim to this most poisonous fly in the cinematic ointment. One such film to suffer greatly is the William A. Welman directed Western, Across The Wide Missouri. All the elements were in place, a fine story written by Talbot Jennings & Frank Cavett, which is worked from Bernard DeVoto's historical study of the American fur trade in the 1830s. Wellman (The Call Of The Wild/Beau Geste/Battleground) at the helm, Hollywood's golden boy Clark Gable in the lead, and a sumptuous location shoot around the San Juan Mountains to be photographed by William Mellor. With all the talk coming out of MGM that they wanted to make an "epic" picture, hopes were high for the early 1950s to have a Western classic on its hands. Enter studio boss Dore Schary who promptly cut the piece to ribbons. So much so that the film, where once it was epic, is now a choppy and episodic 78 minute experience. With a narration by Howard Keel tacked on by Schary just so we can try to make sense of what is (has) gone on. Wellman was rightly miffed and tried to get his name taken off the credits.Amazingly, what remains is still a recommended piece of film for the discerning Western fan. The locations are just breath taking, expertly shot in Technicolor by Mellor, at times rugged and biting, at others simply looking like God's garden. This part of the world is the perfect back drop for the story as the white man's greed brings them into conflict with the Native Americans. The film also boasts an array of interesting characters, we got the Scots and the French represented alongside the usual suspects, while the tracking and fighting sequences are expertly filmed by the astute Wellman. It was a tough shoot all told as well. Ricardo Montalban {Blackfoot Indian Ironshirt} was involved in a horse riding accident, the consequence of which would severely affect him later in his life, while stunt man Fred Kennedy suffered a broken neck when his intentional fall from a horse did not go as planned. The horses too you can see really earned their oats, trekking up hill across sharp jagged rocks and ploughing through snow drifts, magnificent beasts they be. Joining Gable and Montalban in the cast are John Hodiak, James Whitmore, María Elena Marqués, Adolphe Menjou and Alan Napier. David Raskin provides a suitably at one with the atmosphere score. With Gable on form mixing with the high points that Schary left alone, Across The Wide Missouri is more than just a time filler. But the problems do exist and it's impossible not to be affected by the annoyance that comes with the old "what might have been" that gnaws away at the viewer at every other turn. 6/10

bkoganbing When one watches western films of the latter half of the 19th century, the settlement of the west was on a course that was nothing but bad for the American Indian. As good as some westerns are, always lingering in the back of any viewer's mind is the thought that no matter what the predicament of a given hero/heroine in any film is the fact that the might and power of the United States Cavalry will ultimately tip the balance towards the white man.But the fur trappers of the early half of that century faced a far different situation. They were few and the Indians at that point outnumbered them. These people as typified by Clark Gable and the rest of the cast in Across the Wide Missouri were the really brave ones in our history. They wanted to trap their beaver and sell their pelts and the last thing they wanted was wholesale immigration of settlers. It took a lot of nerve to live in that lonely existence, days and weeks at a time where you couldn't count on a troop of soldiers to bail you out of trouble.I'm a big old sucker for films about the earlier west and two good ones came out at this time, this one and the following year from RKO, The Big Sky. I give the nod to this one thought because it was done in color and on location.Gable gets one of his best post World War II parts as the sturdy Flint Mitchell, mountain man who falls big time for Indian princess Maris Elena Marques. While grandfather Jack Holt approves of a white husband for his granddaughter, the match don't sit well at all with Ricardo Montalban his successor. The climatic duel between Gable and Montalban is staged very well indeed and quite thrilling.Playing various fur trapper roles are Alan Napier, James Whitmore, John Hodiak and most of all Adolphe Menjou. Though one normally expects the debonair Mr. Menjou in tuxedo, he's really quite good as the French Canadian trapper and sidekick to Gable.Maria Elena Marquess got her first of two chances in Hollywood and did well as the Indian princess. She was already a name in Mexican cinema and became an even bigger star down there due to this film with Clark Gable.This film marked the farewell performance of Jack Holt who died soon after it was completed. His career spanned all the way back to the earliest years of Hollywood. He makes a very impressive chief of the Blackfeet.Gable was a rugged outdoors-man in real life, he liked to fish and hunt and brought his fourth wife, Lady Sylvia Ashley on location. Unfortunately Lady Sylvia was not a big fan of the great outdoors and her experiences roughing it contributed to the Gables getting unhitched.Director William Wellman kept things going at a good clip and though Across the Wide Missouri is slightly over 75 minutes for an A film, it's still a great item and rates being an A film for its cast and its production values.

westerner357 At 79 minutes, this one had a short playing time, even by 1951 standards. Which works to it's advantage since it keeps the story moving along at a fast clip, but has production values that keep it from descending into a B western. It could also have something to do with the cuts MGM made before the film's release, but what you see today is what audiences saw when the movie premiered over 50 years ago.Clark Gable plays a 1830s trapper who 'buys' a Blackfoot maiden named Kamiah (Mexican actress, Maria Elena Marques), who was earlier captured by the Nez Perces indians, and uses her to gain entrance into Blackfoot territory in order to hunt beaver. Only problem is, he starts to fall in love with her and they eventually have a child.There's also the complication of Chief Ironshirt (Ricardo Montalban) who despises the white man and kills any of them who set foot on Blackfeet land. He makes for a pretty muscular, ruthless chief. It's pretty much a non-speaking part for Montalban except for a couple of lines spoken in Native Indian.There's little gunplay except at the end when Ironshirt's men ambush Gable and his trappers near the river, and Kamiah takes an arrow into her chest, killing her instantly. The horse carrying Gable's son races off into the woods with Ironshirt and Gable right behind and there is an excellent gunbattle in the woods as Gable is forced to shoot Ironshirt with his powder rod still stuck in his rifle barrel. It goes through Ironshirt like an arrow. Great scene.Howard Keel narrates as Gable's (now) grown up son. With excellent on location scenery somewhere in the Northwest ( I wish I knew where, I'd like to go up there) captured first-rate by cinematographer William Mellor and fast direction by William Wellman, I liked it. Wouldn't mind owning it on DVD, either.One of the best westerns Gable appeared in, even though he didn't make too many of 'em.7 out of 10