What a Woman

1943 "She started the world's greatest MAN-Hunt... AND what she got was too HOT to HANDLE"
6.5| 1h34m| NR| en
Details

An author and a literary agent become involved after selling film rights to his racy book.

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Reviews

Fluentiama Perfect cast and a good story
VeteranLight I don't have all the words right now but this film is a work of art.
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
edwagreen What a whirlwind of a movie! Rosalind Russell portrays a fast-talking movie-agent who discovers that a meek college professor wrote a racy book and that he looks like the major character depicted in the book and she gets him to try out for the part in the film.While this is going on, Brian Aherne, as a magazine writer, pursues Russell continuously.The best part of the film is when after being at a Turkish bath with Aherne, the college professor experiences a total change in personality and goes after Russell since he has really fallen for her.Movie made during World War 11. What a great way to get everyone's mind off,if but temporary, from the real world.
gudpaljoey-78582 I don't know how anyone cannot like 'What a Woman.' I thought it was a very funny, delightfully insane romp, made possible by the wonderful Roz Russell playing the role of a powerful comedic woman, a role that she plays better than anyone else, and that included Mss. Shearer, Harlow, and Stanwyck. The rest of the cast had a hard time keeping up with her, but mostly did. I had to suspend belief over the rush to the wedding near the end of the flic, and I needed a few more hints as to why Mr. Ahearn was falling in love with her. There were enough good lines for all concerned to make me give a hoot about the writing of a genre film hat had not quite become a genre.
ksf-2 W.A.W. opens up in a magazine publishing office, where they are discussing how to interview the latest best-selling author, who no-one has ever met. Flash to Carol Ainsley (R. Russell, nominated for four Oscars), who is the agent for the un-seen author. She is determined to track down the author (played by Willard Parker), and doesn't realize the can of worms that revealing him may open... Brian Aherne is "Pepper", a magazine editor who is writing a story on Ainsley, and keeps popping up where-ever Ainsley goes. For most of the film, he is sitting in chairs, waiting for Ainsley to go through the doorway, or come back from where-ever she has been.Keep an eye out for some fun supporting characters - Carol's assistant is played by Grady Sutton is a few years after making those hilarious W.C. Fields films. The office secretary is played by Norma Varden, who was so great as Lady Beekman in "Gentlemen Prefer Blonds". The mens dormitory clerk is Chester Clute, who looks and sounds just like Mel Blanc. Unfortunately, all these actors have very few lines; given a few more lines, they could have spiced the film up a bit. Russell does a great job, and carries the film well. It's a lot of fun to watch, although it's more plain and simple than I was expecting; after seeing her in "Friday", I was hoping for more plot twists. She has the same, strong, fast-talking personality that she had in "His Girl Friday". It was refreshing to watch an upbeat, war-time movie without a single mention of the war. Directed by Irving Cummings, who had directed Shirley Temple in four films in the 1930s. I hope Turner Classics starts showing this more often.
boblipton This mildly preposterous riff on the by now standard Rosalind Russell comedy -- high powered woman executive meets easy-going, mildly contemptuous bohemian and falls into frilly love by the end of the fifth reel -- winds along its well-greased way in a mildly bemused fashion. Long-time pro, Irving Cummings directs this well enough, but only Miss Russell puts any oomph into her role and the visuals mainly seem concerned with her head, making sure that she has an odd looking hat or hairdo that seems to change with every scene. She wears some dynamite dresses also; credit Travis Banton for the dresses. He seems to have specialized in gowning Carole Lombard in her movies.Everyone seems to be giving it the old college try, but by now the formula had grown pretty tired, sustained only by war time movie attendance and some hope that all those Rosies out there, busy riveting together planes and battleships would be able to spend their times in silly hats once the war was over and men like Brian Aherne would be free of the restrictions of bow ties.