Laredo

1965

Seasons & Episodes

  • 2
  • 1

7.6| 0h30m| TV-PG| en
Synopsis

Laredo is an American Western television series that aired on NBC from September 16, 1965, to April 7, 1967. Laredo stars Neville Brand, William Smith, Peter Brown, and Philip Carey as Texas Rangers. It is set on the Mexican border about Laredo, Texas. The program was produced by Universal Television. The pilot episode of Laredo aired on NBC's The Virginian under the title, "We've Lost a Train". It was released theatrically in 1969 under the title Backtrack. Three episodes from the first season of the series were edited into the 1968 feature film Three Guns for Texas.

Director

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Universal Television

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Reviews

VividSimon Simply Perfect
Platicsco Good story, Not enough for a whole film
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
coryjamesphillips87-478-482008 I am a big fan of many western films. My favorite series of all time is the "Laredo" series next to "The Virginian". Every episode has a great new story to it and you'll feel like your right there with them in their high risk shootouts! The four Texas rangers; Reese Bennet, Erik Hunter, Chad Cooper, and Joe Riley work upder Captain Edward Parmalee. They are not ones to be messed with and will spearhead into any chaotic gunfight that comes there way. Their wit and great acting contribute to the worth of these films. Reese Bennet is my favorite of the actors with his theatrical hand gestures and way of putting things that are so agreeable. Trying to pull one over on the captain is a regular occurrence.
zardoz-13 "Laredo" was basically "The Three Musketeers" set in Texas. If you watch the NBC-TV pilot episode that appeared during on season of "The Virginian," you will notice that Trampas (Doug McClure) got himself embroiled with our troubleshooting heroes and wound up facing all of them in competing duels with the Rangers. Reese Bennett(Neville Brand), Joe Riley (William Smith), and Chad (Peter Brown) are the happy-go-lucky Texas Rangers who served under stern Captain Edward Parmalee (Philip Carey)out of the border town of Laredo. Essentially, Joe and Chad are always playing pranks on Reese. This comedy shoot'em up was frequently hilarious. Reportedly, Neville Brand wanted to leave the show after the initial season and the producers sought to replace him with Claude Atkins. Nevertheless, "Laredo" was a tongue-in-cheek oater without lots of laughs, girls, and gunfights.
dc1-1 Neville Brand didn't get along too well with some of the other members of the cast and in the second year of the show, quit. Claude Akins replaced him. Too bad, because as highly as I thought of Mr. Akins as a versatile actor, Neville Brand's Reese Bennett character was key to the show's success. It seemed as if the producers recognized a need to juice up Laredo in its second year by adding Robert Wolders to the cast. It didn't work very well, in my opinion. The original light-hearted formula of Peter Brown and William Smith teasing and playing tricks on Neville Brand was the thing that made Laredo stand out from other Westerns of that time.
pmullinsj 'Laredo' was a comedy western with Neville Brown as Reese, the clownish Texas Ranger. He is marvelous in the scruffy role, which he throws himself into with complete, crude abandon. The other two Rangers were more along the lines of the glamorous cowboy TV actors of the period--Peter Brown as Chad and William Smith as Joe Riley. Philip Carey plays Captain Parmalee and Robert Wolders, familiar to me otherwise only as the last companion of Audrey Hepburn, comes in for the third season to be a fancy European cowboy.It is William Smith, the Joe Riley character, who interests me because he is the only actor I have yet seen for whom bodybuilding actually was an asset and lent an extra dimension to the acting (maybe the other, more famous bodybuilders had no acting to which the dimension of bodybuilding could be added, so it looked like bodybuilding usually does--DUMB. Anyway, they don't deserve mention by name even if everybody does know who they are and culture now seems geared to repeating the same names ad infinitum--or ELSE...)Bobybuilding actually even makes a man unattractive when it is overdone; of course, this sounds like an oxymoron, because the stereotype of the bodybuilder is always something overdone. Smith looks big, but not too big--TOO BIG begins to take on the ugliness of stupidity, and this never happens to him.Somehow Smith manages this balance in which his acting works in spite of the bodybuilding as well as being enhanced because of it. It has to have something to do with his personality, which is not all that easy to research: you can see the list of films and gather that he came to Hollywood as a child and was an extra in a number of mainstream films like 'Going My Way', 'The Song of Bernadette', and 'A Tree Grows in Brooklyn', among others--he is quite visible in the last of these, the neighbor pal of Dorothy McGuire's son, and you see him once in the hallway of the tenement, and again very clearly you see the Smith child's-face in the cemetery crowd toward the end. Later, in his twenties, he has a bright bit part with Debbie Reynolds in 'The Matine Game', and a dazzling flash as an eyeful whom Shirley MacLaine and her galpals mentally devour in a restaurant in 'Ask Any Girl'--in the scene, he is proof of their inability NOT to think about men--EVER. There are a few facts about his life on websites, none of which are well done or in any way exhaustive. This is unfortunate, but probably normal for a B actor who is not a household word, even though he did have a second period of roles in the mainstream in his mid- to late-40's, with 'ay which Way You can' being the prime example (opposite Clint Eastwood; this climaxes in their big fight, which Smith would have won but wasn't A-List so lost, of course--in the way in which the biggest stars didn't get killed in 'The Towering Inferno', etc.) He also appeared as Lonnie "Lucky Man" Johnson, Cronenberg's so-called "lost movie" which has nice performances by Claudia Jennings and John Saxon as well. Much later still, in 1994, James Garner (with whom he had done some work in THE ROCKFORD FILES, singles him out for some well-deserved special homage.)In the 'Laredo' series you see a character that is not as usually involved with the ladies as are Peter Brown and Robert Wolders. His costumes are excellent for the Western swagger and dazzling smile that are what we easily imagine--or is it demand?--the ideal cowboy to be; and there is a subtle burlesque that occurs only rarely that is interestingly ephimeral and arresting; and is not the overt exhibitionism one sees in 'Bonanza', among other Westerns with their ambitious young actors of the period.This body-acting was equally effective in the Hell's Angels movies Bill Smith started making in 1969, beginning with Run Angel Run', continuing with such products as 'Angels Die Hard', 'Chrome and Hot Leather,''Nam's Angels,' and 'CC and Company'(in the latter, Joe Namath calls him "Your Majesty--both sarcastically and not sarcastically is my guess--and when Ann-Margret is kidnapped, Smith strokes the delicate white skin of her neck, caressing her beautiful face lightly...two different but very real STARS cross paths...) In these films, the body-acting is so effective that in 'Angels Die Hard', he is even called "boy" by one of the redneck burghers; how often does this happen--and seem convincing--when the "boy" is 35 years old?Bill Smith is one of my three favourite actors, and has a fabulously colourful and varied career.The 'Laredo' series has various appeal to different interests, but finding it is not that easy.