A Date with the Falcon

1942 "Second of new screen series with the star who played The Saint."
6.4| 1h3m| NR| en
Details

In the second film of the series (and not a second part of anything), Gay Lawrence, aka The Falcon, is about to depart the city to marry his fiancée, Helen Reed, when a mystery girl, Rita Mara, asks for his aid in disposing of a secret formula for making synthetic diamonds. He deliberately allows himself to be kidnapped by the gang for which Rita works. His aide, "Goldy" Locke, trails the kidnappers and brings the police. But the head of the gang escapes, and the Falcon continues the pursuit.

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Reviews

SpuffyWeb Sadly Over-hyped
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
JohnHowardReid Producer: Howard Benedict. Copyright 20 November 1941 by RKO Radio Pictures, Inc. New York opening at the Rialto: 24 November 1941. U.S. release: 16 January 1942. Australian release: 16 March 1942. 5,833 feet. 64 minutes.NOTES: Number 2 of the 16 "Falcon" pictures. "The Gay Falcon" (sic) was number 1.COMMENT: One or two bright moments — Hans Conried playing an inquisitive desk clerk without his usual accent; Allen Jenkins listening to a soap opera on his car radio — cannot lighten an elephantine script and heavy-handed acting, particularly from Gleason, Jenkins and Barrie. Dull direction doesn't help either. The script's humor is aimed at four-year-olds. Aggressively bombastic acting from Gleason and Jenkins, makes it even less tolerable. No wonder Sanders appears so understandably bored stiff. The scene with him on the ledge, and the crowd urging him to jump, foreshadows "14 Hours", and may excite sociologists. Unfortunately, this entry is not content to be just of peripheral interest — or even just plain dull — but determinedly tedious. Only Mona Maris as a fairly agreeable femme fatale can partly save the day. Production values are no more — and sometimes less — than adequate.
TheLittleSongbird The Falcon film series is generally a lot of fun to watch, with many of the films very enjoyable and all worth watching at least once. The second outing 'A Date with the Falcon' is one of the better ones.Not perfect by all means. 'A Date with the Falcon' did feel a little too short, if it was 10 minutes longer it would have given the mystery aspects a little more explanation instead of a few parts being hastier and not as easy to follow as others. Wendy Barrie was very likable and entertaining in 'The Gay Falcon' (the first and very enjoyable outing in the series), but here she is in a more brashly written role and the performance feels overdone and annoying.When it comes to the production values, while not among the most visually stunning films ever made (then again 'A Date with the Falcon' is not that kind of film), 'A Date with the Falcon' is very meticulously filmed and lit with sets that are elegant and atmospheric. The music is lively and haunting, while the direction solid, the script is witty and smart (even more so, and more electrifying than that of 'The Gay Falcon') and the story a vast majority of the time very engrossing and never incoherent or a test for endurance. The characters are also a lot of fun with the only exception being Barrie's.As said with 'The Gay Falcon', George Sanders is a truly great lead, he was never less than watchable and magnificent when at his best, and he looks so relaxed and at ease here and plays with his usual suave and imposing manner while also with an elegance, cutting aplomb and charm. James Gleason is also excellent.Hans Conried steals scenes gleefully, and while he doesn't have as much to do Allen Jenkins is still enormous fun and also a scene stealer. Mona Maris is an alluring femme fatale.In conclusion, one of the best outings in a series of films that are most enjoyable. 8/10 Bethany Cox
blanche-2 George Sanders is the Falcon in "A Date with the Falcon," part of the enjoyable Falcon series, which was eventually taken over by Sanders' brother Tom Conway so that Sanders could appear in another series, "The Saint." In this one, a man disappears with his invention, simulated diamonds that pass for the real thing, which can be used in place of industrial diamonds in the manufacture of war weapons. The Falcon becomes involved in the case, even though he's supposed to be leaving town with his abrasive fiancée (Wendy Barrie) in order to meet her parents.A little disjointed, and though others have complained about the Wendy Barrie character, I seem to remember the Falcon had an even more annoying fiancée in another film, "The Falcon in Danger," only this time, it was Gay's brother Tom who was now The Falcon. Why these women were written with such a heavy hand is beyond me, but they do distract.Still, this film is entertaining - James Gleason is excellent as the harried head of the investigation, and Allen Jenkins is funny as Gay's assistant. Always a pleasant way to pass the time.
Michael_Elliott Date with the Falcon, A (1941) ** 1/2 (out of 4) Second film in the series has the Falcon (George Sanders) leaving on his honeymoon but at the last minute he finds himself caught up with diamond thieves. This sequel is pretty much on the same level as the first film as it contains a small group of laughs, a so-so mystery but it does go by very quickly making it a mildly entertaining film. Sanders once again is good in the role but he seems a little bored compared to the first film. Allen Jenkins isn't given as much to do, which is a shame because he comes off very good in his few scenes here.