Mjeteconer Just perfect...

Phonearl Good start, but then it gets ruined

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Michael Morrison Too much mugging by the top-billed actors leave Johnny Mack Brown and Eugenie Besserer the most believable members of an actually very talented cast. In fact, "A Lady of Chance" is much like an old-time pantomime at times, and not at all subtle.Even in 1928, Lowell Sherman was already a veteran, but so was Norma Shearer, who, though only 26 at this time (two years older than Brown), had been making films since about 1919.Gwen Lee, who was much more restrained, had also made many movies by 1928 but hadn't started until about three years before. (She just had a very busy three years.)Brown was still a relative newcomer, but had amazing screen presence. He eventually acted opposite such grand ladies as Joan Crawford and Greta Garbo, among others.After a while, though, he stuck with westerns and was one of the most popular western stars.Those of us who love westerns were the beneficiaries, but I wonder if Mr. Brown would have been any happier had he been an A picture fixture.Again, in "A Lady of Chance," he really stood out, showing talent and looks and ability at underplaying the country boy intended to be a sucker.There are no other surprises in this pleasant movie. The ending seems to be tacked on, but I don't think anybody would want another.I do recommend "A Lady of Chance," which I saw on Turner Classic Movies 3 November 2015 during a night of Norma Shearer films. (That night it was followed by "The Student Prince in Old Heidelberg" in which she was adorable, charming, lovely, enticing ... just wonderful. And more restrained though still exuberant. Pretty nearly perfect.)

wes-connors In a "ritzy" hotel, seductive Norma Shearer (as Dolly "Angel Face" Morgan) uses her job as telephone operator to connect with wealthy gentlemen. Recently paroled, Ms. Shearer shows off her thighs under torn stockings while sharing a hard luck story, then lures the men to her apartment. There is, of course, a high price to be paid; in case on screen, Shearer makes out with a tidy $10,000. The plot thickens when Shearer's crooked cohorts Lowell Sherman (as Bradley) and Gwen Lee (as Gwen) want a piece of her solo action. Shearer successfully scams the pair, but they turn up to cause more trouble when she sets her sights on handsome cement tycoon Johnny Mack Brown (as Steve Crandall), who has a surprise of his own to reveal...This was Shearer's last "silent" film; though MGM seemed reluctant to move their stars into talking pictures, several of them became even bigger stars, so the delay worked out very well for those. Curiously, this film has been shown without its "Synchronized Musical Score and Sound Effects" (SSE) on "Turner Classic Movies" (TCM). TCM premiered "A Lady of Chance" with an "all-new" music score in 2001, but had host Robert Osborne discussing the original soundtrack before a 2012 "Silent Sunday" airing, apparently unaware TCM was not showing the original version. Late 1920s "silent films" (which were never "silent") were typically released with SSE. Hopefully, the original soundtracks will be restored; the present trend needs reversing.***** A Lady of Chance (12/1/28) Robert Z. Leonard ~ Norma Shearer, Lowell Sherman, Johnny Mack Brown, Gwen Lee

kidboots The other day I saw a few comments about Norma Shearer - sneering at her thespian abilities in "Marie Antoinette" and "Romeo and Juliet" - I just wanted to shout "You don't know the real Norma"!! In the two movies mentioned she was fully entrenched as "First Lady" of MGM but, in the silent era, she was a beautiful leading lady. With Joan Crawford as MGM's flapper in residence, Norma pushed back her hair in a distinctive style, got a wardrobe of rather daring Adrian gowns and added a little shady to the lady. "A Lady of Chance" was Norma's last silent and introduced a new sophisticated Norma to her already legion of fans.Dolly (Norma Shearer) is working as a switchboard operator at a certain ritzy hotel when she is spotted by two former associates, Brad and Gwen (Lowell Sherman and Gwen Lee), who recognise her as their one time partner in crime "Angel Face". Dolly hasn't reformed - she is trying her luck on her own - fleecing gullible millionaires out of their money, with pretty tears (she can cry on cue) and sad stories about dying mothers and sick little brothers. They "convince" her to come back to the gang, holding over her head the fact that she has failed to report to her parole officer. She reluctantly goes back, but is always one step ahead of her shifty con artist buddies. Again Dolly goes out on her own and finds herself at an Atlantic City Convention where she makes a play for Steve Crandall (Johnny Mack Brown), who she thinks is a naive Southern millionaire - "I never realised how uninteresting cement was - until I met you"!!! They marry (a funny title says "From now on I'll do the paying" to which Dolly replies when she closes the door "And How"!!!Once she is in Steve's home town she realises she has made a ghastly mistake - he is not wealthy (he had been at the convention to interest people in his invention of unbreakable cement). He is working to pay off his ramshackle car and the plantation he had dreamed of returning to, well, his family owns the small homestead next door which is badly in need of paint. Dolly is thoroughly disillusioned but is won over by the family's love for her and contentment in the simple things in life - something she has never experienced. Like two bad pennies, Brad and Gwen turn up but before Dolly can convince them that Steve is really poor - Steve bursts through the door with the news that he has sold his invention for $100,000!!!Lowell Sherman and Gwen Lee almost steal the movie - Gwen Lee should have had a much bigger career but her height went against her in an era when leading men were not tall. Lowell Sherman had been playing dapper cads since "Way Down East" with Lillian Gish and his debonair and jaunty mannerisms gave this movie even more class. Even though it was just a frothy comedy it had all the style and sophistication that made MGM the greatest of the "Dream Factories".Highly, Highly Recommended.

movingpicturegal Entertaining silent film following the story of a gold-digger named Dolly aka "Angel Face" (played by Norma Shearer). Dressed up as the "good girl" we first meet Dolly working as a switchboard operator at a ritzy hotel, where she is recognized by two former partners in crime (slick, oily Brad and bad, blonde Gwen) who force her to rejoin their "racket" or face the consequences (she failed to report for her parole). Seducing a wealthy man she met at the hotel, he's soon minus $10,000 and picking out mug shots of Dolly at police headquarters. Brad and Gwen try to keep the dough for themselves, but wise Dolly gets the better of them - and wanting to work her own racket, she heads for Atlantic City where she ends up at a hotel absolutely swarming with men attending a "tile and cement" convention. There she meets her next "mark", an innocent Southern cement man/mama's boy (Johnny Mack Brown) who happens to be the perfect specimen of the "tall, dark, and handsome" man. She doesn't seem to notice his rather remarkable charms - under the impression he's about to make a million dollar deal, her heart is only on his wallet. Dolly bats her eyelashes into marriage, but things aren't exactly what she expects - and she just can't seem to escape from those two vultures either!This is a fun film - amusing and well acted, with an interesting, if predictable plot line. Norma Shearer is great, as always, and has a lot of expression on her face in this film - Johnny Mack Brown is charming and oh so handsome to look at. Lowell Sherman, who plays Brad, is terrific in this as he plays the smarm to the hilt. There is some interesting photography in this - like a shot of just the feet of the actors as Dolly is chased by some phony cops, and another interesting shot of the heavily made-up face of "Angel Face" visualized atop her new switchboard operator look when she is recognized by Gwen. The version of this screened on TCM features a decent jazz score that suits the film well.