VividSimon Simply Perfect

Steineded How sad is this?

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Hyzenthlay-Foresight I'm a big fan of Homicide life on the street and loved Detroit 187 and other shows like them. If you like those too you will live this. The first show almost lost me. It had really dorky music but a good story line so I watched a few more and fell in love.This is a very real gritty cop drama. They only delve into the characters personal lives as proprietary. Like with Simon's intricate story line that plays out in a most impressive fashion at the end of season three through the begging of season 4.The few Aussie shows I have watched before sucked. I thought this was British at first. This could have even done fine on USA TV. I've found it addicting.

jlgrn I have been a dedicated viewer of "City Homicide" for quite some time now. Each week I religiously turn on to Channel Seven and prepare to enjoy an episode. In the time that I have watched the show, I have come to recognise a gradual progression towards improvement in all areas of production. Recently however, two of the main characters from "City Homicide", Shane Bourne, (Daniel Wolfe) and Daniel MacPherson (Simon Joyner), have made a quiet exit beneath the radar so to speak. In their absence, the remainder of the cast have been left to look after the ship. The tight, enthralling episodes that were to be looked forward to each week have been replaced with weak characterless insipid plots featuring the very worst performances from the cast. However, with such tedious scripts being allocated to the actors, who could blame them for being a little lack-lustre? The episode that went to air this evening AEST, Wednesday 6th October, 2010, almost sent me to sleep in the first 10 minutes. I ended up turning it off. The previous episode, a week earlier, had the same effect. I ended up not seeing the conclusion. Please don't get me wrong; I look forward to watching this show each week. But, I'm telling you it "ain't making it" at the moment. And if I'm loosing "my" interest, I wonder how many others are as well? One other thing; the new detective that has been brought into the show, (can't recall his name at the moment), is obnoxious! The character he plays, or tries to, educated at Oxford, is just so unbelievable. This character is ruining what was becoming a top-notch crime series. Suggestion, recast him in an occasional appearance role as a gay CSI tech. Yes, it would work!So, what to do? · Scriptwriters get your act together. Start producing some of the exhilarating material we know you are capable of. Fire up your imagination etc. · Get the original cast back and start interacting and acting! · What's the best source for scripting crime stories?

korinnem When I started watching this show I was very sceptical of what I was going to fine. I haven't watched virtually any Australian shows in recent years, as almost all that are touted as drama are soaps instead (e.g. All Saints, Blue Heelers).By the end of the first episode I was in love with this show. Having grown up hearing stories about the police force from people who know, this show seems to represent the realism that is sorely lacking in most other cop shows.The acting is terrific, the humour is spot on and the gore level is just right. The cases are interesting and the way they are presented are sometimes destined to break your heart. This show sticks to drama instead of swaying into melodrama.This is a must watch.

nickapopolis87 I am always quite skeptical about Australian made dramas (and comedies for that matter). In my opinion it has never really been our forte, the writing talent hasn't been there. Fly-on-the wall, variety and reality: sure we excel but not in scripted stuff. But the times are changing, well on some networks at least.City Homicide is a beautifully executed piece of television. In every way. The writing is strong, snappy and fast paced and is peppered with subtle Aussie humour. The dialogue is excellent. The acting (lead by Noni Hazelhurst and Shane Bourne) is first-class. This can be a real rarity on Aussie TV. The cinematography, editing and music is superb. I have never been so impressed. The Seven Network has done us proud with this production. All Saints isn't bad either, though it is no CH.Compare all this to the tripe the Nine Network dishes up (and subsequently sells overseas): Sea Patrol. SP is the WORST piece of television I have seen. They spent records amounts of money on it, and for what? Writing? Doesn't appear to be any. Good dialogue? Next. Good acting? Not when Lisa McCune is around. Cinematography? Editing? Music? Mmm the less said about the first two the better and as for the music, it sounds like Mrs Hahn's year 8 music class did it on a synth keyboard. But wait the show is filmed on a real Navy patrol boat. Well then it must be good.I digress. CH is excellent in every way.