Witchcraft 13: Blood of the Chosen

2008 "Their number is up."
2.3| 1h29m| R| en
Details

Will Spanner, the reluctant heir to a dark legacy, is again thrown into battle against the forces of evil when a series of gruesome murders begins to take place. The victims are all brutally murdered in a ritualistic fashion - the heart is taken from each corpses. The victims also have something else in common with Will, something that the minions of darkness will stop at nothing to possess.

Director

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Tripod Films

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Reviews

Jeanskynebu the audience applauded
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Michael_Elliott Witchcraft 13: Blood of the Chosen (2008) * (out of 4) After a six year hiatus, the WITCHCRAFT series is back with its (so far) final entry. Will Spanner (Tim Wrobel) is back and this time he's once again investigating the death of a friend, which once again has him tangling with evil forces. Ahh, the thirteenth entry into this series is quite a strange one for a few reasons. You can tell that the screenwriters wanted this series to return to the fans and they even offered up various things connecting to previous entries. As you might remember, there was a character who started off a man but switched to a woman and this here is explained. We even have returning characters going as far back as the second film and there are even other moments where plot points from previous movies are mentioned. I certainly applaud the screenwriters for attempting to give fans some sort of connection but sadly it's all wasted because this film is downright hard to watch. I say that because technically speaking this film is just a disaster as nearly every scene is so dark that you can't make out what's going on. The audio quality is also extremely low, which at times makes the dialogue hard to understand. It's strange that the technical quality would be so bad here and it really hampers the sex scenes, which is usually the drawing point for this series. These scenes are so dark that quite often you can't see any of the actual nudity! The performances are pretty much what you'd expect from the series but I will say they aren't the worst. The special effects are basically limited to the killers ripping the heart's from the victim's chest but none of them are all that believable. WITCHCRAFT 13 is certainly just going to be for fans of the series but it's doubtful many of those will make it all the way through.
Woodyanders Successful nice guy lawyer and warlock Will Spanner (a solid and engaging performance by Tim Wrobel) investigates a series of gruesome ritualistic killings while struggling with his own dark past. Director Mel House, working from a straightforward script by Michael and Jeffrey Wolinski, relates the fun story at a steady pace, maintains a generally serious tone throughout, delivers a pleasing amount of delicious female nudity and sizzling soft-core sex, and tops everything off with a nice smattering of grisly gore (various guys have their hearts ripped out and eaten). The earnest acting from a game no-name cast constitutes as another plus: Steven Scott contributes a neat turn as helpful occult expert Eldridge while Lynn Michaels and Richard Flood do sturdy work as the two cops on the murder case. Moreover, a hot and sexy bevy of lovely ladies ensure that this pictures remains watchable from start to finish: lovely Jennifer Lafleur as desperate and attractive client Dolores, buxom redhead Zoe Hunter as the enticing, but dangerous Skylar, tasty blonde Roxy Vandiver as the slinky'n'seductive Keely, the gorgeous Anjanette Clewis as the lethal and wicked Leandra, and the fetching Falin Proffitt as eager and smitten intern Laura. The rinky-dink (not so) special effects possess a certain endearing tacky charm (the CGI stuff in particular is amusingly crummy). Robert Ybarra's shuddery score does the quivery rocking trick. William Leonardo Molina's cinematography is pretty plain, but overall acceptable. An enjoyable piece of junk.
David Kostelecky Man, I got super excited when I saw the title to this flick...Witchcraft 13! Oh my god this has got to be one awesome flick. I mean from the moment it started I couldn't wait for it to be over so they could get to making number 14! I mean the darks were so dark I couldn't tell what was going on...AMAZING! And the acting...let me tell you about the acting. It was so great it was bad. The actors are so good they didn't even need to give their A game. And Plot? Who needs plot when you got a story this great. And man the line reading is just...man I can't say it enough...AMAZING! All I gotta say is that I can't wait for part 14...because part 13 was that bad...I mean good.
Jason Stewart Like a low-fi horror version of Lar's Von Trier's "The Five Obstructions", director Mel House and his game cast manage to shine the large turd that is the long-running Witchcraft series to a golden gleam, while staying within the narrow confines of the tropes set forth by previous entries.While the script stays bogged down in the deep wagon-ruts of its predecessors (boobs, blood, and a pentagram or two for good measure), the energy shown in the visuals and performances (some obviously created in the editing room) raise it above standard direct-to-DVD grand guginol fare.Cast standouts include Tim Wrobel as warlock with a heart of gold and libido of indiscriminate taste, Will Spanner and Zoe Hunter as the "witch who keeps her clothes on". Wrobel manages to get across Spanner's world-weariness even as he beds every witch in sight while Zoe displays deft comedic skill in a brief sequence where she receives "help" from a good Samaritan on a lonely Texas road. I suppose that Roxy Vandiver's athletic performance in one of the most methodical and varied sex scenes ever filmed deserves some mention, though it is hard to watch without hearing the less-than-subtle sound of jackhammers in the back of your mind.Moving into the director's chair after handling DP duties on the Wolinski brother's previous effort, Mel House shows a flair for interesting camera work and a sense of pacing critical to genre films. Though sometimes falling short of the mark, his use of effects, both digital and practical, greatly enhance the look and feel of the picture. If he overreaches on occasion, it's only because his vision outpaces his budget (and sometimes his actors).I've heard that his next project will be a completely original film and I'm looking forward to seeing what he'll do with a bigger budget and a greater degree of control.A nice film to watch while devouring the heart of your loved one.

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