Actuakers One of my all time favorites.

Sexyloutak Absolutely the worst movie.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

BrentCarleton This under-appreciated British anthology series, is, as many other posters have noted, a highly effective, beautifully produced and flashily photographed supernatural program of the first water.Produced by Hammer in association with Twentieth Century Fox, it features a bevy of well known American names in addition to solid British supporting characters.Though the series is not confined to London in setting, the overall look and feel of the program is very much Carnaby Street mod. Thus, we see a profusion of strobe lit discotheques, and mini-skirted Judy Geeson type girls, (though Miss Geeson herself doesn't appear).The real distinguishing characteristic of the show, however, is in the extremely daring, provocative story lines, with dialog and situations that amaze, given that these were shot prior to 1970, (some programs do exceed the boundaries of propriety--were the censors off duty?).Notwithstanding, these shows not only chill they often disturb--such as the Robert Reed program, the finale of which is genuinely unsettling, not to mention the terrifying, "Matakitas is Coming," in which Vera Miles is trapped in the public library with the ghost of a homicidal maniac.These are definitely not for the children! Performances are also of the first rank, and we would single out Mr. David Hedison who delivers a very layered and complex performance in the episode concerning a disastrous, (literally) sense of premonition. Episodes featuring Carol Lynley as a department store mannequin, Chad Everett as a house party guest, and Patty Duke as a nervous breakdown patient also merit honorable mention.The opening sequence in a deserted amusement park beautifully conveys the dislocated mood the series seeks to convey. Seek this one out!

valenciavin a excellent TV series from hammer in the late sixties,which had a different story to it every episode,the show was based on people who found themselves in bizarre situations.the opening segment to the show still sends shivers down my spine, a deserted fairground somebody entering it you don't see the person at all,also a haunting theme to add spice to the matter?and the opening titles are then just put into the viewers face?powerful stories, like faces in the crowd, which stars Jane asher, David Henson,which one the scariest have seen,Stephanie powers in Jane browns body,which is cult viewing,plus chad Everett, in a story called poor butterfly, another a good ghost story. why the show has not made it to DVD, is beyond me. this excellent series,still holds good today.

ShadeGrenade Not to be confused with the B.B.C.'s 'Out Of The Unknown', this was Hammer's first - and best - attempt at a television anthology series. The eerie title sequence featured a silhouette creeping into a deserted fairground late at night, which suddenly lit up, an effect as startling as it was memorable. The whistling theme tune was by Harry Robinson. The series itself played like a British 'Twilight Zone'; in 'Eve' Dennis Waterman plays a nerd who falls in love with a shop window dummy, 'Paper Dolls' concerns identical boys linked by a psychic bond, 'Somewhere In A Crowd' has David Hedison noticing the same five people present at major disasters, and in 'The Madison Equation' a computer is used in a murder plot. It was unnerving rather than scary. Because it was funded by 20th Century Fox, each episode had to have an American guest-star, but this enhanced the show rather than detracted from it. There were some notable British performers involved too, such as Edward Fox, Allan Cuthbertson, Michael Gough, and Roddy McDowall. Only seventeen episodes were made, yet 'Journey' continued to crop up irregularly on late-night British T.V. well into the '80's.

mikec32001 This series has 3 very important things going for it:1. It has 17 episodes. "So what" I here you cry. Well, 17 must be magic numeral because The Prisoner is the only other classic 60s show to have that number of episodes and just like McGoohan's masterpiece, once bitten you'll not escape the charms of "Journey to the Unknown". These are 17 slices of classic telly folks...2. IT HAS THE BEST TITLE SEQUENCE IN THE HISTORY OF TELEVISION. PERIOD.3 "The New People" episode is the "Rosemary's Baby" of TV (only much better) It is, along with The Prisoner's "Girl Who Was Death", the single best televisual segment of the 1960s. You probably don't believe me. Seek it out, prepare to be amazed...It may have sprung from the Hammer horror stable, but this feels more like The (original)"Outer Limits" meets "UFO" meets, well, "The Prisoner"!. There's no silly costumes and Kensington gore here- this stunning batch of mystery thrillers, ghost stories and frighteners was a U.S. co-production produced by Hitchcock's close associate Joan Harrison (who produced Alfred Hitchcock Presents). Consequently, and uniquely, this TV production is of a markedly higher cinematic quality than any of the big screen outings Hammer produced. Indeed, many episodes were cut together for cinema distribution in the early 70s with linking narration from the likes of Joan Crawford and...Patrick McGoohan (umm..). Oh sure, the reliance on obligatory American guest stars in the (very) British settings is somewhat quaint, and the acting is often, ahem, variable. But the sheer force of imagination on display here commands your attention. A rare treat indeed.