Unlimitedia Sick Product of a Sick System

MoPoshy Absolutely brilliant

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

m_imdb-790-187198 This film is a dramatic look at the lives and relationships (or lack of relationships) of the four main characters. It is a thought provoking look into what can happen when we allow ourselves to dwell within our personal misery to the point that we can no longer connect to those around us. The acting, writing, cinematography and direction are excellent, and the film is riddled with beautifully captured moments of life to which so many people can relate. If you are looking for a shallow sexy thriller, see Basic Instinct or Sliver. But if you are someone who appreciates the simplistic intricacies of what makes up the soul of a person...this movie is an excellent choice for you. It is a mature film that doesn't lay the emphasis on effects and the usual circus but on the subtleties and realities of people standing in the middle of their lives.

demona_3 Though marketed as a Sharon Stone thriller, this solemn chamber piece revolves around three men. One evening at work, Gary (Timothy Hutton in ever-present baseball cap) runs into night janitor Bill (Dylan Baker in over-sized spectacles). Gary and Travis (Pruitt Taylor Vince) used to tease Bill, a classical-music enthusiast, in high school. The encounter spurs Gary to reconnect with Travis, with whom he lost touch after the latter was involved in an automobile accident (for which he blames himself). Together, they drink and commiserate over their lonely lives; meanwhile, Gary's neglected wife, Karen (an uncharacteristically disheveled Stone), takes to sulking and shoplifting. Bill becomes preoccupied with his pretty neighbor, Sadie (Stacie Bono), and her abusive relationship (in his dreams, Bill saves Sadie from her attacker). A senseless tragedy forces these isolated individuals to face their fears once and for all. Originally known as When a Man Falls in the Forest, then When a Man Falls, the follow-up to Ryan Eslinger's Madness and Genius moves too slowly to generate suspense, while the characters lack sufficient development for their catharsis to have the desired impact. (An absence of personal touches, like portraits and mementos, contributes an air of artifice.) Despite their efforts, this leaves the actors stranded at times, particularly Baker, whose Bill is too bizarre to inspire much sympathy. Of the leads, Vince makes the best impression--would that Eslinger had concentrated more of the story on his character.

alifrog-1 This movie is a complete waste of time. I have watched it and could not tell you what it was about. The cover of the movie is pure deception, it leads you to believe that it is a sit on the edge of your seat movie NOT. If you want to feel really depressed go ahead and watch it but leave the pills in the bathroom. 90 minutes of my life felt like a lifetime of head in bucket full of snakes.Sorry but just did not get it at all.Wanted a movie with some feel to it , all I felt was pain. I kept telling myself it will get better, but alas it never did. The only thing that saved the movie for me was that it finally ended. I was holding on looking for that spark that would tell You did not waste your money but that never happened.

michael The movie that will make all others shine. American Pie becomes an epic artistic accomplishment in comparison. To its credit, somehow it does manage to out-bore watching paint dry, out depress tax return season, and generally is the only movie i can think of that's worse than an hour and a half with your dentist.This must be the worst movie ever made. 1.5 hours of your life are stolen from you with zero interest, humor, plot, story, emotion, or even drab dialog given back in return. How could they make a movie about nothing and just keep going sideways, on and on. I kept waiting for something to happen; a redemption that brilliantly ties it all together. Something to make it worthwhile. Surely the boring, depressing nothingness is like the start of Bolero, that we need hang in there to be amazed with some forthcoming stroke of brilliance tying it together? don't hold your breath, there's no crescendo in this one, the entire movie doesn't rise above a sad whimper.