D'Artagnan's Daughter

1994
5.8| 2h5m| en
Details

It is 1654, in the South of France. When horsemen follow a runaway slave into the convent where he's taken sanctuary and kill both the fugitive and the Mother Superior, they little realise that one of the novices is the spirited daughter of retired musketeer D'Artagnan.

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Reviews

Acensbart Excellent but underrated film
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
TBJCSKCNRRQTreviews 1654. When the titular daughter, Eloise(the stunning Marceau, who takes over her father's arc, and is equally big on honor, justice, and defending the innocent), gets a hint of a conspiracy, she leaves the convent her and her mother were at(...if you aren't safe there, then where?), goes to Paris, has her first suitor(Tavernier, a poet who is not exactly skilled with a weapon; he is the comic relief, and in spite of that, he is seldom annoying, they walk the line of that well), and asks the elder D'Artagnan(Noiret, who recognizes himself as a youth in her... and the two have a great relationship, one of several that are sweet and, as a lot of the humor, very human, very sympathetic... she wants to be as big an adventurer as he was, he wants her to be a woman, and listen to her, and in amongst the expectations, there is clearly a mutual love) for help. He sets about reuniting with Aramis(Frey, the religious and controlling of them) and Porthos(Billerey, always hungry; what of Athos? I won't give that away), (all three of them physically affected by it having been 20 years since they were last swashbuckling) and they will all seek out the mysterious Red Lady. This clearly loves the novels(with many references to them, and not all overt or direct) and wanted to add a new chapter to the overall narrative, that of the next generation, and it succeeds in delivering that and making it compelling. We get an early indication of how far our villains will go(and when you find out what they're doing, it's quite clever, and fairly historically accurate), the gradual build-up to seeing them together rather than immediately showing all of our favorite musketeers, and the fencing is great, both in quality and amount. Nice choreography, and the well-done visual composition of the fights ensures that you never lose track of where everybody is, in relation to each other, and what they're currently doing - even when it involves a dozen people, and they're in a crowded, well-furnished area, like a bar. This keeps to a moderate pace, and one can clearly tell it's French... you can practically smell the environment, sense it right in front of you - with people in the market selling, inside praying or writing, etc., according to the time. The mood is thus set effectively. Their passion is also clear, with several of the well-written characters suddenly bursting into rants, or arguing. And it is evident in the comedy, which I've already mentioned. This balances laughs and tension well. There is a lot of mild violence, a little female nudity(topless, and butt) and sexuality, and, I'm told by the Parents Guide(what? I don't speak it... MF'er), some strong language in this. I recommend this to any and all fans of the Dumas stories. 7/10
Bob Taylor Bertrand Tavernier has turned to the past many times before in his long career. He has no trouble telling a story with period costumes and swirling swordfights. La fille de D'Artagnan is a lot of fun for the first sixty minutes or so, then the lack of any great imagination in the plot construction starts to be apparent. There seems to be a coded message in a letter stolen from a convent that occupies the minds and energies of many of the characters to the detriment of telling the story.Philippe Noiret is great, but the part is so easy for him. Sophie Marceau gets to show off her splendid breasts. Jean-Luc Bideau as Athos is perhaps the most watchable actor in the proceedings; he looks really dapper in that eyeband. If you want a really fine film about pre-Revolutionary France, try Que la fête commence, which has Noiret in one of his best roles.
jimtrageser Only based on Alexander Dumas' musketeer tales, not taken from them, this movie still manages to capture the sense of fun and adventure that marked his novels.The four older actors playing the retired musketeers who are drawn back into the fray by D'Artagnan's daughter, Eloise, will be unfamiliar to most American viewers, but all of them have that same kind of slightly naughty French humor that so many Americans love in Gérard Depardieu (whose Porthos from the "Man in the Iron Mask" would have fit in perfectly here).And Sophie Marceau will charm the pants off of you - although her pants are about the only clothing item she manages to hang onto here. But she is saucy, funny and very strong.The scenery, too, will enchant - the castles, the countryside, all are gorgeous and true to the time.
Haplo-4 This is the best French movie I have ever seen. The characters are both trustworthy and funny, the dialogue is intriguing and the plot marvelous. Sophie Marceau is perfect as the daughter of D'Artangan and she prows that she is one of the leading actresses in France. The director has perfectly combined humor, action, adventure and love in a way that not many is capable of - I just hope that Hollywood don't make a movie of their own from the script - they usually destroys them - like their remake of "Nikita".So a BRAVO! to the director and I hope I will get to see more movies made by him.10/10