Zazie dans le Métro

1960 "Liberté... Insanité... Hilarité!"
6.9| 1h33m| en
Details

A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle. He and the viewer get more than they bargained for, however, in this anarchic comedy that rides roughshod over the City of Light. Based on a popular novel by Raymond Queneau that had been considered unadaptable, the audacious Zazie dans le Métro, made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects.

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Also starring Catherine Demongeot

Reviews

Scanialara You won't be disappointed!
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Robert J. Maxwell A visual cartoon. It's colorful, filled with speeded-up action and absurdities, sometimes almost frantic, and seems to combine M. Hulot with Richard Lester's treatment of the Beatles yet to come.There's nothing much to the story. Nine year old Zazie, a shrill little girl, meets odd people in Paris and impossible things happen. As shocking as it must have seemed at the time, it's more charming than amusing now, after the technique has been anatomized and splayed across the screen so often since then.And to think this comes from Louis Malle, director of quiet, sensitive, understated tales with an abundance of humanity. Also Candace Bergen as a wife.Of all the silly characters, Philippe Noiret is the most appealing. He was the same mope then that he is now except so much younger.It occurs to me that if you're fond of silent comedies with Charlie Chaplin and Harold Lloyd, you'll probably like this. It goes beyond the silent comics into the absurdist ionosphere but still --
Rodrigo Amaro "Zazie dans le Metro" is the kind of movie that owes its relative positive outcomes more to its style than to its comedy of errors kind of humor. Having been made as an American film and this would be considered a disaster. Why? It would lose in style, technique, good cultural references and meaningful message. Don't be fooled, "Zazie" has a message in between scenes. Despite an apparent lovely child as the main character and the apparent comedic routine of the film, this is more inclined to be a grown up's picture than one suitable for children - they can watch but the easily impressible ones in the audience will keep asking their parents the meaning some of the words used by the girl, many of them cursing. So, if you want to insist on watching this with a kid be warned that you're going to be just like the adult characters of this explaining everything to the kid.It tells the story of a 12 year-old country girl (Catherine Demongeot) who is left with her uncle (Philippe Noiret), a performer artist, while her mother is spending a lovely time with her boyfriend. She flees from the house with the intent of taking the subway, but that plan fails because they're on a strike, so the rest of the movie is her sort of understandable childish behavior against the fact, so she explores the city and creates a lot of confusion against anyone she sees.Cartoonish, filled of speed-up images, running as if it were an imitation of a Bugs Bunny gag, "Zazie dans le Métro" would be an interesting film if it had some coherence rather than just creating images just for fun. An adventurous piece about a girl discovering herself and learning about what growing up means, ultimate message of the film, would be great. The clownish tone of it was distractive and flat. I was reminded of "Amèlie", since it shared a young female's magical and unusual vision around a big city, it's her small world colliding very beautifully with other persons, other realities, forming a reflexive image about society. Both are colorful and fast paced works, carried with visual style and splendorous editing tricks. "Amèlie" is better because it has somewhere to go while "Zazie" is pure slapstick, losing humor the more it progresses. It's not a bad movie, but it's not so dignifying of having a terrific director like Louis Malle writing and directing it and let's face it, humor doesn't suit him. His greatest works are all dramas (see "Au Revoir Les Enfants" or "Damage"). It's a good picture, indeed, genius in its creative compositions, elaborated sequences (the breathless one in the Eiffel Tower takes the cake), paying an homage to the silent era but it's a real tough break to endure the annoying little brat, her mannerisms and language (not believable in the 1960's context) which isn't funny or humored because she's mistreating people who are good to her and undeserving of such treatment.I liked what I saw even though I laughed only once or twice. Mr. Noiret was a class act and made this a very enjoyable film along with the great locations. And don't be fooled by the false advertising, she only spends ten seconds in the subway and doesn't even notice. 6/10
FilmCriticLalitRao Films featuring metro are a sub genre in itself.In French cinema,2 of the most eccentric metro films are :subway and Zazie dans le métro.On the one hand "Subway" is more of an "in the metro" film,on the other hand "Zazie dans le métro" can be defined as something of "outside the metro" film.Nothing much happens in the metro itself.This is because in the film Parisian metro is just a metaphor in order to allow a young girl to explore the intricacies of the adults' behavior.The young girl whose role is nicely played by Catherine Demongeot is a veritable trouble maker.Although she is in Paris to enjoy her stay, she is more interested in pestering her uncle.Great French actor (now dead),Philippe Noiret plays the role of the hapless uncle who is absolutely at a loss as to how to reply to his niece's absurd questions.This film by Louis Malle is quite unusual as there is no other film which can match its spirit of freewheeling fun.For fact finders, the film is based on a novel by Raymond Queneau who was close to surrealist writers of his times.
grendel-28 Frankly, in the world of corny jokes and lightweight punchlines of the Hollywood comedies I hunger for the good old French physical comedy. Malle is one of the best ju-ju men in the business and in Zazie laughs never stop. Actually, in this movie anything ever stops as people are running rather then walking and driving rather than sitting still. The story is quite simple, a little girl is sent by her mother to Paris to her uncle and the only thing she wants really is to see subway (metro). Of course she runs away, of course everybody starting after her, of course there are some dumb cops and sinister-looking strangers... Or maybe I got it all wrong for having laughed so hard I could not read the subtitles (and my French would barely guide me through a menu in some bistro). Think of it as a live action Roadrunner movie on caffeine...