11:59

2005
5.8| 1h42m| en
Details

Too much celebrating after scoring the year's biggest story leads to 24 missing hours in the life of photojournalist Aaron Doherty. Awakening in a wheat field with no memory of the previous day, Aaron struggles to account for the gap. Sent back in time when the phenomenon recurs, the progressively disoriented Aaron is left to untangle the vast political conspiracy that's behind it all.

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Also starring Christopher Soren Kelly

Reviews

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
gershom1 Pretty much sums it up. If you're into good stories, this one is good...if you can get past the really bad acting. AWFUL AWFUL ACTING. I'M NOT JOKING...buuuutttt....goooooood story. it's (really ironic actually). So I'd watch it if I were you since I LOVE GOOD STORIES and can imagine good actors in the place of bad actors SINCE I WATCH THE MOVIE IN THE THEATER OF MY OWN MIND ANYWAYS!joking aside. I'm going to watch this directors next movies INK and THE FRAME to see if he grew as a Director. He & his producer did a great job of production value. but really bad acting here lol
Chris Haskell The audience for this movie is anyone in the mood for an indie film that's high on plot, and is OK with struggles in dialog and acting. There is some social commentary and questions raised as to the effect media has in influencing the populace, especially during a scandal. Standard conspiracy type stuff but clever enough to make for a good watch. I gave it a 6 because it was compelling despite the weaknesses and made me interested in the imagination of Winans. This is a young filmmaker that shows promise as long as he handles his career well. His next feature is an animation, which I believe will allow him to develop the plot a little more and I could see being a world he is more comfortable in.
Brandon Freeman I saw this film at the Idaho International Film Festival (it was actually the only feature I was able to attend), and it intrigued me.There are a few flaws, mainly a few actors who didn't give it their all, I felt, but the lead actor helps the film by taking it seriously and overshadowing the others. I'm definitely looking forward to seeing him in future films.My biggest qualm with "ll:59" was the over-use of choppy editing. I understand the need to show disorientation, but the scenes in the news room would often cut - not to another angle - but to what appeared to be another take from the same angle. Just very unnatural.However, the film got all of these kinks out of its system by the end of the first act, and I felt the rest of the film carried itself along quite nicely.I would be extremely happy if my first film (which I am currently producing) turns out as well as this film has. Great job, guys, and good luck and God bless on your future endeavors!
Charlie_Aaron Waking up in the middle of a baron field is seldom a pleasant experience. Especially when you have no idea how you got there or even any recollection of the past 24 hours. 11:59 is a great Indy film that delves into what happens when some unknown force gives you a glimpse of the day after tomorrow. Then gives you the chance to make things right. The idea can be somewhat compared to the make-things-right-to-move-on film Groundhog Day in which Bill Murray is given the chance to repeat Groundhog Day over and over again until every event of the day is made right. In this film, the lead Character, Aaron the jaded photojournalist (played by the wonderful Raymond Andrew Bailey) gets a glimpse of the day after tomorrow. After learning of a tragic death, he is given the chance to save a life. This movie is thought provoking, attention grabbing, and a definite must-see. THE best Indy film of the Kansas International Film Festival (in my opinion). SEE IT!