BootDigest Such a frustrating disappointment

Rpgcatech Disapointment

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

kazan-bandi Yokai Daisenso is a peculiar funny movie about an old vampire and the brave Japanese monsters. The vampire is woken up by treasure hunters, goes to Japan, kills a wealthy man and takes his form. But he needs fresh blood regularly and the Japanese monsters who live peacefully there, not disturbing the people, unite forces and fight the vampire. This movie is recommended for the lovers of the weird, funny movies and everybody who likes the old horror movies. Yokai Daisenso is not entirely a horror movie, because it's not only funny because it's old but it also contains ironic elements, for example the Japanese monsters look up the existence of a vampire (who came from Afrika) in a picture book which contains every ordinary Japanese monster/ghost. I give it 9 points out of 10 with the comment that people who - after reading this - know that they wouldn't like this movie, shouldn't watch and vote it.

Gafke A zucchini-headed vampire from Europe comes to Japan, kills and then possesses the body of a good and noble lord. The local demons aren't too pleased by the idea of a foreigner moving in on their territory and decide to battle the monster. Thus, a horde of boogeymen assemble - a water demon who looks like a flatheaded Woody Woodpecker, a woman with two faces; one lovely and one hideous, a demonic umbrella with a tongue that Gene Simmons would envy, a tiny little dude with a round head who bears a freaky resemblance to Aunt Jemima and a woman with a deadly python-like neck. As the vampire claims more victims and literally begins to reproduce himself, the villagers and the demons band together and go to war.This is a hilariously funny and visually beautiful film. The special effects are outstanding, considering the year was 1968. Simple camera tricks turn the battle at films end (and the ensuing victory "parade' of the Japanese ghosts and demons) into something resembling a weird ballet as transparent ghouls and projected monsters jump, spin, fly and fight in slow motion. Despite some unexpected (and hysterical) light expletives and a few splashes of ketchup-y blood, this is a great film for kids as well as adults. It's really very funny, oddly sweet and a lot of fun. HIGHLY recommended!

jmaruyama When the Babylonian evil known as Daimon (Daemon) is unearthed from his underground crypt, he begins his reign of terror by traveling to feudal Japan to conquer its people. Standing in his way is a veritable army of strange and bizarre Japanese "Yokai" (ghosts) each with unique personalities and supernatural powers. While I liked much of the creature effects for this film, I wasn't too thrilled with the story. Unlike Daiei's "Majin" movies, "Yokai Daisensou" is a bit too comical and goofy for my tastes. There were some genuinely creepy scenes and the gyokaih costumes are inventive and interesting.

mark-252 A Japanese horror movie that mixes bloody neck biting and comedy-relief ghosts represented by acrobats and little people - reminiscent of the inhabitants of the sixties TV series H.R. PUFNSTUF. I believe this is a sequel to HUNDRED GHOST STORIES as it features many of the same ghosts (e.g. the snake-necked woman and the umbrella ghost). A marvellous vulture-like vampire arrives in ancient Japan and hides in the body of an important land-owner and starts to put the bite on his subjects. The local ghosts are the only ones who know what is truly going on and try to oust the demon. Their efforts lead to a spectacular climax as the demon grows to giant proportions... While the ghosts costumes are unconvincing, one gets used to them, especially when you know they are based on old Japanese legends. The scenes featuring the bad-guy are both fierce and atmospheric - the lighting effects are quite remarkable - and the blood-letting is far too explicit to be aimed at a juvenile audience. But it's well made, fast-moving and a fascinating trip into the mythologies of a different culture than the usual western ghosts and vampires.