CommentsXp Best movie ever!

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

veronicafranklin Hooked from the first episode and found the interviews with actual survivors of the occupation thoroughly fascinating. There were some unexplained 'gaps' in the narrative between one season and the next, leaving the viewer to fill in those gaps.Top notch actors and direction. However, found the last two episodes too long and drawn out, and overly sentimental. Left wondering if Beriot did indeed let Francoise know who her father was. Didn't really feel the short clip of Rita in Palestine fit into the narrative, except to possibly and in my opinion, unnecessarily, explain what happened to her. Rita's narrative would have been best left at leaving France to go to Palestine. Finally, right before the end Dr. Larcher receives a condolence card from Raymond, without letting us know if Raymond and his new wife were still alive. I would still wholeheartedly recommend this series. This was my first understanding of the true extent of the collaboration of the Vichy regime and of the horrors of occupation.

grimalkin-2 Having watched all 65 episodes (seven seasons), I'm overwhelmed by how the scriptwriters not only confronted French viewers with all the gray areas involving their parents or grandparents' collaboration with the Nazis during the time of the Vichy government but also created such complex characters that we sometimes find ourselves booing and hissing the alleged "good guys" and cheering some characters who have behaved in an abominable fashion. But then, the "good guys" can turn out to be more evil than we supposed, and some "bad guys" can readily accept responsibility for all their actions, no matter how monstrous. Some of the most corrupt characters are also the most pragmatic survivors. Those who stick with the series until the end had better get their hankies ready for the final, completely heart-wrenching two episodes.The actors are uniformly exceptional in this ensemble cast of hundreds. Most of all, I will never forget Nicolas Gob as Jean Marchetti, a French cop who obeys every command involving the rounding up of Jews or Communists for execution and deportation until he falls for a Jewish woman, Rita (Axel Maricq). But by then, he has acquired the nickname, "Butcher of Villeneuve." Then there are Robin Renucci and Audrey Fleurot as Dr. Daniel and Hortense Larcher. Dr. Larcher finds himself unwillingly thrust into the position of town mayor whose scruples are compromised one by one until he finds himself compiling death lists with another official, Servier (Cyril Couton), to quench the Nazi thirst for blood in retaliation for Resistance violence done to them, an action that will later have dire repercussions for both men. As for Hortense Larcher, she finds herself attracted to a Nazi leader, Heinrich Muller (Richard Sammel) and is ready to forgive his every sadistic cruelty.Then there's Lucienne (Marie Kremer), a schoolteacher who falls for a handsome German soldier, Kurt (Samuel Theis) but when he's about to be transferred to the Russian front and she finds herself pregnant, she agrees to marry the headmaster, Bériot (François Loriquet), who is willing to adopt her child as his own.Finally, there are the major Resistance fighters: Larcher's brother, Marcel (Fabrizio Rongione) and his mistress, Suzanne (Constance Dollé); and Marie (Nade Dieu), a farmer's wife, who is involved with the married owner of a sawmill, Raymond Schwartz (Thierry Godard), who initially is apolitical and gladly sells his product to the Nazis, but ultimately joins the Resistance. Then there's the young Resistance fighter Antoine (Martin Loizillon), who shamefully is forced to leave four buddies behind to be slaughtered by Nazi troops. Finally, there is Schwartz's wife, Jeannine (Emmanuelle Bach) who is determined to survive and prosper, no matter who rules the country.For me, this is the finest, most engrossing series I've seen since the Spanish "Gran Hotel."

MajorAndersLassen Un village français explores the intricacies and horrors of living under German occupation during WWII. The writers deal with the delicate issues of collaboration and resistance beautifully, without judgement or criticism, which made me think about how I may have behaved/reacted in the villagers situation. The writers were very wise to make a TV series rather than a film or mini-series as it just wouldn't be possible to get a genuine feel for the occupation in a couple of hours. I recently watched Unsere Mütter, unsere Väter (2013) and found that 270 minutes was just not long enough to really understand the German experience of WWII, and left me with more questions.It is so nice and refreshing to see a French spoken series about French people, instead of British series about French people! (e.g Maigret with Michael Gambon or Monsignor Renard with John Thaw). I really hope this series get the international acclaim it deserves! 10/10 from me.

Munin75 "Un village français" is one of these rare TV series which suck you in through realistic plots mixing suspense, love, betrayal without being sensationalist, and staying simple (although the numerous love triangles are a little too much at times). French TV being filled with painfully mediocre, if not absolutely bad series, "Un village français" stands out as the best one out there, by far.The realism of it is one of the factors which make it great. The actors are superb, their characters genuine, the women beautiful in a classy way (not tasteless bombshells), and the plots explore simple people's decisions during the hard circumstances of the Occupation, without ever openly judging their acts.The series starts kind of slow. I'd say the first season is the weakest yet, even though it has the ultimate spectacular scenes when the German army takes control of the village. The series only gets better as the viewer is more familiar with each character, and follows their individual paths, their interactions, their fears and decisions. It takes its time. It doesn't rush into the events of the Occupation, and rather presents the slow evolution of French Collaboration as things get harsher and more fixed, and the characters ultimately need to find themselves and chose their definite side, or remain torn.As said before, "Un village français" doesn't judge, staying remarkably neutral when possible, not opting for an easy manichean presentation of the Occupation. Many characters turned collaborators are not bad people and even try to do good, like the mayor of the village, or one young woman who has an affair with a German soldier. Even the young chief of police (Jean Marchetti) is likable. As I'm writing this, the series is only in its fourth season, so I can't wait to see how these characters will be treated in the last season which will presumably depict the Liberation. Hopefully, it will continue to show the harsh reality (I'm expecting head shavings, trials, public dishonor, executions, escapes and pardons... the characters are so diverse that each fates are possible).A great TV series, which I highly recommend to those who have a chance to see it.