BelSports
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Humaira Grant
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
classicsoncall
I was surprised to learn this compilation was put together in 1964, by that time MGM should have been able to put together a more coherent and cohesive product. It's got plenty of comedy stars as the title implies, but it's put together rather randomly and with no expressed central idea. Beginning with the silent films of the 1920's, the picture wends it's way through the Thirties right up to a Red Skelton picture made in 1948 - "A Southern Yankee". Whereas the early film clips presented were short and to the point, the longer this went on it seemed like the segments got longer and longer for each picture selected as representative for their respective stars. This wasn't what I was expecting, and actually thought it would be more like another picture I just recently watched called "Hollywood My Home Town" (1965) which featured a lot more candid clips of celebrities of the era 1927 through the early Sixties. If you're a major movie fan you've probably caught many of the movies on display here, but at least in my case the picture provided the inspiration to record a film offered on Turner Classics that I'll get to in due course. I've seen Marie Dressler's name pop up more and more on my radar lately, so I'll be looking forward to her team up with Wallace Beery in 1930's "Min and Bill".
mountainkath
Wow. This collection of clips was disjointed, not funny at all and edited extremely poorly.Carole Lombard was only shown in one brief clip. She was an extremely talented comedienne and this film did not do her justice at all.The Jean Harlow clips shown were adequate and they did show one of her funniest scenes (with Marie Dressler in Dinner At Eight).Cary Grant was shown only briefly. The man was much funnier than the clips led us to believe.I could go on and on, but my point would remain the same: don't waste your time on this movie. Not only is it poorly made, it is also insanely boring.
max von meyerling
Youngson must have been the last real movie ghoul, making a living by cutting up old films into virtual guitar picks. Good bad or indifferent, the only reason for inclusion in this compilation seems to be he could get his hands on a print and then chop chop chop, funny or not. It reminds me of Glenn L. Martin delivering a plane to the Army in WW2 (the B-26 aka The Widowmaker) which kept killing its crews. Martin explained that it met the contractual specifications. This film meets somebody's contractual specifications and made what's called a 'nice show business dollar', but it is a pile of junk whose stink is even more loathsome considering the talent which gets ripped off. Normally I would just leave this alone except for the fact that this film contains the most perfunctory and execrable film lyric of all time. In the song, which is introducing a segment on Robert Benchely, the lyric goes- "Robert Benchley was a funny man/ A funny man was he". Certainly a new low in the lack of imagination department. Robert Youngson was a cheap-son-of-a-bitch/ a cheap-son-of-a-bitch was he. Of course Youngson didn't hire a lyricist but wrote the 'lyrics' himself, just like he wrote (oh, that narration would be rejected by Hallmark as soporific drivel, and it just goes on and inanely on), produced., directed, did the visual effects and titles, himself. His wife did the research. This was just one in a series of compilation films he did coming from the short film assembly lines which died in the early 50s. Insteed of going in to TV he did this. Now, I believe Youngson has been completely superseded by the age of film preservation and the like of Turner Classics and various DVD distributors though I guess he'll have his product in 99¢ bins for a long time to come. And not a moment too soon.
Norman Cook
Many clips from the silent era through MGM's heyday. The editing could have been tighter--some sequences went on too long and others way too short--but I suspect the filmmakers wanted to make sure they didn't leave out any of the stars. Nevertheless, this is overall a funny stroll down memory lane.
