ThiefHott Too much of everything

WasAnnon Slow pace in the most part of the movie.

Stevecorp Don't listen to the negative reviews

ChicRawIdol A brilliant film that helped define a genre

rochellepaulette This is one of my favorite shows to watch on Tuesday nights. Rebel is a strong black woman. The cast members are phenomenal.However I think it touches on a lot of things going on in the world around us, like black crimes, homeless, domestic violence, racism, drugs and alcohol.. lack of education and good parenting...

Paula M. Adams I've seen the first 3 episodes and find LOTS of problems BET's series REBEL. Schizophrenic is the best way to describe it. I wonder if the writer and John Singleton have issues creating three dimensional female characters we can empathize with??? The only character I have empathy for is Rebel's father played wonderfully by actor Michael T. "Mykelti" Williamson, who conveys the father's pain of losing not only his wife but his son through isolating alcoholism and bitterness. When the father tells Rebel Malik was "a part of him that is now gone", his eyes and tone reflect that pain and I automatically connected with which stands in stark contrast to character deficits seen with Rebel. In episode one, her brother, Malik is killed by ex law enforcement partner and ex lover, Thompson McKintyre. The mourning of her brother was the worst piece of dramatics and I'm surprised John Singleton, who I know didn't write the script but has written screenplays with well crafted male characters, didn't send up red flags about the lack of character development here? Through all of this Rebel is not given the breathing room to grieve, reflect and process or reveal character flaw/weakness, but is very capable of sipping tea like a satisfied monk, keep her hair did, clothes on point and heartily laugh with friends as if her problems are champagne bubbles in a glass! What? Huh? AND have lighthearted conversation with THE ex partner/lover, Thompson, who, remember KILLED HER BROTHER, somehow has the big balls to shove a sentimental jump drive with a video of he and Malik rapping (virtual Hallmark at it's best-yeah!) to remind her he liked Malik. But so what!!! Tell me WHY, tell me HOW you could do this to my baby brother, to me? And by the way, Thompson's dialogue trying to explain how he didn't mean to shoot Malik is vacuous, vague verbiage I can't believe Rebel's character wouldn't demand more clarity of. But no, she's seen laughing reminiscing over the good ole days which appears as if Rebel is on heroin. Even if she is laughing with Thompson, couldn't she have conveyed some pain once she walks away from him so the audience can see into her interior life? Can we see what's behind her mask when she knows she's laughing with her brother's killer. For it is the subtle, nuanced crumbs of interior complexity of any character that creates a connection, empathy for a protagonist. All of this is missing and/or given only "drive-by attention". Even with stoic characters, for example, Annelise Keating (How to Get Away With Murder) and Olivia Pope (Scandal), both characters from these shows are pretty stoic women who are aptly portrayed as strong, messy, weak, sexy, complicated wrecks and audiences can relate and root for each of these women yet Rebel is a hologram of the 1970s characters of blaxploitation films like Foxy Brown. And no, we never got to see Foxy cry into her Pink Champale after a day of kicking ass but today, in the 21st century, we want and deserve a bit more introspection about Rebel's emotional and psychological baggage because this helps us to understand each other and ourselves. Rebel only gives lip service, not soul-service, to her pain which only creates a wall between the audience and Rebel. She's seen laughing like it's the 4th of July everyday and then uh- oh....like a community acting 101 class, on cue, she patronizes us with "her pain" and then is off for more Oakland Ass Kicking. ....a paper doll with guns, hip hugging jeans, belly button shirts and a book full of poetry. Nah, I'm good, send her back to the 70s.

b4blue The description of the show is completely false. It says that main character "has always excelled by playing by the rules" and yet the show starts with her blatant brutality and misconduct (yes, I know it is forced on the viewer to accept this as something good, because the guy is a rapist, never mind that this makes her Judge Dread). So she is actually a dirty cop and judging by the comments of her coworkers, a racist dirty cop. How does that make any sense in the direction the writers wanted show to go? And then there is the shooting scene, where all the men in uniforms are portrayed as zombies that want to shoot a black person, even though the scene drags long enough and the suspense and the threat of danger completely dissolves in its own time, without any major problems. They are completely oblivious of the reality and just stay in the zombie mode, trying to kill, kill, kill,...like dogs seeing a squirrel.

LiquidPoetry1921 I must admit that I was excited when I found out director John Singleton (Boyz in the Hood) was the creator of BET's new show 'Rebel' ~ and was also its director! Starring Danielle Mone Truitt as the title character: Oakland cop Rebecca 'Rebel' Knight, a black officer who finds herself in a profession plagued with police brutality and misconduct. In the harrowing pilot episode, Rebel's brother Malik (Mikelen Walker) is shot and killed by her partner (and former lover) Thompson 'Mack' McIntyre (Brandon Quinn), and is blamed for his death by her father Rene Knight (Mykelti Williamson). Adding to this stellar cast of actors is Giancarlo Esposito (Breaking Bad) who plays Rebel's lieutenant, friend and mentor. The conclusion of the first episode leaves us with the disillusioned Rebel becoming a private investigator.Described as 'hard-hitting, gritty, complicated and morally ambiguous', 'Rebel' looks to be a compelling new TV show due to dealing with recent events involving the police and the African-American community.