Crwthod A lot more amusing than I thought it would be.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Portia Hilton Blistering performances.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

KineticSeoul This is another weird and bizarre Japanese superheroes movie by Takashi Miike. And that is the main drive of this movie, which is the weirdness. So this is basically a live action adaptation of a 70's cartoon show. Kind of like "Gatchaman", except way more cheesy. I don't know how close of an essence this movie has with the cartoon. But despite the cheesy Saturday morning cartoon vibe going. Most of the humor and focus is actually on the adult themes. Especially with the direct or indirect sexual references. The plot is about these duo that goes by Yatterman. Which is composed of a male and a female characters that is dressed in a superheroes engineer costumes and masks. One wields a kendama and the other a electric stick. And has a sidekick giant robotic dog with them that gets beat up constantly unless it gets a mechanical bone from Yatterman. And goes around trying the save the world once a week. By these team rocket duos. Except it's a trio in this one, which is composed of. Wario and Waluigi with Batwoman as the leader. Or at least looks like it. The plot is narrow, predictable and very childish. It's like a script for a children's video game. Which is fine for a video game, but not much for a live action movie. Despite the wackiness, it felt like I was just sitting through this movie just to pass the time. In another words, it's kinda dull. I am not sure if the cartoon this movie got adapted from is weird, bizarre, and has that adult themes to it. But those elements is what saves this movie from being just plain bad. Since I couldn't tell sometimes if this movie is directed towards kids or adults. The production value is decent for these types of movies from japan. Although the CGI can be awful at times(I guess that sorta adds to the cartoony feel of this flick though). Maybe fans of the cartoon show this movie is adapted from might enjoy this. Overall this movie is a very simple movie that has a lot of stuff going on. It's a passable movie but not that entertaining or enjoyable. There simply isn't a moment in this film that would wow or amaze anyone or even simply find it cool. It's basically like watching a passable episode of a children's cartoon show. Except it's drawn out with bunch of weird, bizarre imagery with adult themes. And that basically sums up this disappointing movie. That is just maybe worth a rental and nothing more.6/10

eskil-j I usually fancy Japanese films. This one was an unexpectedly big disappointment. The storyline is like what you normally see in a 25min children's TV-show. The acting is very much like teletubby's. Very colourfull, cute figures push each other, and sit down with a fart. A little bit of irony-spice lightens it up: The happy song about the ever strong and wonderful times for the hero's is performed, while the hero's don't enjoy life. There are just a few moments of it, though. There's a little bit of first innocent love in the film. And then there's several heavy sexual hints, like a robot getting orgasm and cum'ing (and telling about it), while it's attacked.Most of the content and the story looks like it's aimed at small children. It doesn't have the sub-layer aimed at the adults, like in most family/children's films. But then it has a layer of sexual jokes, making it unsuitable for small children.I haven't seen anything this bad for a long time.

eannamac Gan and Ai (who together are Yatterman) battle Mistress Donjuro and her fiendish assistants Tonzra and Boyacki for pieces of an ancient skull. In the hands of someone other than Takashi Miike this would be a conventional adventure thriller with car chases,snappy one-liners, explosions and a love interest. However this is Takashi Miike. He pokes a finger in the eye of your pre-conceived ideas, flicks v-signs at the standard film conventions while dancing on the seat of a unicycle. Naked.On Fire. And upside-down.If Luis Bunel and Dali dropped acid and spent the weekend drinking Absinthe and eating crayons this is the kind of madness that would ensue. This is huge spoiler for the opening, just to give you a flavour for what the film is like:***Spoiler***We open to a scene of devastation, a huge teddy-bear robot is rampaging though Tokoyoko armed with a frying pan and cleaver. They are confronted by Yattaman and a fight ensues, which has people climbing out of what appears to be deep-fat fryers, fighting with giant spoons and forks versus someone armed with a a ball and cup, throwing cars at each other, kung-fu moves, more robots, a cute Japanese woman dressed as a leather- clad dominatrix, electrocutions, slapstick, a soundtrack that sounds like a mixture of bad 80s pop and German power metal guitar, then followed by a battle between a robo-dog and the original teddy-bear kitchen utensils robot, the losers make their escape on a bicycle that talks to them and throws them off by exploding the saddles as punishment... and that is just the the first 10 minutes.I've no idea if this is true to the original cartoon series and to be honest I don't care - it is well done, funny, appeals to both the adult and 5-year-old in me and very entertaining.

dballred Yatterman is one of those films that is best appreciated by fans of the very funny animated television series. I can't give it more than a six for that reason, but I happen to be one of the show's veteran fans and would rate it much higher at a Yatter-convention. The story is about Gan Takada, a mechanically-inclined boy and Ai Kaminari, his cute cohort who, in the original 1977 television series and its 2008 reprise, do weekly battle against the forces of evil--namely a woman named Doronjo and her two male cohorts, Boyacky and Tonzler. Behind the scenes on the evil side, there's an unseen character named Dokurobe who sends the trio through time and space on a quest for items which, if assembled, will allow him his dream of ultimate power. Each side pits a humorous array of robots and mechanisms against each other. Besides the obvious improvements in animation technology over the last thirty years, there are other differences between the two series. Gan is lazier in the new series, Ai is more possessive, and Doronjo's outfit is sexier. However, I still prefer the original series--and I'm not alone. Doronjo is the main difference. She was a much more likable character in the '70s version--and I have to admit she was one of the draws that kept me coming back to the TV every week. Takashi Miike did his best to follow the original series and, in doing so, kept the target demographic in the teen to adult range. Miike made Donojo a very likable character--and the drop-dead gorgeous Kyoko Fukada fills that character--and (you've got to see it to believe it) costume--very well. Miike also restored Boyacky to a pathetic genius with an unrequited crush on a Doronjo who plays him like a fiddle. He also restored Gan to status of willing hero and lowered Ai's maintenance level a notch. He also restored the '70s Yatter-policy of not providing real names of people or places. In this movie, for example, they travel to Ogypt and the Southern Halps. All in all, it's a fun movie and is worth seeing if it passes through your town or your video rental store.