Dotbankey A lot of fun.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

tradu-06897 Not being a fan of the Harry Potter series, I was glad to find such a good drama based on a book by Rowling. (I haven't read the book, but would like to.) To disagree with another critic on IMDb, the death visions are well done. They borrow, in their simplicity, from traditional mummer's theater, and are one of my favorite aspects of the show, along with the scenery and interiors. Themes and plot twists are as intriguing as the town's different spaces are colorful. The scene of a recovering addict's tortuously long wait for a bus is perfect. Bravo to all involved.

robbiekendalrk Barry was a member of the Pagford Parish Council and due to his death they have to elect someone to take his place. The candidates were: Mr Colin Wall, the Headmaster at the local school; the dependent Mr Miles Mollison, the son of the self-absorbed Parish Council leader Howard Mollison; and the abusive Mr Simon Price, Barry's half-brother. Simon pulls out of the election after his son, Andrew, creates a Ghost_of_Barry_Fairbrother who mocks the candidates. In the end Mr Miles Mollison wins the election by one vote as Mr Colin Wall votes against himself. The Pagford Parish Council's focus is voting for whether Sweetlove House should stay as a community centre, a necessity for the Fields Council Estate, or to be turned into a spa, a luxury for the village of Pagford. The decision has disastrous outcomes. Barry Fairbrother, who dies unexpectedly, is an extremely sympathetic character who is married to Mary Fairbrother. Barry and Mary have no children but Barry's unsympathetic and abusive half-brother Simon Price, who is married to Ruth Price, has two children: Andrew and Paul Price. Simon's son, Andrew, is best friends with Stuart (Fats) Wall who is the adopted son of Tessa Wall, Krystal Weedon's counsellor, and Colin Wall, the Deputy Headmaster at the local school. Fats has a sexual relationship with Krystal Weedon, a resident of "The Fields Council Estate". Krystal is very protective of her younger brother, Robbie Weedon, because their mother, Terri Weedon, is a recovering drug addict. During the series the Weedons get a new temporary social worker, Kay Bawden. Kay has a daughter Gaia Bawden, who Andrew Price gets a romantic interest in. Towards the end of the series Andrew Price and Gaia Bawden get a job at Howard Mollison's delicatessen. Howard Mollison, the unsympathetic Leader of Pagford Parish Council, is married to Shirley Mollison. In the series Howard and Shirley only have one child Miles Mollison, who is a lawyer, is married to Samantha Mollison, who owns a failing lingerie shop. Miles and Sam have two twin daughters, Lexie and Libby. Samantha develops a crush on Vikram Jawanda, a cosmetic surgeon, who is married to Parminder Jawanda, a GP and a member of the Pagford Parish Council. Vikram and Parminder have a silent daughter, Sukhvinder, who says one line in the whole mini-series and that line is: "Whose f***in fault is it then?" after Krystal Weedon tragically drowns, one of her most significant lines in the series raising the question of our responsibility for other. Parminder is good friends with Barry Fairbrother and, like Barry, want to save Sweetlove House, bequeathed to Pagford by ancestors of Aubrey and Julia Sweetlove. Aubrey and Julia Sweetlove want Sweetlove House to be turned into a spa for their own profit. A main theme of the mini-series is the widening gap between rich and poor, The Sweetloves/Howard Mollison vs The Weedons/Barry Fairbrother. The rich (Sweetloves and Howard) want Sweetlove House to become a spa so that they can get more money whereas Barry wants to keep Sweetlove House as a Community Centre because he knows what it is like living on The Fields Council Estate as he, as a young boy, lived there. The story is reminiscent of Thomas Hardy's tragedies set in rural Wessex where circumstance and social attitudes are seen as significant contributors to someone's unnecessary death as Barry, unfortunately dies in a rural town Pagford.

Pete Hand This series made me want to weep - at the senseless waste of acting talent and script material. For this is not a TV dramatization of "The Casual Vacancy" by J. K. Rowling. It's a TV dramatization of the Reader's Digest Condensed Version of The Casual Vacancy. What's more, it appears that slashing it down from a full series to a 3 part synopsis was done after filming already started, probably by the director tearing pages out on the set, rather than by intelligent script writers. How else to explain the presence of all the characters from the book, yet no role - not even dialog - for some of them? How else to explain all the setups in Episode 1 that are just left hanging with no follow-up? What does remain is excellent, completely capturing Rowling's characterizations and the petty snobbery of English village life, but the ruthless editing leaves too much out and too many loose ends. There's no exploration of the interaction between children and parents that is core to the book. There's no hint of who is behind the "ghost", a major plot device. Sukhvinder, who has a life-changing experience in the original, is literally seen but not heard. There's no resolution for the dysfunctional Price family. I don't know why the scriptwriters even bothered telling us Gaia's name, since she's reduced to a walk-on extra.What's left, basically, is an excellent performance from Michael Gambon and Julia McKenzie as the Mollisons. It's worth watching just for that. But that's the tragedy of this series - these are the canonical Morrisons, nobody will ever do it better. And that means the series will never be remade, and the full story will never be told.

linnet100 What a gem of a drama from the BBC. What makes this, and what it is at root all about, is a study of human nature, or rather natures. The characters are beautifully drawn: subtle, complex and deep. Relationships are intricately woven and multi-faceted.There is a delicious comedic element that only adds to the bite over real issues. The PCC meeting in episode 1 and the library scene in episode 2 will live long in the memory. Colin's comment about the Philosophy section and Kierkegaard was a moment of genius.The tension between the village and the neighbouring estate is a microcosm of life that seems very pertinent in today's Britain. For 'estate people' read almost any group of undesirables that the established residents don't want. Many of the settings, for example the secondary school, could be straight from almost any comprehensive: yes some kids really do speak to teachers like that.The Casual Vacancy is a fabulous drama which is all-too- rare these days. Human nature painted for television. Superb.