You're Never Too Young

1955 "Dino's the singing dean of a girl's school, Jerry - a wolf in kid's clothing - in a class by himself with 503 coeds."
6.5| 1h42m| NR| en
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When an aspiring barber becomes inadvertently involved in the theft of a valuable diamond, necessity forces him to masquerade as a 12 year-old child - with humorous consequences.

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Steineded How sad is this?
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
bkoganbing The Paramount library was a good place for source material for the Martin& Lewis team while they were making big bucks for the studio. You're Never Too Young was a gender reversal remake of the Billy Wilder classic, The Major And The Minor. Not that anyone would confuse Ginger Rogers and Jerry Lewis.Just as Ginger Rogers was pretending to be a juvenile in the Wilder film, Jerry is pretending to be a little boy because there's a killer after him. The killer is Raymond Burr and he's killed a man to obtain a very valuable diamond. In trying to escape the hotel where the crime happened Burr palms off the diamond and eventually it winds up with Lewis.On the train to Blitzen, Washington (is there such a place) Jerry meets up with Dean Martin and Diana Lynn going back to a girl's school. Also on that train is Burr forcing Jerry to adopt that disguise. Jerry takes shelter with them and boards at the girl's school. Lucky dog.Arthur Schwartz and Sammy Cahn teamed to write the score for You're Never Too Young of which the number Simpatico done in a nice Latin tempo by Dean is the best. There's Nina Foch in the cast playing a designing woman whose designs are on Dean and her mother runs the school. And we can never forget Veda Ann Borg who always adds something to any movie she's in. Watch her try to vamp the diamond out of Jerry.Even missing some of the Billy Wilder bite, You're Never Too Young is a funny enough film that will please more than Martin&Lewis fans.
vincentlynch-moonoi I should preface this review by saying that I'm a huge fan of Dean Martin. But I think I can be objective, and there are films of his (e.g., "Artists And Models" and the later Matt Helm flicks) that are not so hot. But this 1955 comedy is one of the Martin & Lewis films on the high side. The co-stars are second rate -- Diana Lynn, Nina Foch, and Raymond Burr (two years before he hit it big with "Perry Mason" and became a television staple).In this film, Wilbur Hoolick (Jerry Lewis) is a frustrated barber's apprentice who spends most of his time sweeping the shop. There are some funny bits when Bob Miles (Dean Martin) visits the barbershop for a trim. But before that, Raymond Burr's character steals the Majuba Diamond and hides it is Miles' pocket. Wilbur, who appears to have inadvertently gotten the diamond, is sent by Burr to Burr's wife's apartment to give her a hair-do...merely a plot to secure the diamond, which fails.Wilbur is forced to leave town...again, inadvertently with the diamond. He doesn't have enough fare for the train to Blitzen, Washington so he finagles a boy's sailor suit so he can pose as a child for half fare. Okay, so it's goofy...but this is that kind of comedy. Wilbur as an 11 year old is pretty far-fetched, but he ends up on the train...sitting next to Burr...and ends up in Dean's girlfriend's train cabin....scared of the thunderstorm. And starts the gossip back at the school where Martin and his girlfriend teach.Once at the girl's school, things get out of hand with Wilbur falling in love with Martin's girl, but unable to be the adult he really is.There's a great finale, with some lake-speedboat photography that's surprisingly realistic.Dean has a couple of good romantic songs of the style popular back then -- "Like I Do" and, particularly the romantic "Sympatico". Dean and Jerry are hilarious in "I Like To Hike", with a large chorus. I'm not a Jerry Lewis fan, but there were times he was so good...and this is one of them.This film was re-released in 1964...right after Dean Martin hit big with "Everybody Loves Somebody".
Spikeopath You're Never Too Young is a remake of 1942 film The Major and the Minor (which itself is based on a play). Only with a gender change. It's directed by Norman Taurog and supporting Martin & Lewis are Diana Lynn, Nina Foch & Raymond Burr. Plot sees the duo caught up in a diamond robbery that entails Lewis posing as a 12 year old schoolboy to flee from the pursuing Burr. Tale unfolds at a girls school where confusion and romance reigns.It's the same with other famous comedy double acts on the big screen, be it Laurel & Hardy, Abbott & Costello, Hope & Crosby or this here pair of Martin & Lewis; there's never a definitive movie that's considered the best from the output. You're Never Too Young has many fans, some of whom proclaim it to be the best film they made. Personally speaking I think it's OK as a time filler, but actually one of their weakest colour productions; and certainly inferior to the great Artists & Models released the same year.Casting aside the preposterous notion at the heart of the film, since this is slapstick comedy after all, the support cast is weak (Lynn arguably the worst female support in all their movies and Burr underused) and the gags are few and far between. It's weakly plotted and half heartedly performed by Martin, even the Schwartz/Cahn musical numbers lack sparkle (yes even Dino's lukewarm rendition of Simpatico). The colour photography from Daniel L. Fapp is most appealing, as is Edith Head's costuming. But no! Even as an ardent fan of their work, I just can't agree this is anything but distinctly average. 5/10
moonspinner55 Role-reversal remake of 1942's "The Major and the Minor" has Jerry Lewis stepping into the part originally played by Ginger Rogers, but unfortunately this anemic outing is missing a lot more than just Ginger. Lewis attempts to pass for a child when boarding a train; he's successful, but the deception leads to a string of comic and romantic confusions. Sidney Sheldon adapted the screenplay, tossing in musical moments for Dean Martin (playing yet another in his stable of second-bananas) and a jewel-robbery subplot (which is dire). Diana Lynn, who played the wily teenager in the original film, plays Lewis' love-interest here. She's cute; Jerry isn't. *1/2 from ****