Home > Documentary TV Show > Guitar Town with Steve Earle

Guitar Town with Steve Earle

2020

Seasons & Episodes

  • 1

EP1 1890s Martin 1-28 Jun 15, 2020

Steve Earle talks about his Martin 1-28 guitar named Doris, a guitar he played on several tracks of his 2009 album titled "Townes." He ends by playing "Poncho and Lefty."

EP2 1870s Martin 2-24 Jun 21, 2020

Steve Earle talks about his Martin 2-24 and ends by using it to play "Halo Around the Moon."

EP3 1840 or 41 Martin 3-17 Jun 28, 2020

Steve Earle talks about his Martin 3-17 and ends by using it to play "Brazos River Song," aka "The Texas River Song."

EP4 1955 Martin 5-18 and 1938 Martin 5-17 Jul 06, 2020

Steve Earle talks about size 5 Martin guitars, the baby guitars. He ends the episode playing "Christmas In Washington" on his 1938 Martin 5-17.

EP5 1870s and 1931 Martin Size 0 Jul 11, 2020

Steve Earle discusses size 0 Martin guitars, in particular his 1870s Martin 0-28. He ends the episode playing "Every Part of Me" on his 1931 Martin 0-21.

EP6 1944 Martin 00-21 Jul 17, 2020

Steve Earle gives the history behind his 1944 Martin 00-21, previously owned by Burl Ives. He ends the episode playing "God Is God" on it.

EP7 1974, 1936, 1938 Martin 000 Jul 26, 2020

Steve Earle discusses Martin's 000 (that's "triple-aught") sized guitars, showcasing a 1974, 1936, and 1938 model. He closes out the episode playing "Tennessee Blues" from his album "Washington Square Serenade" on the 1974 000-45.

EP8 1935 Martin D-28 Aug 02, 2020

Steve Earle talks about his favorite guitar, a 1935 Martin D-28. He ends the episode using it to play "Tom Ames' Prayer."

EP9 Martin M Guitars Aug 09, 2020

Steve Earle discusses the history of the Martin M guitars and their predecessors, the converted arch tops. He closes out the episode playing "The Girl on the Mountain" on his M-21 Steve Earle Custom Edition guitar.

EP10 1919 Gibson Style O Aug 15, 2020

Steve Earle talks about his 1919 Gibson Style O and ends the episode playing "Outlaw's Honeymoon."

EP11 1910 Gibson A Mandolin Aug 27, 2020

Steve Earle showcases several Gibson mandolins including a 1926 F4, a 1926 A Jr, and his favorite, a 1910 Gibson A, which he uses to play "Galway Girl." He ends the episode paying respect to his recently deceased son, Justin Townes Earle.

EP12 1931 Gibson L-10 Aug 28, 2020

Steve Earle discusses his 1931 Gibson L-10 previously owned by Tom Crandall. He ends playing "Telephone Road."

EP13 1926 Gibson L-1 Aug 28, 2020

Steve Earle talks about his 1926 Gibson L-1 which he uses to play "South Nashville Blues."

EP14 1934 Kalamazoo KHG-14 Sep 04, 2020

Steve Earle talks about his 1934 Gibson Kalamazoo KHG-14 which he then uses to play "My Old Friend the Blues," because sometime the cure for the blues is just more of the blues.

EP15 1933 Gibson L-00 Sep 11, 2020

Steve Earle talks about his 1933 Gibson L-00, a guitar he used on "The Low Highway" title track. The episode ends with Steve playing "You’re the Best Lover That I Ever Had."

EP16 1930 Gibson Marshall Special Sep 19, 2020

Steve Earle talks about his 1930 Gibson Marshall Special, the rarest guitar in his collection. He ends playing “John Henry was a Steel Drivin’ Man.”

EP17 1935 Gibson Nick Lucas Special Sep 26, 2020

Steve Earle talks about the Gibson Nick Lucas Special and showcases his most recent purchase, a 14 fret 1935 Gibson Nick Lucas Special which he uses to play “Sparkle and Shine.”

EP18 1939 Gibson Roy Smeck Radio Grande Oct 03, 2020

Steve Earle tells us about the Gibson Roy Smeck Radio Grande while showcasing his 1939 version. He ends the episode playing “Ellis Unit One.”
0| 0h30m| en
Synopsis

American rock, country and folk singer-songwriter, record producer, author, and actor Steve Earle shares stories about—and plays—guitars from his vast collection.

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Reviews

Console best movie i've ever seen.
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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