Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

alexanderdavies-99382 They don't come any better than "Public Eye." It is one of the more realistic kinds of British television with a leading character who most viewers were rooting for. The series made the name of Alfred Burke, who easily made the character of Private Inquiry Agent Frank Marker his own. The tone and the style of the series never changed in the 10 years it was broadcast and that was the correct decision. It is a bit difficult in reviewing the episodes of "Public Eye" that were made from 1965 to 1968 as most of them are missing from the archives. Only about 4 exist. However, the episodes made from 1969 to 1975 all exist in their entirety. Amen to that! The very best of this series, are the episodes from 1969 til 1973. We are treated to some vintage television drama, the writing and the acting being of a high calibre. Frank Marker invariably finds himself on the receiving end of some decidedly dishonest and unlawful people in his line of work. It can be put down to an occupational hazard of a sort as he encounters dishonesty and corruption in almost of all his cases. There are times when Marker fails to be even paid for his troubles when his client is revealed to be less than genuine in many ways. It is a rather harsh and uncompromising world that he inhibits and this is magnified in that most of the police look down upon Marker. The moment he stumbles upon a case which perhaps includes something serious like murder or extortion, the police soon make themselves known to him. Frank Marker was based in different areas across England. To begin with, he set up a practice in Birmingham. Then after being sent to prison for something he hadn't done, he relocated to Brighton. The 1969 series covered his time there. For the 1971 series, Marker moved to Windsor. You would think that being based in such a prosperous area would mean he could make a respectable living. Not so as he is still struggling to make ends meet, financially speaking. For the rest of the series, he operated in the Surrey area. Alfred Burke is certainly playing the character as being downtrodden and someone who is usually lead up the proverbial garden path. For all of this, Marker still manages to maintain his own self-respect, honesty and integrity. Even so, he is quite a guarded person when it comes to trusting anyone and with good reason. The viewers never dispute why he doesn't take many people into his confidence. A rare exception to the rule was when Marker was living at the guest house in Brighton. His landlady was someone decent and honest but someone he could talk to. During the 1971 series, he befriended a local police officer. This character actually tolerated Marker more than most of his colleagues. This is a landmark television series, the kind of quality that is a thing of the past.

inthemoodswing I would thoroughly recommend this series to anyone who is tired of the trend in British TV for murder in middle England, conspiracy and terrorism stories and the excess of melodrama in the soaps.Public Eye brings the viewer down to earth with a bump, no glamour, gentility or sensational plots here just the daily grind of trying to earn an honest crust. Frank Marker, marvellously portrayed by Alfred Burke, is a private enquiry agent who investigates the most routine cases imaginable. He may be checking on unfaithful husbands, looking at minor fraud or petty theft. Occasionally he is used by clients who have ulterior motives and he gets involved in cases he wishes he hadn't. The story lines are thoroughly believable so that viewers quickly identify with the situation. The characters are well developed, sympathetic and demand your attention, but it is Marker who always draws the viewers eye. A loner, he does not make friends easily (at all!) yet we find ourselves identifying with him and caring about him. Add to this Public Eye was made 35 years ago and it is fascinating to see how values and attitudes have changed in the intervening years.The 1969 series concentrates more on Marker himself following his release from prison for a crime he did not commit. While the 1971 series sees him going about his normal enquiry business. My only regret is that most of the early series (1-3) are lost forever and of the other 4 series only the two mentioned above have so far been released on DVD.

Drew McFarlane Slack Alfred Burke deserves to be ranked with Sean Connery, Edward Woodward and Roger Moore for his portrayal of Frank Marker in Public Eye. This was the detective story from the council estate, and at the time in the UK, there were no better writers nor better actors. Burke plays the poor man's private eye, operating in an environment where there is neither money not glamour. He needs his fee to pay the rent and light, but often does not collect anything other than a beating. His cases are not the stuff of Sam Spade, but Marker is the right stuff nonetheless.I missed the UK Gold reruns, but will not miss them again. If you watch no other '60s specials, watch this.

alanbriscoe This is a quite exceptional, but sadly neglected, British series. There have been many detective series, most located squarely in a world of glamour or serious crime. "Public Eye" was exceptional in breaking this cliche. The programme centred upon private enquiry agent Frank Marker. Marker was a middle-aged man,of modest appearance, operating out of the most modest of offices. His cases were undertaken for minimal fees and usually centred upon mundane matters - missing persons, character checks, divorce, chasing debts. If crime was involved it was usually of a petty, often seedy, nature - no high-profile murder enquiries. The mundane nature of the investigations and the settings might make one think that this would be a very prosaic affair. Quite the opposite. It was refreshing to see stories set in the real world, with realistic people facing realistic problems. Superb acting, characterisation and clever story-telling made this a marvellously engaging series. The best example of this was the role of Marker, brilliantly played by Alfred Burke.Marker was a thoroughly decent man, struggling to earn a crust, regularly disillusioned by the tales of misery, dirt and deception he engaged in. Like many detectives he was a loner but not in the confrontational sense of many others. He did not allow closeness, but was not aggressive. He was sharp and socially skilled but did not have unblemished success. He could make mistakes. The best example of this was in "The Man Who Said Sorry". In this extraordinary episode, which is almost entirely a two-hander, Marker has a frustrating dialogue with a man (Paul Rogers) who threatens both suicide and the murder of his estranged sons. The man, dogged by self-pity and indecision, does not convince Marker who gives him little sympathy. Later Marker has doubts and hears the sirens that confirm his error - the man has thrown himself under a train. Unlike many other detectives Marker is sometimes the victim, including taking a terrible beating from some gangsters in "Nobody Wants To Know". His painful, self-pitying recovery is superbly documented. Despite this he doesn't shirk a case. The show ended in 1975. As a video series it is unlikely to be repeated, certainly on terrestrial television. However it won new admirers when broadcast on "UK Gold" some years ago and just possibly it may return again.