The Jackson 5ive

1971

Seasons & Episodes

  • 2
  • 1

6.5| 0h30m| en
Synopsis

The Jackson 5ive was a Saturday morning cartoon series produced by Rankin/Bass and Motown Productions on ABC from September 11, 1971 until 14 October 1972; a fictionalized portrayal of the careers of Motown recording group The Jackson 5. The series was rebroadcast in syndication through Worldvision Enterprises during the 1984–1985 Saturday morning season, during a period when Michael Jackson was riding a major wave of popularity as a solo artist. The series was animated mainly in London at the studios of Halas and Batchelor, and some animation done at Estudios Moro, Barcelona, Spain. The director was Spanish-American Robert Balser.

Director

Producted By

Rankin/Bass Productions

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Reviews

Cathardincu Surprisingly incoherent and boring
Nonureva Really Surprised!
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
SnoopyStyle This is a fictionalized animated series based on the lives of the Jackson 5ive. The brothers Jermaine, Michael, Tito, Marlon, and Jackie Jackson try to make their way in the music industry. They have wacky outlandish adventures. As in real life, Michael is the star. He has his mice, Ray & Charles, and his snake Rosie. The other brothers don't have as much mention and Michael is usually the subject of the stories. There is plenty of Jackson 5ive music especially ABC. It is noticeable that Michael is the central character. It would help to have the brothers' names in the opening credits because in most episodes, their names aren't even mentioned in the script. The older brothers don't get individual personalities. It's also noticeable that the boys aren't contributing their voices. That's more understandable since they were way too busy at that time. This is a jive, psychedelic, fantasy, children's cartoon. It's white bread and harmless. Most of the episodes have a light meaningless quality although Michael in Wonderland is foreshadowing. The show needs a goal, a journey, or possibly a villain. It is interesting for Michael fans to see one aspect of his beginning. This probably sold the family quite well to the public. I don't remember watching this as a kid but I do recall something, possibly from the reruns.
jwz51364 The jackson five cartoon is great. And the first episode titled it all started is my favroite episode of all the episodes shown. I wish the cartoon network would add it to there line up it would be great. I would watch it when ever its on.
williebobo95 First there was the Beatles cartoon. I couldn't wait to hear the songs on the show. When the J-5ive came out I went WILD. Not long after,The Osmond Brothers had a competing show and we used to debate who was better,Michael or Donny Osmond. Some of the stories were hokie,but enjoyable. There was an episode showing how Diana Ross discovered the J-5. That is purely Motown myth. Ross never discovered the Jackson 5,she only introduced them on their public unveiling.
hillari The Jackson 5--Jackie, Tito, Jermaine, Marlon and Michael--provided their own voices for this popular Saturday morning cartoon. Most of the episodes followed the brothers around as they went from one concert stop to the next. Since Michael was the cute little brother, the storylines usually involved some time of trouble he'd get himself into and he'd have to ask his brothers to help out. The episodes are are a time capsule of their late 1960's and early 1970's hits, including "I Want You Back", "Sugar Daddy", and "Stop! The Love You Save (May Be Your Own)". The shows were bright with psychedelic colors, especially during the musical segments.One episode was a highly fictionalized version of how Diana Ross "discovered" the group and brought them to the attention of then Motown president, Berry Gordy.