Smash

2012

Seasons & Episodes

  • 2
  • 1

7.7| 0h30m| TV-14| en
Synopsis

A songwriting duo tries to create a hit with a Broadway musical based on the life of Marilyn Monroe.

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Trailers & Clips

Reviews

Clevercell Very disappointing...
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
kikkapi20 When smash came on it was to be a show (musical)good voices new songs young wanna bee looking for success. But we got an old worn out woman and her ex bickering,gay lovers,a wife who strayed and a director who tried to bed all the girls and you showed it their wrong time slot now to muddy up the situation a salt and pepper love affair send all that junk packing go back to the music if i had wanted a story with that all the crap you projected i would watch young and restless they have 40years of it. The dialogue is ridiculous in its bitchiness, the characters obnoxious, the plotting absurd. I suspect all the favorable notes on the web are the product of "guerilla marketing" by the backers of the show. No one who really enjoys Broadway can find this fiasco appealing in any way.
wizbang68 Smash started out as a "behind the scenes" look at what happens during development and promotion of NY Theatre. There were some other reviews where I wonder if the reviewers were watching the same program. During season 1 the show got in a rut of creating what some referred to as "soap opera drama". However, anyone involved with the theatre industry can attest to how the majority of the promotion and development of a show is based almost entirely on drama. From the funding (or lack thereof) to changes in casting all being somewhat surreal, so it lends itself to this type of plot. Someone referred to the sound not being good. Um, I had my surround sound speakers picking up a Dolby Surround signal and it was quite good audio. There were some moments that did seem a little too "Glee-esque" where everyone seems to suddenly break into song..... but I accepted that this was a program about a NY Musical being produced for Broadway. That said, the productions numbers were quite good if you actually paid attention to the interaction during the numbers because it was many times letting the viewer in on changes that were occurring or background for a change to the plot. For example in one scene the director was trying to figure out who was going to play the lead role. He started looking at the costumes for different numbers and you saw excerpts from the numbers and who he saw playing the role. It ended up that the person who was the front runner wasn't selected, not because she wasn't good, but because the director couldn't picture her doing it.All in all they were finding their way, but season 2 went somewhat off the rails with the plot line where it was difficult to connect the dots until the very end of the season. Unfortunately, the disconnect seems to have put the nail in the coffin of the program. At least the program season wrapped up the different story-lines so that everything had been closed and a future direction for the program was presented if it was renewed, alas it was not to be.
safergus Loved Season 1. It had a coherent story, great musical numbers, and a great cast. We were engrossed in the struggle to put on a Broadway Musical, and were prepared to overlook its over-reliance on people just happening to eavesdrop on a conversation soooooo many times!Season 2, however, is a mess. There is no one thread any more, and the overly melodramatic story meanders all over the place, at a snail's pace. You have Bombshell treading water, a ridiculous Dangerous Liaisons show also in the works, while, at the same time, everyone gets infatuated with the mediocre music of the obnoxious "prodigy" Jimmy Collins. It just beggars belief that these people would give him the time of day, let alone indulge his tantrums. Why anyone like Karen Cartwright would fall for a jerk like him is totally baffling and unbelievable?Season 2 has been a great disappointment, after such a strong Season 1.
edwagreen Sometimes, accidents are the best thing that could happen as has depicted in this episode.When Ivy's dress falls down during rehearsal, the crew comes up with the idea that this should be part of the show. This occurs while she is rehearsing the song with the JFK character, as the two prepare to go to bed. I haven't stopped laughing since the JFK character belts out "Let's do it for the country." What immorality! What a sensation! Will she do it when the show actually opens?Derek shows that he can plot revenge quite well. When he catches Karen kissing her new boyfriend, he promptly takes away her main song and gives it to the other girl. The latter tells Karen that she should have gone to bed with Derek.Is this what the world is all about? Going to bed with people in the know, so as to get somewhere?