StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

disdressed12 this fact based movie about Myra Hindley and Ian Brady,Britain's notorious child killers of the 1960's is sure to send chills down your spine.it doesn't sensationalize the murders.in fact,most of the murders themselves are not shown.instead,we are shown the bizarre behaviour of Hindley and Brady and their sadistic leanings.one murder is shown,but it's not explicit or graphic.but the way it is shown is horrifying.it's hard to say which of the two was the initiator of the crimes,or if both played equal parts.they both are shown as manipulators and without remorse.The acting is stellar,form Maxine Peake as Hindley and Sean Harris as Brady.but equally effective are Joanne Frogatt as Hindley's sister Maureen ans Matthew Mcnulty as Maureen's husband.the rest of the supporting players are also exceptional,too numerous to mention here,although i have to mention Joe Costigna as DCI Joe Mounsey.this is a first class production all the way.it broken my heart,and will stay with me for a long time. 10/10

Nicola Bullen (StupidLittleActress) Maxine Peake and Sean Harris both have wonderful performances as the infamous Moors Murderers Myra Hindley and Ian Brady. Such a powerful programme, yet there was hardly any gore. The silence just before it cut to adverts was creepy and surreal and let the events really sink in. After watching countless two part dramas on television I can safely say this is the best yet. The acting was second to none; you generally believed that Maxine and Sean were the people they portrayed. The devastation of the families was so well shown, your heart went out to the families of the murdered. A wonderful dramatisation of a relatively touchy subject. Very well done.

BJJManchester This is the first known dramatisation of the infamous Moors Murders around the Northern English city of Manchester in the 1960's.Even four decades on,the case still provokes utter revulsion at such evil and depraved acts of murder.It was apparently made with full co-operation of the victims' families,which in hindsight was a sensible and sensitive decision by the filmmakers involved.It could quite easily have lapsed into sensationalism and exploitation;that it doesn't is a tribute to all involved;it is very well made with excellent performances all round;Sean Harris and Maxine Peake(previously better known for her comedic roles)are chilling and believable as the callously evil Brady and Hindley;newcomer Michael McNulty gives a very fine performance as the naive,easily-led David Smith,but Joanne Froggatt is outstanding as Hindley's sister Maureen Smith.In a part that could easily have turned into rampant hysteria,Ms Froggatt is very moving and heartbreaking as the decent-minded young woman whose life is more or less ruined by the horrific actions of her sibling.It is arguable that the stress involved led to Maureen's early death aged only 34.The one large problem with the production is with the story being so unremittingly harrowing and unpleasant,one is somewhat confused as to what to say in conclusion.That it is very well made,acted and produced,certainly.That we do not see the killings themselves(with the savage exception of Edward Evans,very brutal and in semi-darkness),and none of the gruesome details related to them is praiseworthy;but the extreme nastiness surrounding the whole case still makes for a very dubious and disturbing cumulative effort despite it's considerable technical quality.In my view,a more documentary approach to the subject would've been the correct way to dramatise such a story,but nevertheless full marks to cast and crew for their sensitivity in handling such a dreadfully grim subject.

Trapper_John I was quite young [7 - 9 years of age] when these events took place, and remember the dreadful feelings that were prevalent. Before this drama was screened, I was not sure it would be possible to dramatize such an horrific episode without it coming across in a way that either glossed over or overemphasized many aspects. However, I feel this was a well pitched production. For me it has gone a small way towards dealing with something that has been uncomfortable to think about in recent times, when those involved were for one reason or another in the news. I don't think it would be appropriate for the full details to be made public in a television programme, but hopefully there was enough to be informative yet not too distressing. I hope the families concerned did not find the drama hurtful, and that it didn't reopen deep wounds for them - probably a vain hope, unfortunately.