American Bandstand

1957
7.5| 0h30m| en
Synopsis

American Bandstand was an American music-performance show that aired in various versions from 1952 to 1989 and was hosted from 1956 until its final season by Dick Clark, who also served as producer. The show featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run DMC—would usually appear in person to lip-sync one of their latest singles. Freddy "Boom Boom" Cannon holds the record for most appearances at 110. The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as Soul Train and Top of the Pops. Clark eventually assumed ownership of the program through his Dick Clark Productions company.

Cast

Dick Clark

Director

Producted By

Dick Clark Productions

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Reviews

Jeanskynebu the audience applauded
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
adampriceright Those words were sung by Barry Manilow. It was a theme song used for a show that made Rock and Roll what is is today. that show was called American Bandstand hosted by Dick Clark. Bandstand was THE show for all the hottest music, dances and preformers. But the show didn't start that way. On October 6th 1952 Bandstand went on the air as a local show brodcast out of my hometown of Philadelphia from the WFIL studios of Channel 6 on 46th and Market Street. Bandstand started out showing the forerunners of Music Videos called Snader Musical Films. The host of Bandstand then was a WFIL DJ named Bob Horn. The Sanders were boring so the WFIL Bandstand staff decided to bring kids in and have them dance to the hottest records of the day. Bandstand was a local hit. in 1956 Bob Horn was fired from the show and 26 year old Dick Clark took over the Bandstand lectern. on August 5th 1957 Bandstand became American Bandstand and the ABC Network broadcast the show nationally and American Bandstand changed Rock and Roll forever. American Bandstand had a 37 year run giving many preformers their national debut and launching their stardom. After 37 years of Dancing American Bandstand came to an end in 1989. Dick stepped down and handed the show over to 26 year old David Hirsch AB vanished from TV but the impact of American Bandstand will live on forever. In the words of Barry Manilow."We'll Rock and Roll and Stroll on American, Lindy hop and slop it's American tune in turn on i'm in I'm on Today... Bandstand!
skillz Pepsi Cola had a very catchy slogan during the 1980s. But unlike "Pepsi" American Bandstand was NOT the choice of a New Generation! The long running music show had a big part in mainstreaming Rock N' Roll. Long time host Dick Clark had a winner for decades. Adolescents was the backbone of it's audience, butGeneration X was slow to embrace AB because MTV conspired with: syndicated, network and local music video programs to challenge American Bandstand's legacy. Music Videos had very little if any audience interaction, unlike Bandstand. This is regardless of whether the interaction had to do with a studio or television audience. VeeJays merely played videotapes. But on the contrary most television viewers did not have to wait for Noon Eastern on Saturday to see their favorite artists perform. Music Videos from decades prior to the Eighties consisted of footage from American Bandstand and talk or variety shows. But now the producers and directors of videos were no longer limited to the set of American Bandstand. They can shoot their videos on location or on major studio backlots. They had the freedom to use : animation, special effects, or any other format they liked. But during this added dimension in pop music what was the viewing experience like for American Bandstand? You tuned in to watch other people dance and to watch recording artists give lip-synch performances. "Dude! That is like, so lame!" As the youngsters would say in 1980s vernacular. With the advent of the Music Video Shows American Bandstand just seemed kind of weak! You may say "Skillz! if it was so lame then explain why a program like the syndicated 'Soul Train' continued to flourish with a simular blueprint of dancing and lip-synching?" I will tell you why! Because viewers wanted to dress in the festive gear that they saw on Soul Train, and they wanted to emulate the dance moves that they saw on the show that was dubbed "The Hippest Trip in America". You watched Soul Train so that you can look and dress the part; and you went clubbing with hopes that you would not leave the disco by yourself! But even compared to its more Nubiancentric competitor American Bandstand paled by comparison. Most of what you saw on Bandstand in the 1980s consisted of dancers dressed like they were at a church picnic and moved like wind-up dolls on the AB dance floor. AB was clearly a shadow of its former self. During the decade of New Wave and Boat Shoes and Micheal Jackson kids just didn't aspire to appear on American Bandstand like they did during previous decades. AB simply experienced the ratings dooldrums at best. Finally ABC ended it's long association with the music show and American Bandstand crawled to basic cable to die.
Jerry Ables I remember watching this show every Saturday afternoon when I was a child and I always had a lot of fun doing it. It featured a lot of awesome musical talent in the many years that it was on and Dick Clark was always an excellent and cordial host. The dancers always looked so alive on the dance floor and you could just tell that they were loving every minute of it. My memories of this show are very easily among my favorite memories of sitting in front of the television set when I was a child. It's very easy to understand why it lasted so many years.
crazy-12 I am very fortunate to have danced on American Bandstand during 1962 when it was live from WFIL studios at 46th & Market Streets in Philadelphia, PA. I was 18 at the time and used to go down there whenever I could get out of school early. I once got on the record review panel and remember rating 3 new releases, one of which was "Do You Wanna Dance". According to my high school newspaper which printed a story about my being on the panel, I rated that one the highest. I still have that school paper in my scrapbook along with a snapshot I took of Dick Clark interviewing Sandra Dee. To this day, I am amazed at how being on that show was something I almost took in stride. What great teenage memories I now am privileged to enjoy!