Hellen I like the storyline of this show,it attract me so much

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

kosmasp I am not gonna tell anyone that their favorite childhood memory is actually a nightmare. But if you watch this movie for the first time when you are already an adult (and not to mention have seen a few movies), then this will do nothing for you. Except annoy you. It is actually almost the case of "So bad, it's kinda good". But it only is "So bad, it's actually kinda fun to watch". Though that would be for all the wrong reasons.I know I shouldn't be thinking about those things, but people going through a tunnel instead of just climbing over a bridge (especially considering the fact, that the Bridge option would be the safer one) just isn't going to cut it. The "real" for doing so, is of course because they obviously had no permit to shoot (I'm sure they weren't even allowed to shoot in the tunnels, but who cares, if they weren't caught?). And if you condone that behavior or even endorse it, you won't mind.I actually do not mind either and I salute their heart and dedication. It is also very clear, that they must have the time of their lives on the set. Unfortunately that does not translate into a good movie. Speaking of translation: Since most cast was mixed, with Italians and American actors, there is quite a bit of dubbing going on. The German dub (all actors get German voices) is really terrible. And they even had the "voices" of Kevin Kline, Bruce Willis and other actors who have made it big (since).I had the pleasure of meeting Fred Williamson in person. Apart from the fact, that he is still very fit (over 70 years old now), he wasn't going to trash the movie, instead opting to tell us (at the convention), that "every movie (he) is in, is good"! He didn't comment on the awful wardrobe either ... but that's budget restrictions too ... Was it still necessary to see the main guys breast 80% of the time? I don't think so ...

sol1218 ***SPOILERS*** Futuristic film, released in 1982, about the Boro of the Bronx circa 1990 where crime has gotten so out of hand that the NY City Government abandoned it to its fate. In letting the Bronx get overrun by criminal outlaw biker gangs who made the Bronx into a living hell. It's in that hellhole that a young 17 year old who's to inherit the Manhattan Arms making Corperation Anne Fisher, Stef Girolami, decide to escape to in order not be be made CEO by her pop the cooperation's president Ted Fisher, Enio Girolami. Mr. Fisher who doesn't have long to live plans to make his daughter Anne president before he leaves, by dropping dead, the scene.Anne gets hooked up with biker gang leader Trash, Marco Di Gregorio, who ends up uniting all the Bronx bikers gangs who are targeted for extermination by psycho cop Hammer "the Exterminator", played by real life Bronx boy Vic Morrow, hired by the Manhattan Corp.to get Anne back home even if she doesn't wan't to go! Trash for his part doesn't come across as a hard as nails outlaw biker but more like a wimpy ballet dancer which in fact the person who played him, Di Gregorio, actually was. Stiff as a board and walking around as if he's wearing a tight brassiere Gergorio, who was 16 when the movie was made, reads his lines as if he were reading cue cards and has a mop of unkempt hair that any member of Hair Club of America would be green with envy of.There's also Trash's comrade in arms Orge, Fred "The Hammer" Williamson, the self proclaimed "King of the Bronx" who's, together with Trash, to take on Hammer and his gestapo-like cops with his main squeeze Witch, Betty Dessy, in the films flaming and final sequence. As for nut-job Hammer he gets more and more crazier as he succeeds in his mission in wiping out all the Bronx biker gangs and getting Anne back home to her luxury townhouse, that she discarded for a burnt out Bronx tenement, in Manhattan.**SPOILERS*** In the end it's the brutal and brainless Hammer who screws up the whole operation in rescuing Anne from her biker friends. Flushed with victory by having slaughtered almost all the outlaw bikers, including Orge, with his flame-throwing stormtroopers Hammer stupidly exposes himself to enemy fire and ends up getting whacked in the process! What was even far more ridicules on Hammer's part is that the very reason he and his gang of psycho cops were sent in into the burnt out Bronx in order to rescue Anne turned into a total disaster! In Hammer and his men ending up killing Anne together with almost the entire, of what was still left, of the Bronx's population!

MisterWhiplash 1990: The Bronx Warriors. Just look at the title, first of all. The movie is from 1982, and it's about *eight years in the future* where Bronx is a total wasteland, there's a "Manhattan Corporation" that runs things by not-so-shady guys in suits, and it's... damn it, let's face it, it's a rip-off. The Warriors came out a few years before, a smash hit, and the Italian exploitation maestro Enzo G. Castellari (also director of the original Inglorious Bastards) decided to do something unique in the annals of Western movie-making: a Bronxploitation feature! It's got bad dubbing, I mean baaaaad dubbing, a side gang called "The Zombies" that are really a bunch of hockey nuts, plus some gang members who do tap-dancing around their victims, a random drummer keeping the beat during a confrontation scene by the river, and uh, other stuff too like Fred Williamson being Fred Williamson.So, yeah, you shouldn't expect fine art, but that doesn't mean that Catellari doesn't try, Lord does he! There's lots of SHOTS (I put capitals for a reason) as we see intense close-ups like of Trash crying (done ever so eloquently by the great Mark Gregory... please sense the sarcasm), panorama shots of The Riders riding their bikes through this No Man's Land of the Bronx with *other drivers driving behind them*, of lots of BIG action set-pieces. Did I mention as well that most of this was shot in Brooklyn and Roosevelt Island? To be fair, some wont be able to tell, unless one knows that that, uh, BRIDGE that's in many shots goes not to the Bronx but to Brooklyn, and as well there are actually quite a few good locations used. There were plenty to spare in the 80s that already looked deadened in the projects. So, in that sense, the ripping-off of the Warriors actually pays off.But 1990 Bronx Warriors should be considered a kind of classic compared to scores of other wretched crap that came out around the same time (not least of which this film's sequel- yes, sequel- and other post-apocalyptic rip-offs like 2019 and Endgame). Now, don't get this review wrong, the writing in the movie is absolutely awful at least half of the time; if a character like, say, anyone has to speak for more than one line it hurts, horribly, such as dialog between Trash and Ann by the seaside. Making up for this though is a whole lotta attitude and so much unintentional (or just accidental) humor that it keeps one glued to the screen. Anything even remotely possible that could be even further exaggerated from Walter Hill's film is taken up for grabs, with a possible touch of Escape from NY thrown in, and the action is actually directed pretty well in that tasteless and trashiest of exploitation/grindhouse/whatever-goes style.So, get some friends, grab beers, and root for the Riders and the Ogre (yes, that's Williamson) as they face off against scads of cops on horseback (?) all around the Bronx. It's crazy, mindless fun.

LanceManley Enzo G Castellari, I salute you.I first saw this movie in my local youth club in 1983 when a VCR was still a luxury and around a dozen sweaty teenagers would gather in Bertie Road YC on a damp Monday evening to be entertained by whatever Mr Butler had rented from the petty cash for our amusement.From the opening montage of myriad nasty, pointy things and exquisitely made up "warriors" we were hooked and the first brawl of 5 riders whupping the arses of 10 silly skaters our attention was riveted to the screen like Trash's jeans to his thighs. (Seeing the "Ben Hur axle blade things" flip down to hamstring the two skaters and Trash elbow a bloke in the face with his sooo cool fashion accessory were the hight points for me).This movie is undoubtedly flawed. Atrocious choreography, risible dubbing and more holes than a popular brand of cheese. BUT....Enzo and pals obviously had so much fun making this film that you can forgive them their trespasses. Any movie that has a birthday party being interrupted by Vic Morrow, clad in leather and conducting a slaughter of street gangs by baddies on horses, armed with flamethrowers...well, what can I say? I have loved this movie and its sequel for nearly 25 years now, well not warming to Enzo's other work particularly (anyone seen Warriors of the Wasteland? It's Mad Max 2 in a quarry!). I own the two VHS versions from the shop that the Bertie Road youth club hired from and have met Enzo twice in the last few years in Rome (nice fella).Check out my website dedicated to the two greatest movies about the Bronx (although not in the opinion of the mayor of Manhattan methinks).www.bronxwarriors.comOne of life's guilty pleasures.