13 West Street

1962 "EVIL ENTERS THE HOUSE AT 13 WEST STREET... IT'S SHOCKING AS A SCREAM IN THE NIGHT!!!!"
6.3| 1h20m| NR| en
Details

Walt Sherill is attacked and beat down by a group of juvenile delinquents on his way home from work one night. The boys who attacked him are not previously known by the police and are therefore hard to track down. As Sherill starts getting impatient he begins his own investigation. Meanwhile, Detective Sergeant Koleski does his best to track down the culprits.

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Reviews

Hellen I like the storyline of this show,it attract me so much
KnotMissPriceless Why so much hype?
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
Goingbegging Almost last lap for the once-heroic Alan Ladd, with whom it is hard not to sympathise in his all-too-visible alcoholic decline.Cast as a rather improbable rocket scientist (a distraction, in fact), Ladd manages to run out of gas in a rough street at night, where some less-usual teen gangsters from genteel homes show their courage by challenging him five-to-one and beating him to pulp. Rod Steiger somewhat underplays the sympathetic but overworked cop, whose slow, deliberate detective work provokes Ladd into a manhunt of his own.Much of the storyline probably looked as implausible then as it does now, especially Ladd's single-handed trouncing of the armed gang-leader before deciding whether to perform a noble act of mercy.But the film is now mainly rewarding as a little black-&-white mirror of a vanished suburban life, just before the 60's became the 60's. Ladd's young wife, played by Dolores Dorn, is the vulnerable blonde in the perfect home that suddenly gets a mafia-style threat through the window. Ladd's investigations show us into other affluent homes too, with the mean features of Jeanne Cooper as one of the parents concealing their sons' guilt, Margaret Hayes cool and elegant as another. And when Dorn is unexpectedly flung to the floor, there is more erotic voltage in two seconds of her part-exposed thigh than in any of the yawn-porn that would soon become standard.
whpratt1 It was not very long into viewing this film that Alan Ladd was at the end of his career in Hollywood, his problem with Alcohol were starting to get the best of him in his eyes and face and even makeup could not hide the demon's he was facing in real life. Walt Sherill,(Ladd) plays the role of an aerospace engineer and very successful and married to his wife, Tracey Sherill, (Dolores Dorn) in a very nice home in the suburbs. One night as Walt is leaving his office he runs out of gas and starts to walk to a telephone when he is almost run down by a speeding car driven by delinquent juveniles. Walt yells at them and they proceed to go back to Walt and beat the living day lights out of him. It is from this point in the film which becomes very interesting and Rod Steiger, (Det. Sergeant Kileski) gives an outstanding supporting role which makes this picture a success. It is sad to say that this was Alan Ladd's last starring role in Hollywood and two years later he passed on to a greater stage.
moonspinner55 Alan Ladd, in his second-to-last film, plays some sort of scientist in Los Angeles who manages to run out of gas...in his car alone...at night in a bad neighborhood. A pack of country club teenagers in a souped-up car jump him and bust a couple of ribs, bringing Rod Steiger's detective ("Juvenile Division") into the picture, but Ladd can't wait for the slow arm of the law to bring him justice and looks for the boys on his own. Adaptation of Leigh Brackett's novel "The Tiger Among Us" (a better title!), the movie is a bit overwrought and wild-eyed, though the mechanics of the story are gripping, if utterly unpleasant. Steiger looks a little sheepish here and is disappointing, but Ladd's non-present performance is the real shame; his face puffy and jowly, his lips thin, Ladd is barely even alert. He has a fairly intense role here, but the fading actor just walks through it. Some of the details about the case are very interesting (particularly the wealthy kids involved, and how they relate to their indifferent parents), but the promising set-up for the plot is let down by all the overripe melodrama. Still, a curious, watchable attempt at delinquent terrors, perhaps a precursor to "Death Wish". ** from ****
John Seal This is an above average programmer that benefits from decent, if predictable, performances by Alan Ladd and Rod Steiger. Ladd is a rocket scientist who gets mugged on the way home from a late night at the office by a roving band of Beverly Hills punks led by Michael Callan. What follows could be considered Death Wish 1962, as Ladd pursues the villains whilst police officer Steiger tries to keep him under control. Good photography by Charles Lawton Jr. and a reasonably interesting George Duning score make this one to watch on a cold winter's night.